Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=2604760&ordering=airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2604780&ordering=airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2604740&ordering=airdate", "results": [ { "id": 380459, "uri": "https://api.kexp.org/v2/plays/380459/?format=api", "airdate": "2019-09-13T16:27:41-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 380460, "uri": "https://api.kexp.org/v2/plays/380460/?format=api", "airdate": "2019-09-13T16:29:59-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Rocket Fuel", "track_id": "4aaff03c-c072-4f56-b2d2-8284af71c627", "recording_id": null, "artist": "DJ Shadow feat. De La Soul", "artist_ids": [ "efa2c11a-1a35-4b60-bc1b-66d37de88511" ], "album": "Rocket Fuel", "release_id": "63a1719a-7a5f-43a0-b43a-4d47ba79740c", "release_group_id": null, "labels": [ "Mass Appeal Records" ], "label_ids": [ "6f6e9784-ac68-4dcc-9790-d6b3edbb1a56" ], "release_date": "2019-07-24", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "DJ Shadow shares, \"It’s been awhile since my last album The Mountain Will Fall, and the corresponding tour…and since the tour ended, I’ve been mostly silent. This is because I’ve been focused and working on a ton of music. I usually try to avoid hyperbole, and I’m not super-comfortable hyping up my own stuff, but things are about to get pretty exciting. My heroes De La Soul were kind enough to join me on the debut single, 'Rocket Fuel,' and the collab encapsulates so much of what I love about hip-hop…energy, beats, and fun.”", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380461, "uri": "https://api.kexp.org/v2/plays/380461/?format=api", "airdate": "2019-09-13T16:33:08-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Buffalo Stance", "track_id": "1f03bfb0-ebda-3ddb-9e6d-6319c7443777", "recording_id": null, "artist": "Neneh Cherry", "artist_ids": [ "527c65d1-9fdb-4482-8796-dde2980bd63a" ], "album": "Raw Like Sushi", "release_id": "8c16f543-94f0-34b6-a8f2-b1d6ab7db0e2", "release_group_id": null, "labels": [ "Virgin" ], "label_ids": [ "49b58bdb-3d74-40c6-956a-4c4b46115c9c" ], "release_date": "1989-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The song title refers to \"Buffalo\", a group of photographers, models, musicians, hair and makeup artists, etc. formed by fashion stylist Ray Petri, of which group Cherry, Morgan, and McVey were all members. The song's title is also a reference to the Malcolm McLaren song \"Buffalo Gals\" (1983), which \"Buffalo Stance\" samples. Other samples came from Rock Steady Crew's \"Hey You\", and the saxophone break is from the band Miami's song \"Chicken Yellow\" (1974).\n<br><br>\nCherry notably performed the song live on Top of the Pops while seven months pregnant. When asked by a reporter if it were safe for her to go up on stage performing, Cherry answered: \"Yes, of course! It's not an illness.\" https://bit.ly/2t0hS3G", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380462, "uri": "https://api.kexp.org/v2/plays/380462/?format=api", "airdate": "2019-09-13T16:38:45-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/c88af303-c42f-410e-bab6-974bb97e761f/21992075735-250.jpg", "thumbnail_uri": "", "song": "Modafinil Blues", "track_id": "bbc6a4cf-3d0c-476a-8311-90e5ddec85bc", "recording_id": null, "artist": "Matthew Dear", "artist_ids": [ "3d191c12-be64-4f90-94d8-ac324b2b3544" ], "album": "Bunny", "release_id": "c88af303-c42f-410e-bab6-974bb97e761f", "release_group_id": null, "labels": [ "Ghostly International" ], "label_ids": [ "c981d5d0-1109-47ff-addf-18eeb81b3717" ], "release_date": "2018-10-12", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Matthew Dear doesn’t call himself King Chameleon lightly. The Texan-born producer, DJ, sometime University of Michigan lecturer and leftfield electronic artist has spent almost 20 years operating under a range of pseudonyms – Audion, Jabberjaw and False – and rifling through genres like a sock drawer. The fifth album under his own name is no different, but mostly he channels an eclectic range of loosely post-punk-era