Play Public Instance

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{
    "id": 3628319,
    "uri": "https://api.kexp.org/v2/plays/3628319/?format=api",
    "airdate": "2026-03-13T05:30:26-07:00",
    "show": 66167,
    "show_uri": "https://api.kexp.org/v2/shows/66167/?format=api",
    "image_uri": "https://coverartarchive.org/release/b740fb8e-942a-3437-823c-26fe0d805459/10494841658-500.jpg",
    "thumbnail_uri": "https://coverartarchive.org/release/b740fb8e-942a-3437-823c-26fe0d805459/10494841658-250.jpg",
    "song": "There She Goes",
    "track_id": null,
    "recording_id": "14689370-7cd9-45c7-9958-296b3861bbc6",
    "artist": "The La’s",
    "artist_ids": [
        "ff3e88b3-7354-4f30-967c-1a61ebc8c642"
    ],
    "album": "The La’s",
    "release_id": null,
    "release_group_id": "f57d03ff-b0a5-3b73-a14c-a5ed5f8cd956",
    "labels": [],
    "label_ids": [],
    "release_date": "1990-01-01",
    "rotation_status": null,
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "Lyrically, there’s a long‑running debate about whether it’s simple romantic yearning or coded heroin imagery (“pulsing through my veins,” “I just can’t contain this feeling that remains”). Mavers and former bandmate Paul Hemmings have publicly denied that it was written as a drug song, but critics still point to those lines as evidence that the “she” might be something more dangerous than a crush, which adds a bit of darkness under all that sunshiney guitar sparkle.",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}