Play Public Instance

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{
    "id": 3611823,
    "uri": "https://api.kexp.org/v2/plays/3611823/?format=api",
    "airdate": "2026-02-01T09:16:28-08:00",
    "show": 65812,
    "show_uri": "https://api.kexp.org/v2/shows/65812/?format=api",
    "image_uri": "https://coverartarchive.org/release/e1cc4a4b-ea33-4321-a1f3-20d0f288fd13/2071860645-500.jpg",
    "thumbnail_uri": "https://coverartarchive.org/release/e1cc4a4b-ea33-4321-a1f3-20d0f288fd13/2071860645-250.jpg",
    "song": "Hey Now Baby",
    "track_id": null,
    "recording_id": "ea2f1a18-3212-4923-9d6c-dfefef35c6d6",
    "artist": "Professor Longhair",
    "artist_ids": [
        "c6177e77-151d-422d-bc87-57ae21d2780e"
    ],
    "album": "New Orleans Piano",
    "release_id": null,
    "release_group_id": "0acecad7-5e64-3c5a-beaf-00e9427957b3",
    "labels": [
        "Atlantic"
    ],
    "label_ids": [
        "50c384a2-0b44-401b-b893-8181173339c7"
    ],
    "release_date": "1972-01-01",
    "rotation_status": null,
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "‘Fess’ rhumba-rhythmed piano blues, learned on a piano missing keys, was the inspiration and starting point for the likes of Fats Domino, Guey “Piano” Smith, Allen Touissant, and Dr. John.\nhttps://www.newyorker.com/culture/culture-desk/the-still-burning-piano-genius-of-professor-longhair",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}