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{
    "id": 3629865,
    "uri": "https://api.kexp.org/v2/plays/3629865/?format=api",
    "airdate": "2026-03-16T20:26:34-07:00",
    "show": 66201,
    "show_uri": "https://api.kexp.org/v2/shows/66201/?format=api",
    "image_uri": "https://coverartarchive.org/release/93d2fe35-09a0-4a79-99a2-25fa4801c3b5/34810438631-500.jpg",
    "thumbnail_uri": "https://coverartarchive.org/release/93d2fe35-09a0-4a79-99a2-25fa4801c3b5/34810438631-250.jpg",
    "song": "Macabre",
    "track_id": null,
    "recording_id": "daee0818-096f-4fcb-9f4c-89a7386b8b1e",
    "artist": "La bande-son imaginaire",
    "artist_ids": [
        "eb92ba5b-89a3-4e4a-86af-d2e110bfe442"
    ],
    "album": "Macabre",
    "release_id": null,
    "release_group_id": "63524269-d250-431a-8aeb-d60c109218b3",
    "labels": [
        "Tanat Records"
    ],
    "label_ids": [
        "6c4956d6-1a40-4ab0-a3af-80c7f43f9d91"
    ],
    "release_date": "2020-03-10",
    "rotation_status": null,
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    "comment": "“Macabre” is one of those songs whose title functions like a door already half open. La Bande-Son Imaginaire, the French-Mexican darkwave project led by Oscar Tanat, thrives in precisely that threshold space where vintage gothic aesthetics, continental cool, and death-haunted elegance can become playful without losing seriousness. Official release and video pages place “Macabre” among the project’s defining works, and one compilation entry notes that the lyrics draw from Charles Baudelaire’s “Danse Macabre,” a detail that clarifies a great deal. This is music that does not merely flirt with morbidity as surface styling. It understands the macabre as literature, performance, and choreography. That distinction matters. “Macabre” works because it keeps death in motion. Rather than freezing into solemnity, it lets darkness strut, shimmer, and seduce. The result fits beautifully within the project’s larger appeal, which lies in transforming gothic reference points into something vivid and cosmopolitan rather than nostalgic. The song feels theatrical in the best sense: it knows the mirror, the costume, the grave, and the dance floor all belong to the same emotional architecture. Baudelaire’s shadow gives it lineage, but the track’s real achievement is making that lineage feel immediate. It is pleasure sharpened by mortality, and that is why it lingers.\nListen: https://open.spotify.com/track/56ZXiQ7ytziHsvU52LSWWK",
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    "location_name": "Default",
    "play_type": "trackplay"
}