Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=119000&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=119020&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=118980&ordering=-airdate", "results": [ { "id": 3413859, "uri": "https://api.kexp.org/v2/plays/3413859/?format=api", "airdate": "2024-10-17T11:21:06-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Situation", "track_id": "f1bcb872-6596-3983-86a7-c8cc535c8810", "recording_id": "40356817-59f8-4bad-ace7-0716c74751f5", "artist": "Yazoo", "artist_ids": [ "42922db2-2e80-44b8-9cdf-0b3a6634c124" ], "album": "Upstairs at Eric’s", "release_id": "393ef2d9-5cc5-4650-aa4d-7c5aa9f06adb", "release_group_id": "ca189e76-5704-3097-8dad-b6e1923bc917", "labels": [ "Sire Records" ], "label_ids": [ "be0fec81-5c18-4494-8bbf-0d81dec006bf" ], "release_date": "1987-10-17", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "In 1981 Vince Clarke left Depeche Mode and shortly afterwards teamed up with singer Alison Moyet to form Yazoo. He originally offered this song to Depeche Mode along with \"Only You\" as a parting gift when he left, but they declined. \n\nThanks to exposure as a single in its own right in the US, where the remix by François Kevorkian made number one on the Billboard dance chart, arguably ‘Situation’ became one of the strains influencing Detroit techno, Chicago house and New York electro.\nhttps://tinyurl.com/3b8w4t5f", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413857, "uri": "https://api.kexp.org/v2/plays/3413857/?format=api", "airdate": "2024-10-17T11:16:46-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Beautiful Obsession Killer", "track_id": "e75bd0b9-7d23-444a-9084-800923dc9ff1", "recording_id": "5f6080b2-7e7c-476d-8f17-784d936a2954", "artist": "Dark Chisme", "artist_ids": [ "2df279da-29e0-42d8-9e1e-0e3fd722f3d3" ], "album": "Dark Chisme", "release_id": "7b53bd5c-7992-48d5-ab71-3535ff85d8c0", "release_group_id": "10e39631-bb46-48bd-9708-f66184ec6495", "labels": [ "[no label]" ], "label_ids": [ "157afde4-4bf5-4039-8ad2-5a15acc85176" ], "release_date": "2024-07-22", "rotation_status": "Heavy", "is_local": true, "is_request": false, "is_live": false, "comment": "Lots of shows coming up for Dark Chisme!\n\n10.17 - Central Saloon - Seattle, WA\n11.01 - Coffin Club PDX - Portland, OR\n11.02 - Psyched Fest - San Francisco, CA\n11.03 - Funhouse - Seattle, WA\n11.06 - Thee Stork Club - Oakland, CA\n11.21 - El Corazon - Seattle, WA (Vinyl Release Party with Patriarchy and Corbeau Hangs)\n11.22 - The Cobalt - Vancouver, BC\n\nDark Chisme is a Seattle-based dark wave band started by Chicago-raised Latina DJ and producer Christine Gutierrez (Vocals, Synths) and E (Bass, Synths). \n\nhttps://darkchisme.bandcamp.com/album/dark-chisme", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413854, "uri": "https://api.kexp.org/v2/plays/3413854/?format=api", "airdate": "2024-10-17T11:13:43-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Juvenile Retention", "track_id": "c9d3605e-c252-48eb-94e6-86aff5c4bbfc", "recording_id": "b683a881-f5ca-4941-b321-b38f3bbf1e94", "artist": "Gut Health", "artist_ids": [ "b177f934-2a62-4c56-9d90-50f42cf9d348" ], "album": "Stiletto", "release_id": "3506c48d-c4f7-4d20-9b9c-e30277811cce", "release_group_id": "1a5d478c-a57d-4852-99e1-ab5f898cd8e7", "labels": [], "label_ids": [], "release_date": "2024-10-11", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Punk will never die. Not with bands like Melbourne’s Gut Health hanging around anyway. \n\n\"I like using the profound impact of power and energy exchange on oneself in my songwriting – moving and unmoving, soft versus stiff, sadism and softness,\" Athena Uh Oh reveals. https://tinyurl.com/39kdtsrz\n\nhttps://guthealthband.bandcamp.com/album/stiletto-digital-album", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413852, "uri": "https://api.kexp.org/v2/plays/3413852/?format=api", "airdate": "2024-10-17T11:10:14-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "The