Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=440&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=460&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=420&ordering=-airdate", "results": [ { "id": 3520353, "uri": "https://api.kexp.org/v2/plays/3520353/?format=api", "airdate": "2025-06-29T10:05:40-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "I Got Loaded", "track_id": null, "recording_id": "cd372be3-2c46-44e6-a6a8-42cd42f4f6d8", "artist": "Little Bob & the Lollipops", "artist_ids": [ "78e897f2-9573-40c5-badf-f0a85d85dd06" ], "album": "45", "release_id": null, "release_group_id": null, "labels": [ "Goldband" ], "label_ids": [], "release_date": "1965-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Born in 1937 in the small town of Leonville, Louisiana, Camille “Lil” Bob, started his musical career at the tender age of 14, playing the drums for a local artist named Good Rockin’ Bob (of no relation). After 3 years with the group, Little Bob ventured out & formed the Lollipops, and made his recording debut in 1957. There seemed to be no stopping them from there, recording best sellers such as “I Got Loaded,” Nobody But You,” “Agent Double-O Soul,” and more. In the late 50’s and early 60’s, Little Bob & the Lollipops practically soared above the throng, carving their niche in the Swamp Pop Era that took us all by storm. Little Bob has been performing for over 50 years and was elected into the Louisiana Music Hall of Fame in 1992.\n\nRead more here: https://flattownmusic.com/artist/lil-bob-lollipops/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520352, "uri": "https://api.kexp.org/v2/plays/3520352/?format=api", "airdate": "2025-06-29T10:03:11-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "I Cried", "track_id": null, "recording_id": "a9e00a1f-ad32-434a-a06a-7a247272619a", "artist": "Cookie & the Cupcakes", "artist_ids": [ "dd6ea49f-09e4-4e6b-9497-401293d097ad" ], "album": "Best Of Cookie & The Cupcakes", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "1963-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Cookie & the Cupcakes were among the first to blend Cajun music with rock & roll to create the musical hybrid known as swamp pop. The eight-piece band reached its peak in 1959 when their lively dance tune \"Mathilda\" reached number 47 on the Billboard charts.\nhttps://www.allmusic.com/artist/cookie-the-cupcakes-mn0000103776", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520350, "uri": "https://api.kexp.org/v2/plays/3520350/?format=api", "airdate": "2025-06-29T09:59:54-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "https://coverartarchive.org/release/3b94ef93-60e9-49ed-a4a2-d92c592a45f7/20269418442-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/3b94ef93-60e9-49ed-a4a2-d92c592a45f7/20269418442-250.jpg", "song": "Opelousas Sostan", "track_id": null, "recording_id": "b2adc794-95ed-49d3-8bbc-a2a587b30603", "artist": "Rufus Jagneaux", "artist_ids": [ "b2fe7a46-75d6-416a-bdb1-a808eee93c9f" ], "album": "Swamp Gold, Volume 1", "release_id": null, "release_group_id": "a3781b78-add9-32ca-8751-c708eda5308e", "labels": [], "label_ids": [], "release_date": "1991-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Like “Sostan,” Rufus incorporated elements of its Southwest Louisiana identity, as evidenced by the southern rock-toned “Sha T Babe,” the wacky “Port Barre” and the harmonica-powered “Quadroon.” Jagneaux even covered Cajun blockbusters such as DL Menard’s “The Back Door,” sung mostly in English and fueled by a psychotic-twangy guitar, and Jimmy C. Newman’s “Lache pas la patate.’\nhttp://www.45cat.com/artist/rufus-jagneaux2 \nhttps://www.offbeat.com/music/rufus-jagneaux-the-opelousas-sostan-collection-jin-records/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520351, "uri": "https://api.kexp.org/v2/plays/3520351/?format=api", "airdate": "2025-06-29T09:58:37-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3520349, "uri": "https://api.kexp.org/v2/plays/3520349/?format=api", "airdate": "2025-06-29T09:53:57-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "https://coverartarchive.org/release/181af0cc-8c8a-4ab5-83cc-1a740af3de5a/23508279932-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/181af0cc-8c8a-4ab5-83cc-1a740af3de5a/23508279932-250.jpg", "song": "Rooster