Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/3600703/?format=api
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
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Vary: Accept

{
    "id": 3600703,
    "uri": "https://api.kexp.org/v2/plays/3600703/?format=api",
    "airdate": "2026-01-05T20:23:30-08:00",
    "show": 65574,
    "show_uri": "https://api.kexp.org/v2/shows/65574/?format=api",
    "image_uri": "https://coverartarchive.org/release/5fab6cea-ff98-4e0f-8d35-edf918edd92f/19380170813-500.jpg",
    "thumbnail_uri": "https://coverartarchive.org/release/5fab6cea-ff98-4e0f-8d35-edf918edd92f/19380170813-250.jpg",
    "song": "Monster Truck",
    "track_id": null,
    "recording_id": null,
    "artist": "Plastilina Mosh",
    "artist_ids": [
        "9ff60a50-6288-4b46-8b69-75877450d282"
    ],
    "album": "Aquamosh",
    "release_id": null,
    "release_group_id": "02226430-d1c6-3241-9ccb-8463ae3595f8",
    "labels": [],
    "label_ids": [],
    "release_date": "1998-06-30",
    "rotation_status": null,
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "“Monster Truck” sits on Plastilina Mosh’s debut album Aquamosh (1998) and captures the group’s early “Avanzada Regia” spirit: genre borders treated as suggestions. Clocking in at about 4:18, the song rides a chunky, dance-ready groove while letting the band’s collage instincts peek through—hip-hop attitude, rock bite, and electronic sheen braided into one lane. A retrospective aptly calls it a “digital blues stomp,” which is useful shorthand for how it feels: grounded, physical, and slightly synthetic at the edges. Rather than building toward a single chorus payoff, “Monster Truck” keeps shifting emphasis, swapping rhythmic ideas and timbres as if it’s editing on the fly. That restless motion is the point; the track is designed to stay entertaining on repeat, because small production choices—dropouts, accents, and quick fills—keep re-framing the beat. In programming terms, it’s a dependable jolt: playful without being novelty, and heavy without being dour. Place it after something sleek to roughen the air, or before something punk-leaning to keep energy up while changing texture. Even decades later, it reads as confident and weird in equal measure—exactly the lane Aquamosh opened for them. Made for sweaty rooms and late-night drives too.\u2028Listen: https://open.spotify.com/track/41RNicfrKIHrGShpF44RHe",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}