Cause", "track_id": null, "recording_id": null, "artist": "Tramhaus", "artist_ids": [ "dace0d40-f90f-4b3b-99da-aa99be756920" ], "album": "The First Exit", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2024-09-20", "rotation_status": "R/N", "is_local": false, "is_request": false, "is_live": false, "comment": "Rotterdam’s post-punk powerhouse Tramhaus is making waves, and their long-awaited debut album 'The First Exit' cements their status as a musical force to be reckoned with. Fierce, unapologetic, and dripping with attitude, the album's nine-track, 30-minute whirlwind has critics raving: So Young Magazine calls it “a statement of intent,” while The Quietus lauds it as “a vortex of catchy noise.” From riotous live shows across Europe, Japan, and SXSW, to airplay on BBC Radio 6 and KEXP, Tramhaus is set to take their biggest headline tour yet, bringing their explosive, danceable fury to the masses. Prepare for dissonance, twisted dreams, and the chaotic brilliance that is Tramhaus.\nhttps://tinyurl.com/2cbc4cmb\n\nhttps://tramhaus.bandcamp.com/album/the-first-exit", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413851, "uri": "https://api.kexp.org/v2/plays/3413851/?format=api", "airdate": "2024-10-17T11:08:06-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Gouge Away", "track_id": "58ace533-115d-3ff9-866c-e91e7f1f6075", "recording_id": "1f8f65bf-c289-454d-a46c-700b393ea3bf", "artist": "Pixies", "artist_ids": [ "b6b2bb8d-54a9-491f-9607-7b546023b433" ], "album": "Doolittle", "release_id": "23110964-78bd-3b19-80e4-e99ef96f79cb", "release_group_id": "1aa41b19-5a72-341b-bd91-4cf61d1dab6b", "labels": [ "4AD", "Elektra" ], "label_ids": [ "a539bb1e-f2e1-4b45-9db8-8053841e7503", "873f9f75-af68-4872-98e2-431058e4c9a9" ], "release_date": "1989-04-18", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "This song refers to the biblical story of Samson.\n\nDrummer David Lovering revealed, \"It's the perfect example of a true Pixies song. It's got the quiet verse and then it goes all-out for the chorus. The way it's structured, it's two opposing layers. I remember when we recorded it, I thought it was the most compelling thing we ever did.\" https://bit.ly/2mhJ3Xd\n\nhttps://www.pixiesmusic.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413849, "uri": "https://api.kexp.org/v2/plays/3413849/?format=api", "airdate": "2024-10-17T11:05:13-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "cure, etc., asterisk", "track_id": null, "recording_id": null, "artist": "Princess Pulpit", "artist_ids": [ "eb2030b9-c557-481f-b452-9433a3722a11" ], "album": "Facing Forward EP", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2024-10-27", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "Princess Pulpit will be at Easy Street Records for 'Facing Forward EP' Release Show on Saturday, October 26th at 7:00PM. FREE & ALL AGES SHOW.\nhttps://easystreetonline.com/InStores\n\nhttps://princesspulpit.bandcamp.com/music", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413848, "uri": "https://api.kexp.org/v2/plays/3413848/?format=api", "airdate": "2024-10-17T10:58:47-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3413847, "uri": "https://api.kexp.org/v2/plays/3413847/?format=api", "airdate": "2024-10-17T10:53:39-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Major Tom", "track_id": null, "recording_id": null, "artist": "The Space Lady", "artist_ids": [ "104b08d4-df25-4424-a6bc-51feb329ab1f" ], "album": "The Space Lady Greatest Hits", "release_id": null, "release_group_id": null, "labels": [ "Night School Records" ], "label_ids": [ "c1c4c804-e3cf-4312-ad4f-e6d498a2f304" ], "release_date": "2015-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Space Lady began her odyssey on the streets of Boston and San Francisco in the late 70s, playing versions of contemporary pop music on accordion and dressed flamboyantly, transmitting messages of peace and harmony.