Play Public Instance

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{
    "id": 3641692,
    "uri": "https://api.kexp.org/v2/plays/3641692/?format=api",
    "airdate": "2026-04-13T21:02:43-07:00",
    "show": 66446,
    "show_uri": "https://api.kexp.org/v2/shows/66446/?format=api",
    "image_uri": "",
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    "song": "La puerta de Alcalá",
    "track_id": null,
    "recording_id": "80b29c48-059f-4572-8550-bf717dfa2ce8",
    "artist": "Ana Belén & Víctor Manuel",
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        "e9c8cad5-d9e2-4e64-9b4f-44cb5bc80701"
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    "album": "Personalidad",
    "release_id": null,
    "release_group_id": "e84e3325-e092-369f-8d97-3b625bd35afb",
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    "comment": "Ana Belén and Víctor Manuel’s “La Puerta de Alcalá” is pop as public memory. Released as a 1986 single, the song has long since grown beyond its original chart life into something closer to civic folklore, a piece of Spanish popular music so embedded in collective consciousness that later retrospectives and television tributes place it alongside the most emblematic songs of the 1980s. That makes sense because the song turns Madrid’s famous monument into more than a landmark. It becomes a witness, a threshold through which history, private longing, and urban identity all pass. The lyric’s search for “a door” where past and present can coexist gives the song its real depth. This is not simply a nostalgic city anthem. It is a meditation on change, memory, and survival dressed in accessible melodic form. Ana Belén and Víctor Manuel were uniquely positioned to carry that weight, bringing political and cultural gravitas without losing warmth. What still makes “La Puerta de Alcalá” so moving is its scale. It sounds public, but it feels human. The city is there, yes, but so is the solitary figure walking through it, looking for continuity inside movement. Few songs make monumentality feel this intimate. \u2028Listen: https://open.spotify.com/track/29opVIw8I1BOZntEn3Un2I",
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    "play_type": "trackplay"
}