Play Public Instance

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{
    "id": 3569088,
    "uri": "https://api.kexp.org/v2/plays/3569088/?format=api",
    "airdate": "2025-10-23T21:44:32-07:00",
    "show": 64914,
    "show_uri": "https://api.kexp.org/v2/shows/64914/?format=api",
    "image_uri": "https://dn721900.ca.archive.org/0/items/mbid-fb3ba977-63ff-40fb-875c-32d3c6f21dc0/mbid-fb3ba977-63ff-40fb-875c-32d3c6f21dc0-40058826697_thumb500.jpg",
    "thumbnail_uri": "https://dn721900.ca.archive.org/0/items/mbid-fb3ba977-63ff-40fb-875c-32d3c6f21dc0/mbid-fb3ba977-63ff-40fb-875c-32d3c6f21dc0-40058826697_thumb250.jpg",
    "song": "Half Alive",
    "track_id": "96f3c423-e470-4885-b95f-e878256f0ef6",
    "recording_id": "fc4f54e3-525d-4cfb-b0b3-6b0a6fb4165a",
    "artist": "Yunè Pinku",
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    "album": "Scarlet Lamb",
    "release_id": "fb3ba977-63ff-40fb-875c-32d3c6f21dc0",
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    "labels": [
        "Method 808"
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    "release_date": "2024-10-04",
    "rotation_status": "Library",
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    "comment": "The third EP from this solo project of London-based Malaysian/Irish artist Asha Catherine Nandy.\n\n\"The EP exists sonically within pinku’s electronic sound palette, while simultaneously breaking new ground with its melodies, ASMR-evoking details and pop sensibility. There is a host of gothic imagery involved surrounding the project, with Jane Eyre, Dracula and Mary Shelley’s Frankenstein cited as particular lyrical touchpoints. That fascination connects back to yunè’s love of gothic fables and to her Catholic schooling, as well as the current societal pertinence of ideas of responsibility and culpability.\" https://bit.ly/4jibHhb\n\nhttps://yp.lnk.to/scarletlamb",
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