Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/3621391/?format=api
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "id": 3621391,
    "uri": "https://api.kexp.org/v2/plays/3621391/?format=api",
    "airdate": "2026-02-23T19:19:24-08:00",
    "show": 66014,
    "show_uri": "https://api.kexp.org/v2/shows/66014/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "El Malo",
    "track_id": null,
    "recording_id": null,
    "artist": "Willie Colón",
    "artist_ids": [
        "f1edfbed-9315-4550-859c-599cc3fdee57"
    ],
    "album": "El Malo",
    "release_id": null,
    "release_group_id": null,
    "labels": [
        "Fania Records"
    ],
    "label_ids": [],
    "release_date": "1967-01-01",
    "rotation_status": null,
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "“El Malo,” the title track from Willie Colón’s 1967 debut album, introduced a 17-year-old trombonist who would reshape salsa’s sound. Signed to Fania Records as a teenager, Colón brought a raw, streetwise brass presence that distinguished him from the dominant trumpet-led orchestras of the era and helped define the emerging New York salsa movement.\n***\n“El Malo”, tema central del álbum debut de Willie Colón en 1967, presentó a un trombonista de apenas 17 años que transformaría el sonido de la salsa. Firmado por Fania siendo adolescente, Colón impuso una sonoridad cruda y urbana desde el trombón, diferenciándose de las orquestas dominadas por trompetas y marcando el rumbo del movimiento salsero neuyorquino.",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}