Play Public Instance

HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "id": 3602910,
    "uri": "https://api.kexp.org/v2/plays/3602910/?format=api",
    "airdate": "2026-01-11T03:36:10-08:00",
    "show": 65620,
    "show_uri": "https://api.kexp.org/v2/shows/65620/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "That's When I Reach for My Revolver",
    "track_id": "4a8fb1a5-f40b-3d96-b6df-d2c656a52864",
    "recording_id": "1b33737d-cc25-485d-80dd-f764690f41d3",
    "artist": "Mission of Burma",
    "artist_ids": [
        "db9d25d7-a85b-4a29-b2ff-8f5b69ed691e"
    ],
    "album": "Signals, Calls, and Marches",
    "release_id": "84a054cb-3dce-4e64-9bc2-7dcee5303e91",
    "release_group_id": "52e9803d-0920-3202-9e94-92dbcaee5273",
    "labels": [
        "Matador"
    ],
    "label_ids": [
        "229bd4be-8cd7-442c-85b0-5007ea353abc"
    ],
    "release_date": "2009-04-21",
    "rotation_status": null,
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "Originally released in 1981. \n\n\"The history of post-punk has been written in many different ways, but in most versions, the question of where Mission of Burma fits in is a puzzler. Which is as it should be, because their music, a singular mix of complexity and immediacy, deserves its own notch on any post-punk measuring stick. Though popular in their hometown of Boston, they weren't really part of a scene. And though their early 1980s music overlapped with the bass-driven post-punk of Joy Division and PiL, the heroic hardcore of Black Flag and Hüsker Dü, and even the contrarianism of New York No Wave, it mostly sounded like nothing else.\" \nRead the full pitchfork (9.8  rated!) review of the remastered Signals, Calls, and Marches in 2008.\nhttps://pitchfork.com/reviews/albums/11662-signals-calls-and-marchesvsthe-horrible-truth-about-burma/\n\nhttp://missionofburma.com/",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}