Play Public Instance

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{
    "id": 3590125,
    "uri": "https://api.kexp.org/v2/plays/3590125/?format=api",
    "airdate": "2025-12-12T11:18:51-08:00",
    "show": 65355,
    "show_uri": "https://api.kexp.org/v2/shows/65355/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "Scratch",
    "track_id": "8d32c3a2-0e3f-3126-9b04-98f0384c777b",
    "recording_id": "8c3dcb03-06fa-4f34-8eb4-36854e55bc8d",
    "artist": "Morphine",
    "artist_ids": [
        "42689657-cbec-4f66-a9ed-80f939ea23ed"
    ],
    "album": "Yes",
    "release_id": "f83ca559-591b-4980-9df3-495c1173201c",
    "release_group_id": "85322744-ff6c-3ab9-a348-6fb3fdfd6447",
    "labels": [
        "Rykodisc"
    ],
    "label_ids": [
        "6dedcd20-3d02-4838-b583-5434eac199d9"
    ],
    "release_date": "1995-03-21",
    "rotation_status": null,
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "\"The band’s sixty some-odd songs, recorded between 1991 and 1999 by Mark Sandman and a close coterie of musical enablers from the greater Cambridge area, aren’t necessarily of a particular time or genre. There was no ’90s low-rock movement, no nexus of guitar-less trios with saxophone, no prevailing trendline that would reasonably account for the many Sandband iterations, of which Morphine — a trio with Dana Colley on saxophone and two distinct drummers, first Jerome Deupree, then Billy Conway, and finally both Billy and Jerome — was the most prominent.\"\n\nRead more from this history of the band on Morphine's official website: https://morphineband.com/pages/morphine-biography",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}