Play Public Instance

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{
    "id": 3563037,
    "uri": "https://api.kexp.org/v2/plays/3563037/?format=api",
    "airdate": "2025-10-09T11:31:22-07:00",
    "show": 64787,
    "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api",
    "image_uri": "https://coverartarchive.org/release/d7eb4cf2-ad75-4b3f-b311-a0f6144b7ece/38560883654-500.jpg",
    "thumbnail_uri": "https://coverartarchive.org/release/d7eb4cf2-ad75-4b3f-b311-a0f6144b7ece/38560883654-250.jpg",
    "song": "Crosstown Traffic",
    "track_id": null,
    "recording_id": "15656528-bebb-4866-b9cc-597cec91f6ee",
    "artist": "The Jimi Hendrix Experience",
    "artist_ids": [
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    "album": "Electric Ladyland",
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    "release_date": "1968-10-25",
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    "comment": "#193 on YOUR countdown of the greatest albums of all time!\n\nThe recording sessions for 'Electric Ladyland' were notoriously chaotic — to the point that Hendrix often lost control of them entirely. Hendrix would frequently invite large numbers of friends, groupies, and hangers-on into the studio, turning recording sessions into all-night parties. This frustrated producer Chas Chandler (who had discovered Hendrix), and it ultimately led to Chandler quitting the project. \n\n“After he left, the gate was open and Jimi could experiment,” says producer Eddie Kramer. “The whole album was an experimental thing. Whether it turned out to be a blues jam like ‘Voodoo Chile’, which was magnificent, or an experimental thing like ‘1983…’ it didn’t really matter, because it all fitted together.\n\nhttps://www.uncut.co.uk/news/jimi-hendrix-producer-eddie-kramer-recalls-electric-ladyland-sessions-58180/?utm_source=chatgpt.com",
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