Play Public Instance

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{
    "id": 377487,
    "uri": "https://api.kexp.org/v2/plays/377487/?format=api",
    "airdate": "2019-09-06T14:01:41-07:00",
    "show": 6282,
    "show_uri": "https://api.kexp.org/v2/shows/6282/?format=api",
    "image_uri": "http://coverartarchive.org/release/74980c50-d73f-4acb-9248-36c71ea99d10/18423262671-250.jpg",
    "thumbnail_uri": "",
    "song": "A Forest",
    "track_id": "76485335-039b-33f0-9f98-2aa5fe18b3bb",
    "recording_id": null,
    "artist": "The Cure",
    "artist_ids": [
        "69ee3720-a7cb-4402-b48d-a02c366f2bcf"
    ],
    "album": "Seventeen Seconds",
    "release_id": "74980c50-d73f-4acb-9248-36c71ea99d10",
    "release_group_id": null,
    "labels": [
        "Elektra"
    ],
    "label_ids": [
        "873f9f75-af68-4872-98e2-431058e4c9a9"
    ],
    "release_date": "1988-01-01",
    "rotation_status": "Library",
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "Due to budgetary restraints, the album Seventeen Seconds was recorded and mixed in seven days on a budget of between £2000 and £3000, which resulted in the band working 16 or 17 hours a day to complete the album. Co-producer Hedges and Robert Smith knew \"A Forest\" would take more work to complete than other songs on the album, and would require more overdubs. The song was one of the last tracks recorded; the backing tracks were recorded first, followed by touch-ups to the individual parts, then Smith's vocals.  Fiction Records owner Chris Parry told Smith that the song had the potential to be a hit if they made it sound \"radio friendly,\" but Smith refused, stating that the way the track sounded was the sound he envisioned in his head, dismissing concerns about radio friendliness.  Work on mixing \"A Forest\" took up much of the final day of sessions for the album.  https://bit.ly/29TtyK1",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}