Play Public Instance – Django REST framework

Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/3578045/?format=api

HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "id": 3578045,
    "uri": "https://api.kexp.org/v2/plays/3578045/?format=api",
    "airdate": "2025-11-14T11:14:13-08:00",
    "show": 65106,
    "show_uri": "https://api.kexp.org/v2/shows/65106/?format=api",
    "image_uri": "https://www.kexp.org/filer/canonical/1588181844/22496/",
    "thumbnail_uri": "https://www.kexp.org/filer/canonical/1588181847/22497/",
    "song": "Love Me When You Leave",
    "track_id": null,
    "recording_id": null,
    "artist": "Greet Death",
    "artist_ids": [],
    "album": "Live on KEXP",
    "release_id": null,
    "release_group_id": null,
    "labels": [
        "KEXP"
    ],
    "label_ids": [
        "89e0503e-96f0-41b4-835f-2c542b7fcb44"
    ],
    "release_date": "2025-11-14",
    "rotation_status": "R/N",
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "\"Greet Death’s third album is every bit as excellent as its predecessors and whether or not it’s the best, it’s undoubtedly the brightest. That’s all relative, of course — it’s still called Die In Love. Yet, the contrast embedded in the title betrays a very different experience than the total despondency of New Hell and New Low. Acoustic ballads are allowed to exist in a state of tender beauty without any piledriving riffs, optimism is portrayed as something that can be earned and owned rather than briefly on loan.\"\n\nhttps://tinyurl.com/nah6pyyd",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}