Play Public Instance

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{
    "id": 380462,
    "uri": "https://api.kexp.org/v2/plays/380462/?format=api",
    "airdate": "2019-09-13T16:38:45-07:00",
    "show": 6331,
    "show_uri": "https://api.kexp.org/v2/shows/6331/?format=api",
    "image_uri": "http://coverartarchive.org/release/c88af303-c42f-410e-bab6-974bb97e761f/21992075735-250.jpg",
    "thumbnail_uri": "",
    "song": "Modafinil Blues",
    "track_id": "bbc6a4cf-3d0c-476a-8311-90e5ddec85bc",
    "recording_id": null,
    "artist": "Matthew Dear",
    "artist_ids": [
        "3d191c12-be64-4f90-94d8-ac324b2b3544"
    ],
    "album": "Bunny",
    "release_id": "c88af303-c42f-410e-bab6-974bb97e761f",
    "release_group_id": null,
    "labels": [
        "Ghostly International"
    ],
    "label_ids": [
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    "release_date": "2018-10-12",
    "rotation_status": "Library",
    "is_local": false,
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    "is_live": false,
    "comment": "Matthew Dear doesn’t call himself King Chameleon lightly. The Texan-born producer, DJ, sometime University of Michigan lecturer and leftfield electronic artist has spent almost 20 years operating under a range of pseudonyms – Audion, Jabberjaw and False – and rifling through genres like a sock drawer.  The fifth album under his own name is no different, but mostly he channels an eclectic range of loosely post-punk-era styles into heavy electronics. It’s an engaging listen, as a variety of grooves frame Dear’s slightly treated, almost narrated, sometimes agitated vocals.   https://bit.ly/2kLBLtI",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}