Play Public Instance
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/3635709/?format=api
{ "id": 3635709, "uri": "https://api.kexp.org/v2/plays/3635709/?format=api", "airdate": "2026-03-30T20:34:43-07:00", "show": 66324, "show_uri": "https://api.kexp.org/v2/shows/66324/?format=api", "image_uri": "https://coverartarchive.org/release/55805caa-6767-4b47-8ee2-42fa2ea17874/43315491579-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/55805caa-6767-4b47-8ee2-42fa2ea17874/43315491579-250.jpg", "song": "En la ciudad de la furia", "track_id": null, "recording_id": "00843b29-d238-4c12-ba25-2d03a648fd67", "artist": "Soda Stereo", "artist_ids": [ "3f8a5e5b-c24b-4068-9f1c-afad8829e06b" ], "album": "Obras cumbres", "release_id": null, "release_group_id": "ba1a14cc-b7ad-3935-9427-dca1db82621d", "labels": [], "label_ids": [], "release_date": "2001-01-29", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“En la Ciudad de la Furia” is one of Soda Stereo’s signature recordings and one of the defining songs of late-1980s Latin American rock. Written by Gustavo Cerati and released as the lead single from Doble Vida, the song is closely tied to Buenos Aires, the “city of fury” named in its title and echoed in its lyrics. It emerged during a period when Soda Stereo were refining their sound into something sleeker, more atmospheric, and more urban, and the track captures that shift perfectly. The production has air in it, but also drive; the guitars are expansive without losing tension; and Cerati’s writing gives the song its sense of altitude, danger, and metropolitan loneliness.\nPart of the song’s lasting power comes from its ability to make a city feel mythic without emptying it of human detail. It is not a postcard to Buenos Aires but a nocturnal identification with it, a song about becoming part of the very place that threatens to swallow you. The famous line about flying over the city turns urban alienation into something strangely ecstatic. Later live versions, including the celebrated rearrangement with Andrea Echeverri for Comfort y Música Para Volar, only reinforced how adaptable and durable the composition was. Even in its original form, though, “En la Ciudad de la Furia” feels complete: sharp, elegant, and restless, a rock anthem that moves with the weather system of an entire city.\nListen: https://open.spotify.com/track/7J2885UBOaG6x3LLkp2YGf", "location": 1, "location_name": "Default", "play_type": "trackplay" }