Play Public Instance

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{
    "id": 356433,
    "uri": "https://api.kexp.org/v2/plays/356433/?format=api",
    "airdate": "2019-07-19T11:02:57-07:00",
    "show": 5939,
    "show_uri": "https://api.kexp.org/v2/shows/5939/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "Holy Moly",
    "track_id": "2fcc94c1-1dca-4fb0-8855-6061f663ab3b",
    "recording_id": null,
    "artist": "Chris Staples",
    "artist_ids": [
        "6497d95c-a383-4e8a-8302-724a90264aa8"
    ],
    "album": "Holy Moly",
    "release_id": "b5092bd9-7432-4819-b986-64bdf50301b3",
    "release_group_id": null,
    "labels": [
        "Barsuk Records"
    ],
    "label_ids": [
        "a4f904e0-f048-4c13-88ec-f9f31f3e6109"
    ],
    "release_date": "2019-06-28",
    "rotation_status": "Light",
    "is_local": true,
    "is_request": false,
    "is_live": false,
    "comment": "Chris Staples recorded Holy Moly in his garage all throughout 2018. He'd work on it for a few months, then walk away. He did this several times. Every time he came back he'd have a fresh perspective, finding that some of the songs were great and some he never wanted to hear again. He'd pick the best songs of each two month period and eventually he had a record. In the spring his neighbors started building a house next door and the noise made it impossible to record during the day. Chris started working only at night from about 10pm until 4am. On a vampire's schedule. He says he always feels more creative at night, so it worked out fine.",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}