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{
    "id": 3624497,
    "uri": "https://api.kexp.org/v2/plays/3624497/?format=api",
    "airdate": "2026-03-02T19:10:35-08:00",
    "show": 66075,
    "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api",
    "image_uri": "",
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    "song": "L'Internationale",
    "track_id": null,
    "recording_id": "acb1256b-0684-49cc-aaad-b0cda1ae51ef",
    "artist": "Downtown Boys",
    "artist_ids": [
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    "album": "Miss Marx",
    "release_id": null,
    "release_group_id": "5ff79012-1c1d-4627-ab44-e6e12127dac9",
    "labels": [],
    "label_ids": [],
    "release_date": "2021-06-07",
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    "comment": "Downtown Boys’ take on “L’Internationale” doesn’t treat the workers’ anthem as a relic—it treats it as an engine. The band delivers it with punk velocity and a sense of collective lift, turning a historic melody into something that can live in the present tense: loud enough for a march, sharp enough for a room, fast enough for a heartbeat that won’t slow down. The vocal is urgent and clear, less sermon than rally, pulling the listener into a chorus that has always belonged to many voices at once. What makes this version hit is the way it makes politics feel physical. The drums become footsteps; the guitars feel like sirens; the hook turns into a shared breath. There’s also joy here, and it’s not decorative—it’s the point. The song insists that solidarity is not only anger and grief; it’s the electric relief of recognizing each other in the noise. Downtown Boys have always written like organizers with amplifiers, and “L’Internationale” fits them because it’s a song built to be used: a tool you can carry, repeat, and pass forward until it becomes bigger than the moment that sparked it.\u2028Listen: https://downtownboys.bandcamp.com/track/linternationale",
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}