Play Public Instance

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{
    "id": 377563,
    "uri": "https://api.kexp.org/v2/plays/377563/?format=api",
    "airdate": "2019-09-06T16:17:41-07:00",
    "show": 6282,
    "show_uri": "https://api.kexp.org/v2/shows/6282/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "We Can Be Free",
    "track_id": "41fa1ccb-c6b6-4648-a1ca-732770ecb7cc",
    "recording_id": null,
    "artist": "Ceremony",
    "artist_ids": [
        "c13da818-d566-4f2a-aaaf-1c68301ddc43"
    ],
    "album": "In the Spirit World Now",
    "release_id": "a9744966-fb47-4583-9299-07970c4e9d0d",
    "release_group_id": null,
    "labels": [
        "Relapse Records"
    ],
    "label_ids": [
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    ],
    "release_date": "2019-08-23",
    "rotation_status": "Medium",
    "is_local": false,
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    "comment": "Six albums and over a decade in, California quintet Ceremony made jarring change the only constant in their ever-shifting approach. They began in the mid-2000s as a seethingly violent hardcore band, complete with screamed vocals, blastbeats, and 30-second songs. By the next decade, Ceremony's power violence beginnings were largely unrecognizable from the Wire-modeled post-punk of 2011's Zoo and the Factory Records-steeped goth rock of 2015's The L-Shaped Man. Four years later, sixth album In the Spirit World Now finds Ceremony reinventing their sound yet again, with ambitious arrangements and dense upbeat rock songs that lean more towards synths and sleaze than anything the band has done before. Dance-forward tunes like \"Further I Was\" and \"Years of Love\" prominently feature interplay between synth and guitar, with ferocious vocal shouts and a swaggering essence that make the band sound like Spoon covering Tubeway Army.  https://bit.ly/2k4BrWK",
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    "location_name": "Default",
    "play_type": "trackplay"
}