\n\nFollowing the theft of her accordion, The Space Lady invested in a then-new Casio keyboard and an echo unit, birthing an otherworldly new dimension to popular song that has captured the imagination of the world. Of her early street sets, only one recording was made, self-released originally on cassette and then transferred to a home-made CD.\n\n‘The Space Lady’s Greatest Hits’ features the best of these recordings - mostly covers of 60s pop and psych alongside interstellar originals and features archival photographs and liner notes from The Space Lady herself. “Greatest Hits” contains The Space Lady’s personal favourites; her haunting take on The Electric Prunes’ “I Had Too Much To Dream (Last Night),” a frantic “Ballroom Blitz”, and an unbelievably perfect version of “Major Tom” - amidst other reconstructed pop music.\n\nhttps://spacelady.bandcamp.com/album/the-space-ladys-greatest-hits", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413846, "uri": "https://api.kexp.org/v2/plays/3413846/?format=api", "airdate": "2024-10-17T10:49:04-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Love You Got", "track_id": "2e390525-f958-4c81-9cc9-31e6696dde26", "recording_id": "96bd6aa9-ec4a-4ff3-b6b9-83d27b34eaff", "artist": "Kelly Lee Owens", "artist_ids": [ "9d88eaab-f90a-4fbe-b84f-20da5518cd26" ], "album": "Dreamstate", "release_id": "444eb25b-69ec-427b-9746-e58cdc0fe92b", "release_group_id": "dee9395f-96d0-4a36-bffb-4a1e6a172a74", "labels": [ "dh2" ], "label_ids": [ "6bb3e6d6-3655-4014-9a68-eff6df75e450" ], "release_date": "2024-10-18", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "'Dreamstate' is out Friday!\n\nThere will be a 'Dreamstate' Listening Party on Friday, October 18, 2024 at 10:00 AM PDT through Bandcamp.\nhttps://kellyleeowens.bandcamp.com/album/dreamstate\n\nKelly Lee Owens said: “‘Love You Got’ was born out of the curiosity of discovering my own inner euphoria – balancing the dark & the light within myself to find ultimate bliss in connection with others.”\nhttps://tinyurl.com/3e6dh97w", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413844, "uri": "https://api.kexp.org/v2/plays/3413844/?format=api", "airdate": "2024-10-17T10:44:02-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Getting Away With It", "track_id": "07a0c785-06f5-36dc-ae73-ced8810e0125", "recording_id": "b8898578-3662-4699-b346-90b6b07c2f71", "artist": "Electronic", "artist_ids": [ "3cdb360e-d0a2-459f-92f6-f0f28e62127d" ], "album": "Electronic", "release_id": "91abe73b-e097-45ee-a02a-7e1affda3854", "release_group_id": "4a7747fd-fa91-3251-9b31-a18a21f34505", "labels": [ "EMI" ], "label_ids": [ "c029628b-6633-439e-bcee-ed02e8a338f7" ], "release_date": "2013-04-08", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"Getting Away With It\" was a collaboration between Bernard Sumner of New Order, Johnny Marr of The Smiths, and Neil Tennant of Pet Shop Boys.\n\nThe song’s lyrics are said to be a playful jab at Morrissey, Marr’s former bandmate from The Smiths, poking fun at his melancholic persona.\n\nThe song also features a full orchestra conducted by Anne Dudley from Art of Noise.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413841, "uri": "https://api.kexp.org/v2/plays/3413841/?format=api", "airdate": "2024-10-17T10:40:44-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Take Me To Beijing (一起回北京)", "track_id": "06b54bf2-ae3d-4171-afb5-fe08bb8522cb", "recording_id": "f909c18c-0073-4f9d-ae48-d0d7f76547a4", "artist": "Chinese American Bear", "artist_ids": [ "75bbdfdb-2fc5-4811-8ef7-25ec23f246e1" ], "album": "Wah!!!", "release_id": "d3b41f19-00b7-4708-b564-777c2082fe8f", "release_group_id": "8de1f7e2-8dbb-41f0-a557-b6f372848744", "labels": [ "Moshi Moshi Records" ], "label_ids": [ "a7311de2-1ab5-4a9a-b4ec-fabe8f01674f" ], "release_date": "2024-10-18", "rotation_status": "Medium", "is_local": true, "is_request": false, "is_live": false, "comment": "Chinese American Bear is Seattle married duo Anne Tong and Bryce Barsten.\n\nThe album title “Wah!” is the Chinese version of “Wow!”