Play Public Instance

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{
    "id": 3606128,
    "uri": "https://api.kexp.org/v2/plays/3606128/?format=api",
    "airdate": "2026-01-18T20:00:17-08:00",
    "show": 65687,
    "show_uri": "https://api.kexp.org/v2/shows/65687/?format=api",
    "image_uri": "https://coverartarchive.org/release/b07711b1-3db1-4deb-8f7c-b93994d8e1ad/2328528513-500.jpg",
    "thumbnail_uri": "https://coverartarchive.org/release/b07711b1-3db1-4deb-8f7c-b93994d8e1ad/2328528513-250.jpg",
    "song": "Pull Up to the Bumper",
    "track_id": null,
    "recording_id": "c0bdef0e-2dc5-4d75-893c-20eb06c80793",
    "artist": "Grace Jones",
    "artist_ids": [
        "b1c124b3-cf60-41a6-8699-92728c8a3fe0"
    ],
    "album": "Dance Classics: Best Of, Vol. 3",
    "release_id": null,
    "release_group_id": "ca72a826-4ce8-430f-9363-9910846b07eb",
    "labels": [],
    "label_ids": [],
    "release_date": "2011-06-30",
    "rotation_status": null,
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "The song's lyrics were written by Jones alone, while she, along with Kookoo Baya and Dana Manno, are credited as its composers.  Its instrumental part was originally recorded in 1980 during the Warm Leatherette sessions; however, it did not make the album as Chris Blackwell found its sound not fitting in the rest of the material.\n\nThe song sparked some controversy for its suggestive lyrics as these figuratively describe sexual intercourse and fellatio, prompting some radio stations in the United States to refuse to broadcast it.  https://bit.ly/3p9c16v",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}