Play Public Instance

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{
    "id": 3564451,
    "uri": "https://api.kexp.org/v2/plays/3564451/?format=api",
    "airdate": "2025-10-13T05:31:57-07:00",
    "show": 64823,
    "show_uri": "https://api.kexp.org/v2/shows/64823/?format=api",
    "image_uri": "https://coverartarchive.org/release/91f0f6d9-05c1-4ac7-8627-de2846b6491e/20529004481-500.jpg",
    "thumbnail_uri": "https://coverartarchive.org/release/91f0f6d9-05c1-4ac7-8627-de2846b6491e/20529004481-250.jpg",
    "song": "Antigua América",
    "track_id": null,
    "recording_id": "c8ad163e-bf6c-492b-948a-9c1babf2a8b2",
    "artist": "Los Jaivas",
    "artist_ids": [
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    "album": "Alturas de Macchu Picchu",
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    "labels": [
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    "release_date": "1981-01-01",
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    "comment": "\"Through their musical, lyrical, and visual work, Los Jaivas open the door for a more diverse way of sensing, operating, and relating; one which acknowledges the influence of the Kichwa, Aymara, and Mapuche nations on Chilean culture, affect, and values. Prior to the emergence of Chilean Psychedelic Rock, Chile’s dominant affective disposition and sense of taste, from the colonial era through to the twentieth century, had mimicked European values, aesthetic norms, behaviours, and customs. This emulation of European cultural norms restricted notions of what could be considered aesthetically acceptable and of good taste. It also resulted in re-classifying as folk, craft, or non-art the variety of expressive forms of Indigenous nations and of the Chilean people more generally, creating a hierarchy of expressions, and limiting sensibility (López 2014; Mignolo 1992). In this context, the work of Los Jaivas constitutes an act of decolonization with respect to the predominant aesthetic values of the Chilean nation.\"\n\nhttps://iaspmjournal.net/index.php/IASPM_Journal/article/download/1035/pdf/7529",
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}