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{
    "id": 3600695,
    "uri": "https://api.kexp.org/v2/plays/3600695/?format=api",
    "airdate": "2026-01-05T19:49:10-08:00",
    "show": 65574,
    "show_uri": "https://api.kexp.org/v2/shows/65574/?format=api",
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    "song": "la paradoja",
    "track_id": null,
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    "artist": "Juana Molina",
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    "album": "DOGA",
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    "comment": "Juana Molina’s “la paradoja” arrives on DOGA, her 2025 record released via her label Sonamos, and it functions as a thesis statement for the record’s method: music that holds contradictions in the same hand. The track runs 5:51 on the album’s sequence, and its title points to the lyrical and emotional logic you can expect—states that can be indolent and intense, soft and altive, honest and cunning, sometimes within a single breath. Molina is widely known for building songs through layered loops of acoustic and electronic elements, and her work has leaned into analog experimentation and home-studio detail. On DOGA, credits and reporting around the project note Molina’s hands-on production and mixing, alongside collaborator Emilio Haro. Taken in that context, “la paradoja” plays like a small self-contained theatre: language that turns, doubles back, and refuses a single moral. For listening, focus on the way her phrasing treats each adjective like an object you can rotate; the repetition is less chorus than examination. The song is also a reminder that “paradox” is not confusion—it is precision about complexity. If you come to Molina for melody, stay for the craft: she turns minimal materials into an atmosphere that feels lived-in, intimate, and uncanny.\u2028Listen: https://juanamolina.bandcamp.com/album/doga",
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