Strut", "track_id": null, "recording_id": "4c33b6a8-197f-4911-ade3-1c01d0afbb2f", "artist": "Ashton Savoy", "artist_ids": [ "1a57d412-5d19-40fb-8bb0-7b254a0f98d9" ], "album": "Eddie’s House of Hits: The Story of Goldband Records", "release_id": null, "release_group_id": "af86539c-ec50-4a89-97a1-65a2116aab0d", "labels": [], "label_ids": [], "release_date": "1992-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "[Savoy] was born in Sunset, Louisiana, in 1928 and grew up in a musical family. His father played violin and guitar and Savoy’s musical tastes were strengthened by a period spent in Chicago with his uncle when that city was seeing the transformation of acoustic Delta blues into the more hard-edged style of electric music that would dominate the genre in the years to come.\nhttps://www.thetimes.com/sunday-times-rich-list/profile/article/ashton-savoy-blues-singer-and-guitarist-lj8mp7gtmwp?region=global", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520348, "uri": "https://api.kexp.org/v2/plays/3520348/?format=api", "airdate": "2025-06-29T09:52:04-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "https://coverartarchive.org/release/181af0cc-8c8a-4ab5-83cc-1a740af3de5a/23508279932-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/181af0cc-8c8a-4ab5-83cc-1a740af3de5a/23508279932-250.jpg", "song": "Chicken Stuff", "track_id": null, "recording_id": "c485bb6c-14fa-4614-b1ad-4437d3c4e694", "artist": "Hop Wilson", "artist_ids": [ "24889024-c3d5-44e1-9b62-0e41f4866ebc" ], "album": "Eddie’s House of Hits: The Story of Goldband Records", "release_id": null, "release_group_id": "af86539c-ec50-4a89-97a1-65a2116aab0d", "labels": [], "label_ids": [], "release_date": "1992-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Wilson learned how to play guitar and harmonica as a child. By the time he was 18, he received his first steel guitar and began playing it at local Houston juke joints and clubs. His musical career was interrupted when he served in World War II. After his discharge from the Army, he decided to pursue a serious career as a blues musician, performing with Ivory Semien's group in the late '50s. Wilson and Semien recorded a number of sides for Goldband Records in 1957. \nhttps://www.allmusic.com/artist/hop-wilson-mn0000261141#biography", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520347, "uri": "https://api.kexp.org/v2/plays/3520347/?format=api", "airdate": "2025-06-29T09:48:45-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "https://coverartarchive.org/release/8dc5728a-af22-48d4-bc67-8e3a61dda066/14460797397-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/8dc5728a-af22-48d4-bc67-8e3a61dda066/14460797397-250.jpg", "song": "Paper in My Shoe", "track_id": null, "recording_id": "28df2462-ecd3-440d-8230-683c0e3ea900", "artist": "Boozoo Chavis", "artist_ids": [ "f10aa2b0-47c8-44a0-83a5-a93d61ef5c63" ], "album": "Swamp Music, Vol. III: Kings of Zydeco: Black Creole Music From the Deep South", "release_id": null, "release_group_id": "d4716a29-8671-3651-9bc7-f514085875ef", "labels": [], "label_ids": [], "release_date": "1989-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Boozoo Chavis (born Wilson Anthony Chavis) was one of the pioneers of zydeco, the Cajun and blues hybrid originating in southwest Louisiana. Although his self-composed 1954 single, \"Paper in My Shoes,\" was the first zydeco hit, Chavis was distrustful of the music industry and refused to perform publicly or record again until 1984. In an interview featured in the 1990 book, The New Folk Music, Chavis explained, \"... They stole my record. They said that it only sold 150,000 copies. But, my cousin, who used to live in Boston, checked it out. It sold over a million copies. I was supposed to have a gold record.