. It’s used in the exact same exclamatory way. The duo found it fitting as their next album title because the expression simply matches their excitement for these songs.\nhttps://chineseamericanbear.bandcamp.com/album/wah\n\nThey have a record release party at Seattle's Sunset Tavern on October 18th and will be at Neck of the Woods in SF on November 13th.\n\nThey'll be back in Seattle on November 21st at Neumos, playing with Seattle artists Beautiful Freaks and Mikey Moo as part of the Cloudbreak Music Festival.\n\nCheck out all the tour dates here: https://chineseamericanbear.com/pages/tour", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413837, "uri": "https://api.kexp.org/v2/plays/3413837/?format=api", "airdate": "2024-10-17T10:34:43-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Dancing in the Rubble", "track_id": "3fed1f5e-1fd6-4e1a-95c3-8dd03a8543f1", "recording_id": "944c2b54-1d1b-400f-b576-e86b6430ad73", "artist": "Brimheim", "artist_ids": [ "4d802853-4a6e-47d6-b574-11f8e5b0c53e" ], "album": "RATKING", "release_id": "ad2619ee-1041-475c-9de1-478e1f67d535", "release_group_id": "19a1dc04-ab1f-4137-9547-390d2db667df", "labels": [ "Tambourhinoceros" ], "label_ids": [ "3e7549e8-d0a6-4e43-87a5-b6d7a5a4869d" ], "release_date": "2024-03-22", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Featured on Kevin's episode of the Runcast podcast, \"Overtaking your Shadow\"!\nhttps://www.kexp.org/podcasts/the-runcast/2024/6/28/overtaking-your-shadow/ \n\nThe second full-length album from Brimheim – the alias of Malmö, Sweden-based Danish-Faroese artist Helena Heinesen Rebensdorff – is a revelatory set of arty, emotional, expansive alt-pop that consistently packs a gritty, grungy punch, yet also delivers delicate, crystalline, and deceptively groovy moments.\n\nCohesively held together by her stunning, soaring vocals, RATKING is a cathartic record that she wrote \"as a way to understand the intense emotional pain of my youth,\" ultimately finding liberation in her own self-worth. https://www.kexp.org/read/2024/3/25/new-music-reviews-325/\n\nhttps://brimheim.bandcamp.com/album/ratking", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413835, "uri": "https://api.kexp.org/v2/plays/3413835/?format=api", "airdate": "2024-10-17T10:31:08-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Sober", "track_id": "278e9d51-38df-4b06-957d-688363022fe8", "recording_id": "413300a9-d0b2-4520-b303-b414932ffe3b", "artist": "Bartees Strange", "artist_ids": [ "9e1ea361-c2cc-45a4-a926-00518453efc0" ], "album": "Horror", "release_id": "ace68392-fd80-42b9-ad18-e3a8007b4288", "release_group_id": "22957872-6303-4b01-a248-06f17b750a6f", "labels": [ "4AD" ], "label_ids": [ "a539bb1e-f2e1-4b45-9db8-8053841e7503" ], "release_date": "2025-02-14", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "'Horror' is coming early 2025.\n\nBartees Strange was raised on fear. His family used scary stories to teach life lessons, and at an early age, Strange started using scary movies to practice being strong. The world can be a terrifying place, and for a young, queer, black person in rural America, that terror can be visceral. Horror is an album about facing those fears and growing to become someone to be feared. Throughout the record, Strange lays down one difficult truth after another, all over a sonic pastiche of music he loved as a kid. His dad hipped him to Parliament Funkadelic, Fleetwood Mac, Teddy Pendergrass, and Neil Young. Those influences merged with Strange’s interest in hip-hop, country, indie rock, and house, culminating in a record that feels completely original.