Play Public Instance – Django REST framework

Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/3609480/?format=api

HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "id": 3609480,
    "uri": "https://api.kexp.org/v2/plays/3609480/?format=api",
    "airdate": "2026-01-26T19:17:34-08:00",
    "show": 65764,
    "show_uri": "https://api.kexp.org/v2/shows/65764/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "Huayño “Phuju”",
    "track_id": null,
    "recording_id": "869c3329-0f68-40c4-bd63-81ac9cc12b2e",
    "artist": "Los Thuthanaka",
    "artist_ids": [
        "60f5cb67-691a-412b-b6ef-18372ac45e7b"
    ],
    "album": "Los Thuthanaka",
    "release_id": null,
    "release_group_id": "ac6eb68a-70b3-492f-8776-acbab4122219",
    "labels": [
        "Self released"
    ],
    "label_ids": [],
    "release_date": "2025-03-22",
    "rotation_status": null,
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "It’s the ‘I Drink My Horchata Warm Because I Don’t Like Ice’ edition of El Sonido. Let's melt it all.\nReleased in 2024, Los Thuthanaka is the bold collaboration between Bolivian-American siblings Chuquimamani-Condori and Joshua Chuquimia Crampton. On “Salay ‘Titi Ch’iri Siqititi’,” they fuse traditional Andean rhythms with synths, distorted signals, and Aymara oral storytelling. Rooted in Indigenous futurism and sonic resistance, the track carries the spirit of salay into a multidimensional space—queer, anti-colonial, and defiantly unclassifiable.\n***\nEs la edición “I Drink My Horchata Warm Because I Don’t Like Ice” de El Sonido. Vamos a derretirlo todo.\nLanzado en 2024, Los Thuthanaka es el proyecto colaborativo de lxs hermanxs boliviano-americanxs Chuquimamani-Condori y Joshua Chuquimia Crampton. En “Salay ‘Titi Ch’iri Siqititi’” fusionan ritmos andinos tradicionales con sintetizadores, transmisiones distorsionadas y relatos orales en aymara. Arraigada en el futurismo indígena y la resistencia sonora, esta pieza lleva el espíritu del salay a un espacio multidimensional: queer, anticolonial e imposible de clasificar.",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}