\" After leaving the music business, Chavis devoted his attention to raising champion racehorses in Shrevesport and Lafayette, LA and TX. \nhttps://www.allmusic.com/artist/boozoo-chavis-mn0000088100#biography", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520346, "uri": "https://api.kexp.org/v2/plays/3520346/?format=api", "airdate": "2025-06-29T09:46:10-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "https://coverartarchive.org/release/181af0cc-8c8a-4ab5-83cc-1a740af3de5a/23508279932-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/181af0cc-8c8a-4ab5-83cc-1a740af3de5a/23508279932-250.jpg", "song": "Sugar Bee", "track_id": null, "recording_id": "24d5696c-7fc9-418a-9cd5-c4024b80ab0b", "artist": "Cleveland Crochet", "artist_ids": [ "b6e32c74-3425-4cea-8b4c-ea3f66f41b2b" ], "album": "Eddie’s House of Hits: The Story of Goldband Records", "release_id": null, "release_group_id": "af86539c-ec50-4a89-97a1-65a2116aab0d", "labels": [], "label_ids": [], "release_date": "1992-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The first single of the Cajun genre from Louisiana to enter the Billboard pop charts in 1961, making it to position No. 80. \n\nCleveland Crochet's father was a Cajun musician himself. Born in 1911 in Hathaway, Louisiana, Junior built his first fiddle out of a cigar box when he was twelve. He was already almost forty years old when he formed his band, the Hillbilly Ramblers, in 1950.\nhttps://bit.ly/4kgc7oO", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520345, "uri": "https://api.kexp.org/v2/plays/3520345/?format=api", "airdate": "2025-06-29T09:42:11-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Oh, Negresse", "track_id": null, "recording_id": "d12a7d82-50c0-4bb0-bb34-8368aa7f73e4", "artist": "John Delafose", "artist_ids": [ "5ce5e97a-1f5b-47fb-86aa-c2a825f0f42f" ], "album": "Arhoolie Presents American Masters, Vol. 5: 15 Louisiana Zydeco Classics", "release_id": null, "release_group_id": "3ffc8cc1-781f-488d-b73c-f3bbaa9423d0", "labels": [ "Arhoolie Productions, Inc." ], "label_ids": [ "783bddf5-ad1e-4369-a1d6-66e6ae0d63ea" ], "release_date": "1990-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“[Delafose] learned a lot from senior Creole musicians of the old school, playing waltzes with two-steps and singing in French as well as English. His repertoire included traditional Cajun songs, songs learned from his musical mentors, covers of blues and r’n’b tunes, and original songs. Delafose had a huge south Louisiana hit with his 1990 “Joe Pete Got Two Women.” He often used traditional melodies with his own lyrics, a practice familiar in all folk styles.”\nCheck out a John Delafose’s artist spotlight here: http://zydecocrossroads.org/2015/10/artist-spotlight-john-delafose/\n\nhttps://www.youtube.com/watch?v=brQpPv2KmEA", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520344, "uri": "https://api.kexp.org/v2/plays/3520344/?format=api", "airdate": "2025-06-29T09:37:14-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "https://coverartarchive.org/release/93def3de-925f-4a4b-8066-8170fdd3b34f/42172512338-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/93def3de-925f-4a4b-8066-8170fdd3b34f/42172512338-250.jpg", "song": "Mama Rita in Hollywood", "track_id": null, "recording_id": "3f52a466-630c-4569-be37-27b19c309494", "artist": "Doug Kershaw", "artist_ids": [ "c5921327-c7b7-4a32-abe8-0c3797bdb523" ], "album": "Spanish Moss", "release_id": null, "release_group_id": "8246af63-6dd8-4740-9a4c-bd81a3fb4125", "labels": [ "Warner Bros." ], "label_ids": [], "release_date": "1970-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Affectionately nicknamed ‘The Ragin’ Cajun’, country Cajun music legend and fiddle player extraordinaire, Doug Kershaw, has multiple strings to his bow. A singer-songwriter and multi-instrumentalist, he has sold millions of records, appeared as the opening act for Eric Clapton’s ‘Derek and the Dominos’ during a week- long engagement at the Fillmore East in New York, and his autobiographical ‘Louisiana Man’ has been covered by more than 800 artists and was the first song broadcast back to earth from the moon by the Apollo 12 astronauts. \nhttps://www.creativeanddreams.com/doug-kershaw/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520342, "uri": "https://api.kexp.org/v2/plays/3520342/?format=api", "airdate": "2025-06-29T09:33:33-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "https://coverartarchive.org/release/939d87a1-bb3a-45db-b306-079daa85337b/8710532683-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/939d87a1-bb3a-45db-b306-079daa85337b/8710532683-250.jpg", "song": "Lafayette", "track_id": null, "recording_id": "e9ae411d-8e33-4513-a4f0-f659514e36b1", "artist": "Lucinda Williams", "artist_ids": [ "21685b15-3074-446e-aa1d-ff7157014f53" ], "album": "Happy Woman Blues", "release_id": null, "release_group_id": "9cf7a5e0-e479-3805-8d0e-c2d49cd55dcd", "labels": [], "label_ids": [], "release_date": "1980-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Lucinda