\n\nhttps://barteesstrange.bandcamp.com/album/horror", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413834, "uri": "https://api.kexp.org/v2/plays/3413834/?format=api", "airdate": "2024-10-17T10:26:08-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3413832, "uri": "https://api.kexp.org/v2/plays/3413832/?format=api", "airdate": "2024-10-17T10:19:22-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "On", "track_id": "691c98b3-969d-3659-a817-7733a685b89a", "recording_id": "10459ecd-5a9e-4c9b-8d73-08ab29b7009e", "artist": "Aphex Twin", "artist_ids": [ "f22942a1-6f70-4f48-866e-238cb2308fbd" ], "album": "On", "release_id": "fd93116d-f846-40e1-b54d-9ec1a1e18ebd", "release_group_id": "b1c01b4b-2548-3dee-9fa4-8d7907eee131", "labels": [ "Sire Records" ], "label_ids": [ "be0fec81-5c18-4494-8bbf-0d81dec006bf" ], "release_date": "1994-01-11", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Nobody can chew up music and spit it back out quite like Richard D. James. Throughout the 90s, the Cornwall-bred prankster refracted practically every known sub-genre of electronic music through the kaleidoscope of his whimsical personality and extreme technical ambitions.\nWith each album from the artist, best known as Aphex Twin, came a new, warped blueprint. \n\nAll the while James was gaining a reputation as dance music's foremost proto-troll. The early internet buzzed with rumours of him ambushing audiences with noise by playing pieces of sandpaper instead of records in his DJ sets, riding around in a fully armed tank, building vast secret studios of custom home brew synthesisers and stockpiling hundreds, if not thousands, of unreleased tracks.\n\nJames has often came off as aloof or purposely oblique in interviews. \"I just like to make music, I don't like to talk about it much,\" he said in a 1995 promo clip that now lives on YouTube. \"Electronic music isn't meant to be talked about.\" https://tinyurl.com/yc4psnav", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413830, "uri": "https://api.kexp.org/v2/plays/3413830/?format=api", "airdate": "2024-10-17T10:12:22-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Continuum 1", "track_id": null, "recording_id": null, "artist": "Nala Sinephro", "artist_ids": [ "46a4b150-be30-44b3-a337-e06a72657d33" ], "album": "Endlessness", "release_id": null, "release_group_id": null, "labels": [ "Warp Records" ], "label_ids": [ "2cb2c4ce-38de-4d05-8953-447ab73a2c62" ], "release_date": "2024-09-06", "rotation_status": "R/N", "is_local": false, "is_request": false, "is_live": false, "comment": "Nala Sinephro is a Caribbean-Belgian experimental jazz musician, known for her ambient jazz compositions. Born in 1996 in Brussels, Belgium, she is currently based in London. Sinephro is celebrated for her unique sound, which blends the pedal harp, modular synthesizer, keyboards, and piano.\n\nHer debut album, 'Space 1.8', released in 2021 on Warp Records, received widespread critical acclaim. The album features collaborations with artists like Nubya Garcia and Robert Ames. Sinephro's music is often described as meditative and ecstatic, rooted in the study of frequency and geometry.\n\nIn addition to her musical career, Sinephro has a background in sound engineering and has hosted her own show on NTS Radio. Her latest album, 'Endlessness', was released in 2024.\n\nhttps://nalasinephro.bandcamp.com/album/endlessness\nhttps://nalasinephro.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413829, "uri": "https://api.kexp.org/v2/plays/3413829/?format=api", "airdate": "2024-10-17T10:08:22-07:00", "show": 61599, "show_uri": "https://api.kexp.org/v2/shows/61599/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Come Find Me", "track_id": "add92cfa-f3b9-41a3-9627-0305f15119ef", "recording_id": "0cf37485-e292-4c23-9fc6-b3943c5afd15", "artist": "Caribou", "artist_ids": [ "735e3514-a8ae-401f-af3b-6300df1b8d2c" ], "album": "Honey", "release_id": "bd229996-b32d-4abc-ad0d-fec64625fde5", "release_group_id": "224850e8-6a9d-4351-8401-1ec2d3585219", "labels": [ "Merge Records" ], "label_ids": [ "5a4f8d65-681e-4a1f-85a8-a874c9513888" ], "release_date": "2024-10-04", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Speaking about \"Come Find Me,\" Dan Snaith shares, \"I love this kind of chord sequence and the sort of French touch type of vibe, but it took a lot of time to find the right vocal hook and breakdown and make it more pop and concise.