styles into heavy electronics. It’s an engaging listen, as a variety of grooves frame Dear’s slightly treated, almost narrated, sometimes agitated vocals. https://bit.ly/2kLBLtI", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380463, "uri": "https://api.kexp.org/v2/plays/380463/?format=api", "airdate": "2019-09-13T16:43:19-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/2ab6cc8b-761d-4b12-a446-9f3e5c4a3d24/21340722281-250.jpg", "thumbnail_uri": "", "song": "Face the Fire", "track_id": "132d8825-48f3-48ed-a427-06923b6729eb", "recording_id": null, "artist": "Boy Harsher", "artist_ids": [ "6dc9bc09-a0c7-40f9-b491-f90845927533" ], "album": "Careful", "release_id": "2ab6cc8b-761d-4b12-a446-9f3e5c4a3d24", "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2019-02-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "BOY HARSHER is a dark electronic duo that produces gritty dance beats infused with ethereal vocals, creating a sound that is eerie, intense and incredibly danceable. Augustus Muller develops the underbelly of sound with minimal beats and grinding synths, where Jae Matthews whispers, screams and chants on top. Together, the music created is somewhere between industrial, drone and confessional storytelling. Muller and Matthews both have a strong background in film and their cinematic approach translates effectively in both their recordings and live performance.\n\nBoy Harsher started in early 2013 under the name Teen Dreamz. The project was based on short stories written and read by Matthews then live scored by Muller. As the project matured the instrumentals became more dance influenced and Matthews’ delivery became more dynamic and spontaneous. In January of 2014 Teen Dreamz took on the moniker Boy Harsher. https://boyharsher.com/about", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380465, "uri": "https://api.kexp.org/v2/plays/380465/?format=api", "airdate": "2019-09-13T16:50:00-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 380464, "uri": "https://api.kexp.org/v2/plays/380464/?format=api", "airdate": "2019-09-13T16:51:16-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "High Tide", "track_id": "c199d52a-3293-4eb2-b404-cfbd350363f9", "recording_id": null, "artist": "Lemolo", "artist_ids": [ "aea5a115-b437-4d93-aa2e-fd829b8cfd1f" ], "album": "Swansea", "release_id": "b63da2dc-f5ab-4da7-b71d-289a1f012e21", "release_group_id": null, "labels": [ "[no label]" ], "label_ids": [ "157afde4-4bf5-4039-8ad2-5a15acc85176" ], "release_date": "2019-10-11", "rotation_status": "Medium", "is_local": true, "is_request": false, "is_live": false, "comment": "Lemolo shares on her website, \"I am overjoyed to announce that my new album, Swansea, is complete and will be released this fall on October 11, 2019!\n<br><br>\nI am crying as I write this, because it is so overwhelming and cathartic to begin sharing something that I poured so much of myself into, and for so long. Swansea is deeply personal, and is about my experiences with various forms of loss, the solitude that comes with it, and finding strength in remembering how to stand on my own two feet. I started writing some of these songs as early as 2014, and have been dreaming up this record and working on it ever since. I had the honor and pleasure of collaborating with producer Nathan Yaccino, who helped me craft my music to sound like I always dreamed it would. Making Swansea was one of the most soul-fulfilling things I have ever done, and I am so grateful to you for being on this wild ride with me!