Play Public Instance

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{
    "id": 3574750,
    "uri": "https://api.kexp.org/v2/plays/3574750/?format=api",
    "airdate": "2025-11-06T14:18:24-08:00",
    "show": 65038,
    "show_uri": "https://api.kexp.org/v2/shows/65038/?format=api",
    "image_uri": "https://coverartarchive.org/release/2e2833d1-a6b0-48a4-aba0-4d5fc1a0c436/1042413435-500.jpg",
    "thumbnail_uri": "https://coverartarchive.org/release/2e2833d1-a6b0-48a4-aba0-4d5fc1a0c436/1042413435-250.jpg",
    "song": "Infant Eyes",
    "track_id": null,
    "recording_id": "7530962f-6a09-4c26-862b-533e33bd12a6",
    "artist": "Wayne Shorter",
    "artist_ids": [
        "2379937f-6e0d-46a2-b8ff-633fafd72002"
    ],
    "album": "Speak No Evil",
    "release_id": null,
    "release_group_id": "eae0c18f-f2fd-3b97-8631-3f682a2f3957",
    "labels": [
        "Blue Note"
    ],
    "label_ids": [
        "713c4a95-6616-442b-9cf6-14e1ddfd5946"
    ],
    "release_date": "1965-01-01",
    "rotation_status": null,
    "is_local": false,
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    "is_live": false,
    "comment": "“Infant Eyes” is arguably one of the most beautiful and mysterious jazz ballads ever written — unpredictably formed, enigmatic and melodically haunting. Shorter’s organic & captivating tone flows over each phrase, creating an incredibly emotional impact. The song was dedicated to his daughter, Miyako. And I could imagine him looking into her eyes for the first time.\n\nHis ensemble generated a magical synergy. With Herbie Hancock’s understated and skillful piano comping, Ron Carter’s subtle, supportive bass lines and Elvin Jones’s intuitive & perfectly balanced drumming, they seemed to play almost effortlessly, gracefully elevating Wayne Shorter’s melody to the forefront, but in a gentle way. “Infant Eyes”: Wayne Shorter’s timeless gift to the world.\" --Jahari Stampley, pianist and composer",
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    "play_type": "trackplay"
}