Play Public Instance

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{
    "id": 377087,
    "uri": "https://api.kexp.org/v2/plays/377087/?format=api",
    "airdate": "2019-09-05T16:24:32-07:00",
    "show": 6274,
    "show_uri": "https://api.kexp.org/v2/shows/6274/?format=api",
    "image_uri": "http://coverartarchive.org/release/cb0f5d3b-f211-3cd1-8ecc-6fd20ce5336a/21576276392-250.jpg",
    "thumbnail_uri": "",
    "song": "Senses Working Overtime",
    "track_id": "0010a7d4-68c7-3a55-ab9d-a2e5d5046f9d",
    "recording_id": null,
    "artist": "XTC",
    "artist_ids": [
        "97c86b2c-2765-46a2-aef8-76a7e24c430f"
    ],
    "album": "English Settlement",
    "release_id": "cb0f5d3b-f211-3cd1-8ecc-6fd20ce5336a",
    "release_group_id": null,
    "labels": [
        "Geffen Records"
    ],
    "label_ids": [
        "0fadc2ce-f7de-4e27-bbe6-612b317e716b"
    ],
    "release_date": "1988-01-01",
    "rotation_status": "Library",
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "XTC recorded the album at The Manor Studio in Oxfordshire with producer Hugh Padgham, the engineer of their previous two LPs. Compared to the band's previous releases, English Settlement showcased more complex and intricate arrangements, lengthier songs, lyrics that covered broader social issues, and a wider range of music styles. Principal songwriter Andy Partridge was fatigued by the grueling touring regimen imposed by their label and management, and believed that pursuing a sound less suited for live performance would relieve the pressure to tour.",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}