Williams playing some of her other songs live on Kexp in 2015 here: https://www.youtube.com/watch?v=LSyI1nZsSi4\n\nlucindawilliams.com \n--\n“In the song, Williams, a Louisiana native, pines for Lafayette, a town of around 125,000 in the southwest part of the state that many recognize as the unofficial capital of Cajun Country. It’s a town surrounded by a slew of other small towns that all come together to form a swampy, bayou-country region known locally as “Acadiana,” a place where the pace of life is slower than a sugar cane truck slogging down a country road in August, a place where the main priorities in life are eating, drinking, dancing, and loving. Just having a good ole time in general. Then getting up and doing it all over again the next day.” https://www.bkmag.com/2016/10/05/louisiana-lafayette-lucinda-williams/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520343, "uri": "https://api.kexp.org/v2/plays/3520343/?format=api", "airdate": "2025-06-29T09:32:33-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3520341, "uri": "https://api.kexp.org/v2/plays/3520341/?format=api", "airdate": "2025-06-29T09:27:39-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Shaggy Dad", "track_id": null, "recording_id": "03afc117-43a0-4f0e-be6f-65f554eeded5", "artist": "Lightnin’ Hopkins", "artist_ids": [ "d5c55b61-78b8-40c9-be1b-de7517c3aebb" ], "album": "Something Blue", "release_id": null, "release_group_id": null, "labels": [ "Verve" ], "label_ids": [], "release_date": "1967-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Recorded in Muscle Shoals ; originally released on 1967 self-titled album on Verve-Folkways ; live video of \"Baby Please Don't Go\": https://www.youtube.com/watch?v=lK5zYI86wIw", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520340, "uri": "https://api.kexp.org/v2/plays/3520340/?format=api", "airdate": "2025-06-29T09:25:48-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "https://coverartarchive.org/release/6a29e047-f4bb-3685-b4d1-c8d09d4b1020/19156638460-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/6a29e047-f4bb-3685-b4d1-c8d09d4b1020/19156638460-250.jpg", "song": "On the Road Again", "track_id": null, "recording_id": "deaf5f57-76f7-4625-abce-4dba53d60466", "artist": "The Lovin’ Spoonful", "artist_ids": [ "abc08d4f-4e3c-4b5a-b1e8-d324cd6a2f92" ], "album": "The Very Best of Lovin' Spoonful", "release_id": null, "release_group_id": "e0fb5216-42a8-3635-ba14-64bc9debac1e", "labels": [ "RCA Camden" ], "label_ids": [ "f212519f-c52e-4e4a-95b9-c963c7d2a548" ], "release_date": "1998-01-26", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The band, led by John Sebastian, Steve Boone, Joe Butler and Zal Yanovsky, exploded onto the charts sending their first 7 singles soaring onto Billboard’s top-10 charts virtually overnight. \nThe Spoonful formed in New York’s Greenwich Village in 1965 at the Night Owl Café and signed to Kama Sutra Records. They appeared on every major TV show of the era: The Ed Sullivan Show, Hullabaloo and Shindig! \nhttps://lovinspoonful.band/bio", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520339, "uri": "https://api.kexp.org/v2/plays/3520339/?format=api", "airdate": "2025-06-29T09:22:37-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "On The Road Again", "track_id": null, "recording_id": null, "artist": "Crow Quill Night Owls", "artist_ids": [ "6fa9b6d8-ff88-4415-a060-07652938f65b" ], "album": "Wrap Your Troubles In Dreams", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2016-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "From Port Townsend! “The Crow Quill Night Owls are a band that plays jug band, jazz, and string band music of the 1920's and 1930's. They were formed in 2007 by guitarist Kit \"Stymee\" Stovepipe and tenor banjoist Windy City Alex. They've since added Baylin Adahere on washtub bass. The group fluctuates from a duo to a six person band and often features members of other bands in similar genres.”