\" https://bit.ly/2lQVfNR", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380466, "uri": "https://api.kexp.org/v2/plays/380466/?format=api", "airdate": "2019-09-13T16:55:20-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/c24de659-4360-3e11-8548-fc89266567d8/7946171807-250.jpg", "thumbnail_uri": "", "song": "Sugar Hiccup", "track_id": "dca9f0b1-f11e-3afc-adfb-5c66dbe49a99", "recording_id": null, "artist": "Cocteau Twins", "artist_ids": [ "000fc734-b7e1-4a01-92d1-f544261b43f5" ], "album": "Head Over Heels", "release_id": "c24de659-4360-3e11-8548-fc89266567d8", "release_group_id": null, "labels": [ "4AD" ], "label_ids": [ "a539bb1e-f2e1-4b45-9db8-8053841e7503" ], "release_date": "2003-02-10", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "To listen to Head Over Heels from the vantage point of 30 years is to rediscover an album that at once is a bold step forward in establishing a unique identity in British independent music as well as building a bridge to a place of odd and strange beauty. It doesn’t matter now any more than it did then that the songs are shrouded in a wilful and perverse mystery that will forever elude interpretive consensus. What is important is that this remains a unique collection of music in a body of work that’s often been imitated but rarely equalled. Moreover, the Cocteau Twins’ power to enthral and beguile with their second album remains undiminished and subsequent visits prove as enriching as when they first revealed themselves to an unsuspecting world. https://bit.ly/2kzGkYi", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380467, "uri": "https://api.kexp.org/v2/plays/380467/?format=api", "airdate": "2019-09-13T16:59:01-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/5956ddae-f3ef-4ff3-846e-ac998dd8d9c1/23935970931-250.jpg", "thumbnail_uri": "", "song": "Something Keeps Calling", "track_id": "b71a2d70-c5d5-40f8-b7dd-aa00e56d5ab4", "recording_id": null, "artist": "Raphael Saadiq feat. Rob Bacon", "artist_ids": [ "8963daf2-c155-44e1-b4ae-57fa0fec24b0" ], "album": "Jimmy Lee", "release_id": "5956ddae-f3ef-4ff3-846e-ac998dd8d9c1", "release_group_id": null, "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "2019-08-23", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "This new album, Saadiq's first in seven years, is named after his brother, who passed away from drug addiction. \"Me and my brother were really close. He’s a funny guy. He spent most of his life in prison, but for the most part, he was around me a lot. Very supportive. I was introduced to pit bulls by my brother. He was always dropping me off dogs. We have an interesting relationship. We’re almost 15-year difference in age, and we lived two different lives. Most people didn’t believe he was my brother, until later on. He was always in a special place in my heart. We were really close. Really tight, good dude, very strong personality. Unfortunately, that’s what happens when you’re an addict.\" https://bit.ly/2r36TEG", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380468, "uri": "https://api.kexp.org/v2/plays/380468/?format=api", "airdate": "2019-09-13T17:03:44-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Confidence", "track_id": "46bb338d-ad1d-494c-ad13-2c88bf97ea74", "recording_id": null, "artist": "Candi Staton", "artist_ids": [ "6afcc957-d742-41c6-ad0b-31b2f1967353" ], "album": "Unstoppable", "release_id": "7e0134b5-07cb-4dcd-9299-534a0693f271", "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2018-08-24", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Born in Hanceville, Alabama, Staton and her sister Maggie were sent to Nashville, Tennessee at around age 11 or 12 for school. While attending Jewell Christian Academy, Staton's vocal abilities was quickly noticed by her peers and the school's pastor. Amazed by her voice, The pastor paired Staton and her sister with a third girl; Naomi Harrison and they formed the Jewell Gospel Trio. As teenagers, the group toured the traditional gospel circuit during in the 1950s with the Soul Stirrers, C. L. Franklin and Mahalia Jackson. They recorded several sides for Nashbro, Apollo and Savoy Records between 1953 and 1963. https://bit.ly/2lTypVK", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380469, "uri": "https://api.kexp.org/v2/plays/380469/?format=api", "airdate": "2019-09-13T17:08:21-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 380470, "uri": "https://api.kexp.org/v2/plays/380470/?format=api", "airdate": "2019-09-13T17:11:35-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Black Bull", "track_id": "ceb6899e-a67c-40cc-bded-29b7e3390894", "recording_id": null, "artist": "Foals", "artist_ids": [ "6a65d878-fcd0-42cf-aff9-ca1d636a8bcc" ], "album": "Everything Not Saved Will Be Lost - Part 2", "release_id": "0f358547-5009-4843-a253-717bbd04dde9", "release_group_id": null, "labels": [ "Warner Bros. Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71" ], "release_date": "2019-10-18", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Of ENSWBL Part II, Foals frontman Yannis Philippakis notes, \"Part two is a heavier listen, the guitars are more emphasized and there’s some big riffs on it. It’s a rock record and it definitely carries on the narrative from part one. Part one ended with a lot of fire and destructive imagery, part two is trying to respond to that: how you can continue in the wreckage and through the scorched earth?\" https://bit.ly/32VtZ1S", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380471, "uri": "https://api.kexp.org/v2/plays/380471/?format=api", "airdate": "2019-09-13T17:14:39-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Bet My Brains", "track_id": "ffc8df68-ef1a-4c53-814c-82b12a0158cb", "recording_id": null, "artist": "Starcrawler", "artist_ids": [ "6c11309a-264e-4d39-a4c6-6f028c6da747" ], "album": "Devour You", "release_id": "3c0020b0-a413-4ba2-b7f1-2d45c040f324", "release_group_id": null, "labels": [ "Rough Trade" ], "label_ids": [ "2276f06e-f65a-4d61-9dee-9f95ff4b775c" ], "release_date": "2019-10-11", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Playing the Crocodile on October 9th! In a performance review in The Guardian the band was described as \"Blending the sludgy, doom-laden riffs of Black Sabbath with the urgent pop-punk of The Runaways, the young LA band Starcrawler are a group whose entire DNA seems linked to the 1970s.\" Starcrawler lead singer Arrow de Wilde attended Los Angeles' Grand Arts High School. She is the daughter of photographer Autumn de Wilde and drummer Aaron Sperske. https://bit.ly/2lQ5xxT", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380472, "uri": "https://api.kexp.org/v2/plays/380472/?format=api", "airdate": "2019-09-13T17:17:00-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Breed", "track_id": null, "recording_id": null, "artist": "Titus Andronicus", "artist_ids": [ "d38c47f6-d9bb-4a77-aaea-df53a6616a68" ], "album": "SPIN Presents: Newermind", "release_id": null, "release_group_id": null, "labels": [ "SPIN" ], "label_ids": [], "release_date": "1950-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "“Nevermind is a rare thing,” posits main man Patrick Stickles. “Since indie-rock music is so diverse, there’s not always much common ground. But an album like this unites us across time, which is why I wanted to be faithful to the song we covered.” There’s also another, more fundamental reason. “The riff,” he says, “is bad-ass.” You can download SPIN Magazine's entire Newermind album for free here: https://bit.ly/2CNLUMO", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380473, "uri": "https://api.kexp.org/v2/plays/380473/?format=api", "airdate": "2019-09-13T17:21:25-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/4c12e0aa-ea26-47a1-b853-b1a65bc37281/16102363626-250.jpg", "thumbnail_uri": "", "song": "Stay Away", "track_id": "d4340f09-8b2a-40e9-8701-2965157ff134", "recording_id": null, "artist": "Nirvana", "artist_ids": [ "5b11f4ce-a62d-471e-81fc-a69a8278c7da" ], "album": "Nevermind", "release_id": "4c12e0aa-ea26-47a1-b853-b1a65bc37281", "release_group_id": null, "labels": [ "Sub Pop Records" ], "label_ids": [ "38dc88de-7720-4100-9d5b-3cdc41b0c474" ], "release_date": "2011-09-27", "rotation_status": "Library", "is_local": true, "is_request": false, "is_live": false, "comment": "On this day, Nirvana held their album release party at the Re-Bar in 1991. While Nevermind will go on to make major music history by selling more than 10 million copies in the U.S. alone, on this night the members of Nirvana make minor rock 'n' roll history by becoming perhaps the only group ever to be 86'd from their own party for engaging in a drunken food-fight. Read all about it here: www.historylink.org/File/20179", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380474, "uri": "https://api.kexp.org/v2/plays/380474/?format=api", "airdate": "2019-09-13T17:24:47-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 380475, "uri": "https://api.kexp.org/v2/plays/380475/?format=api", "airdate": "2019-09-13T17:26:44-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/1f3d7165-bdb8-4a04-aec4-2dadc82f6856/23833837747-250.jpg", "thumbnail_uri": "", "song": "Nothing Is Safe", "track_id": "40c28b3e-d06d-4ac2-a202-88e16c8b339f", "recording_id": null, "artist": "clipping. feat.", "artist_ids": [ "84ca8fa4-7cca-4948-a90a-cb44db29853d" ], "album": "There Existed an Addiction to Blood", "release_id": "1f3d7165-bdb8-4a04-aec4-2dadc82f6856", "release_group_id": null, "labels": [ "Sub Pop Records" ], "label_ids": [ "38dc88de-7720-4100-9d5b-3cdc41b0c474" ], "release_date": "2019-10-18", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Their third album for Sub Pop, There Existed an Addiction to Blood, finds them interpreting another rap splinter sect through their singular lens. This is clipping’s transmutation of horrorcore, a purposefully absurdist and creatively significant sub-genre that flourished in the mid-90s. If some of its most notable pioneers included Brotha Lynch Hung and Gravediggaz, it also encompasses seminal works from the Geto Boys, Bone Thugs-N-Harmony, and the near-entirety of classic Memphis cassette tape rap. \n\n https://bit.ly/2lUOASF", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380476, "uri": "https://api.kexp.org/v2/plays/380476/?format=api", "airdate": "2019-09-13T17:31:38-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "http://coverartarchive.org/release/b5be52c1-9c7c-4e7e-a8c2-5e2de309a11d/21164902564-250.jpg", "thumbnail_uri": "", "song": "Athene", "track_id": "b4a3a6a5-364d-3658-aaaf-84e22839ddc3", "recording_id": null, "artist": "Hercules and Love Affair", "artist_ids": [ "b62ecfe7-b2e6-4d40-b7d2-8f12d3f51ed6" ], "album": "Hercules and Love Affair", "release_id": "b5be52c1-9c7c-4e7e-a8c2-5e2de309a11d", "release_group_id": null, "labels": [ "Mute Corporation" ], "label_ids": [ "68523539-169d-481a-984d-8cc997fb6ea2" ], "release_date": "2008-06-24", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Of this album, Pitchfork extols, \"Hercules and Love Affair is a phenomenal album, one destined to save disco not from its detractors but rather from those fans and revivalists who would calcify the music as a set as a set of tropes and reference points. Lush, melancholic, gregarious, generous, both precise and a little bit unhinged-- this is the most original American dance album in a long while.\" https://bit.ly/2mh48AB", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380479, "uri": "https://api.kexp.org/v2/plays/380479/?format=api", "airdate": "2019-09-13T17:35:00-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Summer Smoke", "track_id": "0504a732-239b-3aa8-a321-2ad27db6a11f", "recording_id": null, "artist": "Girl Talk", "artist_ids": [ "24e36781-1f4a-40af-bd18-c5de61f10c66" ], "album": "Night Ripper", "release_id": "51f7013d-9688-351b-9b8c-d5f39d1d1723", "release_group_id": null, "labels": [ "Illegal Art" ], "label_ids": [], "release_date": "2009-06-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Trained as an engineer, Girl Talk's Gregg Michael Gillis is an American disc jockey who specializes in mashups and digital sampling. He began experimenting with electronic music and sampling while a student at Chartiers Valley High School in the Pittsburgh, Pennsylvania suburb of Bridgeville. After a few collaborative efforts, he started the solo \"Girl Talk\" project while studying biomedical engineering at Case Western Reserve University in Cleveland, Ohio. In school, Gillis focused on tissue engineering. https://bit.ly/1Og7YO3", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 380477, "uri": "https://api.kexp.org/v2/plays/380477/?format=api", "airdate": "2019-09-13T17:40:36-07:00", "show": 6331, "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" } ] }
