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{
    "id": 3606502,
    "uri": "https://api.kexp.org/v2/plays/3606502/?format=api",
    "airdate": "2026-01-19T20:36:50-08:00",
    "show": 65702,
    "show_uri": "https://api.kexp.org/v2/shows/65702/?format=api",
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    "song": "Guardia Nacional",
    "track_id": null,
    "recording_id": null,
    "artist": "Las Decapitadas",
    "artist_ids": [],
    "album": "Locomotora",
    "release_id": null,
    "release_group_id": null,
    "labels": [],
    "label_ids": [],
    "release_date": "2025-12-04",
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    "comment": "“Guardia Nacional” carries the confrontational spark you’d expect from a contemporary punk cut: fast, pointed, and built to name the problem rather than dance around it. The title alone signals political friction—authority, intimidation, and the lived reality of being watched or controlled—so the song lands as a critique before the first chorus even arrives. The track’s intensity is reinforced by its compact runtime and punchy construction; it feels engineered for impact, with rhythm and guitars that move like a chant turning into a sprint. What makes it effective is the blend of urgency and specificity: it’s not vague rebellion, it’s a targeted statement, which gives the energy a sharper edge. The band’s broader context aligns with punk’s tradition of social commentary and refusal—songs that treat the personal and political as inseparable, especially when institutions press into daily life. There is also a visual dimension available publicly, reinforcing that the track is part of a larger moment for the group rather than an isolated release. If you’re building a set of Latin American punk that foregrounds critique and momentum, “Guardia Nacional” functions as a centerpiece—short enough to keep pace, strong enough to shift the temperature of the playlist.\u2028Listen: \n\nhttps://www.youtube.com/watch?v=IAJEgVxAs6o",
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    "location_name": "Default",
    "play_type": "trackplay"
}