\n\nhttps://thecrowquillnightowls.bandcamp.com/album/wrap-your-troubles-in-dreams", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520338, "uri": "https://api.kexp.org/v2/plays/3520338/?format=api", "airdate": "2025-06-29T09:19:43-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Cabbage White", "track_id": null, "recording_id": "82caf444-696d-4fd0-b574-768906960871", "artist": "The Ever-Lovin’ Jug Band", "artist_ids": [ "5f125a38-3215-4a5c-8918-80bd4406ac13" ], "album": "Move That Thing", "release_id": null, "release_group_id": null, "labels": [ "Jalopy" ], "label_ids": [], "release_date": "2024-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Be sure to check out the music video!\nhttps://www.youtube.com/watch?v=Ti9VjshjvkU \n–\nhttp://www.everlovinjugband.ca/info.html", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520337, "uri": "https://api.kexp.org/v2/plays/3520337/?format=api", "airdate": "2025-06-29T09:17:10-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "https://coverartarchive.org/release/4e36c489-05df-4aa7-9956-76dc73c3082f/11645004808-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/4e36c489-05df-4aa7-9956-76dc73c3082f/11645004808-250.jpg", "song": "Long Gone, Anyway", "track_id": null, "recording_id": "083948fb-d939-4483-a85d-130ad779421c", "artist": "Banditos", "artist_ids": [ "95cb8cfc-fbc0-4374-a56b-06ed7aa01a80" ], "album": "Banditos", "release_id": null, "release_group_id": "20d7219a-b706-426e-9e69-d92a0f0b7085", "labels": [ "Bloodshot Records" ], "label_ids": [ "c1a4129a-95dd-4e8c-b42e-7cd9fc3c208b" ], "release_date": "2015-05-12", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This song and others, live right here in The Roadhouse in 2015: https://youtu.be/yeU7QoCXSBg \nhttps://www.facebook.com/BANDITOSBAND ; http://www.banditosband.com ; https://banditosbama.bandcamp.com", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520336, "uri": "https://api.kexp.org/v2/plays/3520336/?format=api", "airdate": "2025-06-29T09:13:54-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Mobile Line", "track_id": null, "recording_id": "4f6a0730-c110-4d3c-b871-3e6c3e753e2a", "artist": "The Jim Kweskin Jug Band", "artist_ids": [], "album": "The Jim Kweskin Jug Band", "release_id": null, "release_group_id": null, "labels": [ "Vanguard" ], "label_ids": [], "release_date": "1963-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The 1963 Jim Kweskin original!\nhttps://jimkweskin.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520335, "uri": "https://api.kexp.org/v2/plays/3520335/?format=api", "airdate": "2025-06-29T09:10:05-07:00", "show": 63869, "show_uri": "https://api.kexp.org/v2/shows/63869/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Mobile Line", "track_id": null, "recording_id": null, "artist": "The Holy Modal Rounders", "artist_ids": [ "9caa5639-5037-4e45-bace-ebb992331a0c" ], "album": "The Moray Eels Eat The Holy Modal Rounders", "release_id": null, "release_group_id": null, "labels": [ "Elektra" ], "label_ids": [], "release_date": "1968-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Trippy cover of the Jim Kweskin song!\n–\nThe Holy Modal Rounders was an American folk music group, originally the duo of Peter Stampfel and Steve Weber, who began performing together on the Lower East Side of New York City in the early 1960s. Their unique blend of folk music revival and psychedelia gave them a cult-like following from the late 1960s into the 1970s. For a time the group also included the playwright and actor Sam Shepard.\nhttps://holymodalrounders.bandcamp.com/music", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3520334, "uri": "https://api.kexp.org/v2/plays/3520334/?format=api", "airdate": "2025-06-29T09:07:13-07:00", "show": 63868, "show_uri": "https://api.kexp.org/v2/shows/63868/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Johnny B. Badde", "track_id": null, "recording_id": "a77a562f-9076-4a00-9054-fbb66673550d", "artist": "Mungo Jerry", "artist_ids": [ "d99a6247-94ab-4685-87df-572ba6ef44b7" ], "album": "Mungo Jerry", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "1970-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“RAY DORSET: ‘Johnny B. Badde’ is a song that I played to Colin [Earl] when we were together at the house of his parents. They had an upright piano and we would sometimes go there and try out a few songs. I only mention the name Johnny in the song, the “B. Badde” was just a joke — no need to explain that and the rest of the text.’”\nFull interview here: https://somethingelsereviews.com/2012/10/25/something-else-interview-ray-dorset-and-mike-cole-of-mungo-jerry/", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
