Play Public Instance

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{
    "id": 3601232,
    "uri": "https://api.kexp.org/v2/plays/3601232/?format=api",
    "airdate": "2026-01-07T02:03:26-08:00",
    "show": 65584,
    "show_uri": "https://api.kexp.org/v2/shows/65584/?format=api",
    "image_uri": "https://coverartarchive.org/release/c4a1b794-7bb5-411a-a876-7af045cf6f22/12407949899-500.jpg",
    "thumbnail_uri": "https://coverartarchive.org/release/c4a1b794-7bb5-411a-a876-7af045cf6f22/12407949899-250.jpg",
    "song": "The Sphinx",
    "track_id": null,
    "recording_id": "4bacf87b-df18-4477-88bc-4ccaf0af73f3",
    "artist": "Ornette Coleman",
    "artist_ids": [
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    "album": "The Shape of Jazz to Come",
    "release_id": null,
    "release_group_id": "5879cfca-e1d0-3ef4-8014-3b284832ed18",
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    "release_date": "1959-10-01",
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    "comment": "Debut album by the astounding Ornette Coleman, who was working as an elevator operator in LA when he pulled together a group with Don Cherry, Charlie Haden, Ed Blackwell, and Billy Higgins -- this was his only conventional bebop album featuring piano, in this case Walter Norris\n\nA couple of days ago, The New York Times interviewed musicians and writers to tell us how to connect with Coleman's fearless artistry: https://www.nytimes.com/2022/11/02/arts/music/ornette-coleman-jazz-music.html",
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