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{
    "id": 3588637,
    "uri": "https://api.kexp.org/v2/plays/3588637/?format=api",
    "airdate": "2025-12-08T21:04:35-08:00",
    "show": 65326,
    "show_uri": "https://api.kexp.org/v2/shows/65326/?format=api",
    "image_uri": "",
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    "song": "María Cometió Mutilación",
    "track_id": null,
    "recording_id": null,
    "artist": "Estamos Perdidos",
    "artist_ids": [],
    "album": null,
    "release_id": null,
    "release_group_id": null,
    "labels": [],
    "label_ids": [],
    "release_date": null,
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    "is_local": false,
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    "is_live": false,
    "comment": "“María Cometió Mutilación” is a stark, unsettling song that leans into post-punk’s darker tendencies. The bass line is central: repetitive, minor-key, and slightly off-kilter, it anchors the track while guitars scrape out dissonant chords and noisy flourishes around it. Drums are dry and mechanical, emphasizing a marching rhythm that gives the music a sense of inevitability, as if events are spiraling and no one can stop them. Vocals sound distant and haunted, recounting a story hinted at in the title with a mix of detachment and horror. Production choices—echo, slight distortion on the voice, and a cold overall tone—heighten the cinematic quality, conjuring images of dim hallways, flickering lights, and internal collapse. Even if detailed information about Estamos Perdidos is limited, the song speaks clearly: this is music about psychological damage and irreversible acts, delivered with a minimalist but powerful aesthetic.\nListen: https://open.spotify.com/search/Estamos%20Perdidos%20Mar%C3%ADa%20Cometi%C3%B3%20Mutilaci%C3%B3n",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}