Play Public Instance

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{
    "id": 3566017,
    "uri": "https://api.kexp.org/v2/plays/3566017/?format=api",
    "airdate": "2025-10-16T18:06:53-07:00",
    "show": 64851,
    "show_uri": "https://api.kexp.org/v2/shows/64851/?format=api",
    "image_uri": "https://dn721604.ca.archive.org/0/items/mbid-d41f7d69-0b04-4d8a-91c0-cc4840816552/mbid-d41f7d69-0b04-4d8a-91c0-cc4840816552-27352391530_thumb500.jpg",
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    "song": "American Crisis",
    "track_id": "19becfc1-8cf6-4a53-8a9d-f44fb598da1f",
    "recording_id": "8fcdf066-80bb-4ee3-9653-c95ad819324f",
    "artist": "Bob Mould",
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    "album": "Blue Hearts",
    "release_id": "d41f7d69-0b04-4d8a-91c0-cc4840816552",
    "release_group_id": "f9ee77bd-34f2-4703-82be-293fb838210a",
    "labels": [
        "Merge Records"
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    "release_date": "2020-09-25",
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    "comment": "\"'American Crisis' is a tale of two times,\" explains Mould. \"Past Time and Present Time. The parallels between 1984 and 2020 are a bit scary for me: telegenic, charismatic leaders, praised and propped up by extreme Evangelicals, either ignoring an epidemic (HIV/AIDS) or being outright deceitful about a pandemic (COVID-19).\n\n\"I’ve seen a lot in my lifetime. This is clearly the worst, but I wrote a lot of protest songs in the ’80s, and I still play those songs, and they still hold true. And I’m cognizant of the power of protest in music. But when it became clear to me that I should write to the light as opposed to the dark… To continue going down that path would not have served me well.\" https://bit.ly/3mP5Wvp",
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}