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{
    "id": 3618415,
    "uri": "https://api.kexp.org/v2/plays/3618415/?format=api",
    "airdate": "2026-02-16T20:12:48-08:00",
    "show": 65953,
    "show_uri": "https://api.kexp.org/v2/shows/65953/?format=api",
    "image_uri": "",
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    "song": "Las visiones de Georgiana (lo que ella dijo)",
    "track_id": null,
    "recording_id": null,
    "artist": "mini.mono",
    "artist_ids": [],
    "album": null,
    "release_id": null,
    "release_group_id": null,
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    "comment": "mini.mono describes itself as a band created during pandemic times in Ciudad Satélite, Estado de México, and “Las visiones de Georgiana (lo que ella dijo)” is presented as their first single—an origin point with the clarity and urgency that often comes from a long gestation finally turning into sound. The title reads like a fragment of a larger text: a character study, a quotation half-preserved, an intimate myth you’re arriving late to. That literary framing matters, because the song’s appeal is how it makes a small narrative feel immediate—visions, speech, the sense that something private has been recorded before it disappears. As a debut, it signals intention: not just a band with riffs, but a band with an inner world. The track’s presentation (single format, direct “first single” note) keeps the focus on the statement itself, not the surrounding lore. Even without overreaching into unverifiable specifics, you can feel the emotional contour implied by the phrasing “lo que ella dijo”: memory as evidence, testimony as chorus, the way a single line from someone else can reorganize your whole day. It’s music that behaves like a note found in a pocket—creased, urgent, and strangely glowing.\u2028Listen: https://minimonoband.bandcamp.com/track/las-visiones-de-georgiana-lo-que-ella-dijo",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}