\"\n\nOf the process behind producing Honey, Snaith confides, \"One thing that hasn’t changed for me from the very beginning is a manic curiosity of seeing what I can make out of sound. Not so much what someone can make out of sound – a ‘professional’ with a host of collaborators and resources at their disposal, but me… in my little basement studio.\n\n\"There’s more equipment in here than there used to be but essentially it’s the same as ever: still chasing that thrill of when something hits really hard and I find myself jumping up and down or the hairs standing up on my arms in excitement. How lucky am I that that’s never gone away?\"\n\nhttps://tinyurl.com/y7jufx9p\n\nhttps://caribouband.bandcamp.com/album/honey-2", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413827, "uri": "https://api.kexp.org/v2/plays/3413827/?format=api", "airdate": "2024-10-17T10:00:57-07:00", "show": 61598, "show_uri": "https://api.kexp.org/v2/shows/61598/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "No Turning Back", "track_id": "8e893722-730b-306e-ba1f-13e184dcda00", "recording_id": "d330c8de-8ef5-4cd8-9a1f-7c657fc4daba", "artist": "Gui Boratto", "artist_ids": [ "f3e2ad21-900e-46a0-8597-2a3e457a7c27" ], "album": "Take My Breath Away", "release_id": "b1ece576-d456-412a-a28a-6f3ed6dcaf96", "release_group_id": "62f0e9d7-c5a3-3771-a046-d8dea3cc47af", "labels": [ "Kompakt" ], "label_ids": [ "bc0bb9db-43fc-4f1d-96f5-a40ae17b4d5d" ], "release_date": "2009-03-09", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Born in São Paulo, Brazil, in 1974, Gui Boratto began working as a producer, audio engineer and multi-instrumentalist in the early '90s. After countless licenses from major international major labels, he started dedicating his time to his own music, stringing together various strands of pop-infused techno and house and translating them into his very own stream of groove consciousness. \n\nhttps://guiboratto.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413826, "uri": "https://api.kexp.org/v2/plays/3413826/?format=api", "airdate": "2024-10-17T09:57:18-07:00", "show": 61598, "show_uri": "https://api.kexp.org/v2/shows/61598/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Sexy to Someone", "track_id": "eca546cf-adcf-4bbc-8ded-6efdd981fc27", "recording_id": "4b4e3304-8655-4e2e-a91c-192a0f486134", "artist": "Clairo", "artist_ids": [ "d786f59b-1836-4ddb-8393-ab753edbe984" ], "album": "Charm", "release_id": "0227a4b4-4068-4af9-ac31-335bbb3ab9c4", "release_group_id": "6fb46378-9cb7-4693-b76d-a62f2cc09214", "labels": [ "Clairo" ], "label_ids": [ "aa01459b-5927-4151-9b91-61b3c874e509" ], "release_date": "2024-07-12", "rotation_status": "R/N", "is_local": false, "is_request": false, "is_live": false, "comment": "https://www.youtube.com/watch?v=w18NGVqm0bg\n\nhttps://clairo.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3413825, "uri": "https://api.kexp.org/v2/plays/3413825/?format=api", "airdate": "2024-10-17T09:51:57-07:00", "show": 61598, "show_uri": "https://api.kexp.org/v2/shows/61598/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "My Girls", "track_id": "66bc2483-027c-48b4-8ad0-7c9455597429", "recording_id": "5c323a5d-99d8-4cc2-a031-0ea5b60db945", "artist": "Tears for Fears", "artist_ids": [ "7c7f9c94-dee8-4903-892b-6cf44652e2de" ], "album": "Ready Boy & Girls?", "release_id": "1419936e-fc98-43dc-a2d2-fe473ec04a7a", "release_group_id": "f5adf01c-8c9d-4904-8fae-563bde0e0d95", "labels": [ "INgrooves" ], "label_ids": [ "3027c393-daa1-4f4a-af6a-2b464722d584" ], "release_date": "2014-04-19", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "*REQUEST*\nHey everybody, it's nice to hear you this morning. I was wondering if you would be interested in playing the Tears for Fears cover of my girls\nKat in Seattle\n-----\nTears for Fears covering Animal Collective's \"My Girls\" from Merriweather Post Pavilion.\n\nhttps://tearsforfears.com/\n----\nCheck out the visualizer for the original version of 'My Girls', here, enjoy:\nhttps://www.youtube.com/watch?v=zol2MJf6XNE", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }