Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/?format=api&offset=67580&ordering=-airdate
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
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    "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=67560&ordering=-airdate",
    "results": [
        {
            "id": 3584241,
            "uri": "https://api.kexp.org/v2/plays/3584241/?format=api",
            "airdate": "2025-11-28T19:04:10-08:00",
            "show": 65234,
            "show_uri": "https://api.kexp.org/v2/shows/65234/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "song": "Dlala Ka Yona",
            "track_id": null,
            "recording_id": "e68b90b9-1453-4227-b454-31e8862da59f",
            "artist": "DJ Maphorisa",
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            "release_group_id": null,
            "labels": [],
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            "release_date": null,
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Let the marathon begin!",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3584240,
            "uri": "https://api.kexp.org/v2/plays/3584240/?format=api",
            "airdate": "2025-11-28T19:01:55-08:00",
            "show": 65234,
            "show_uri": "https://api.kexp.org/v2/shows/65234/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3584239,
            "uri": "https://api.kexp.org/v2/plays/3584239/?format=api",
            "airdate": "2025-11-28T18:56:29-08:00",
            "show": 65233,
            "show_uri": "https://api.kexp.org/v2/shows/65233/?format=api",
            "image_uri": "https://ia801806.us.archive.org/11/items/mbid-528a8837-5cb9-4865-93d3-00c6e15ceae1/mbid-528a8837-5cb9-4865-93d3-00c6e15ceae1-32707353250_thumb500.jpg",
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            "song": "Flash Light",
            "track_id": "74678903-4cc2-37e6-b397-4edb6b97e817",
            "recording_id": "4c43780e-caaf-4e7b-b6df-14ac017a0cc0",
            "artist": "Parliament",
            "artist_ids": [
                "d1947987-9614-49ae-bd36-8000e6b6f7d0"
            ],
            "album": "Funkentelechy vs. the Placebo Syndrome",
            "release_id": "528a8837-5cb9-4865-93d3-00c6e15ceae1",
            "release_group_id": "65ad1bb2-1022-3f9e-a66f-4a1aa4536620",
            "labels": [
                "Casablanca Records"
            ],
            "label_ids": [
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            ],
            "release_date": "1990-02-21",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "The vinyl version of this album was released on this day in 1977!\n\nThis funk classic was originally recorded for Parliament bass player Bootsy Collins' spin-off band, Bootsy's Rubber Band. It was intended for their first album, but ended up going to Parliament, where it became the group's first #1 R&B hit and one of their most popular tracks.\n\nThe chant in the song \"ha-da-dadee-da da-da hava da da,\" is based on a Jewish Bar Mitzvah chant. \"I think I found the funk....\"\n\nIn the '70s, Clinton and other members of the crew would wield giant flashlights when they performed this song, aiming them at Sir Nose (originally played by Larry Heckstall) until he found the funk. \n\nThe crowd started bringing their own flashlights to the shows, so the band started selling them at the venues. \n\nKeyboardist Bernie Worrell provided the bass line after figuring out how to stack bass tones on his Moog synthesizer.",
            "location": 1,
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        },
        {
            "id": 3584236,
            "uri": "https://api.kexp.org/v2/plays/3584236/?format=api",
            "airdate": "2025-11-28T18:53:44-08:00",
            "show": 65233,
            "show_uri": "https://api.kexp.org/v2/shows/65233/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3584237,
            "uri": "https://api.kexp.org/v2/plays/3584237/?format=api",
            "airdate": "2025-11-28T18:49:57-08:00",
            "show": 65233,
            "show_uri": "https://api.kexp.org/v2/shows/65233/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "song": "Friday I’m in Love",
            "track_id": null,
            "recording_id": "90b55a29-4d4d-4e96-b262-04a60951a3f2",
            "artist": "The Cure",
            "artist_ids": [
                "69ee3720-a7cb-4402-b48d-a02c366f2bcf"
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            "album": "Wish",
            "release_id": null,
            "release_group_id": "88154914-4f14-355c-8066-b3cecd38c42c",
            "labels": [],
            "label_ids": [],
            "release_date": "1992-04-17",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "During the writing process for this song, Robert Smith became convinced that he had inadvertently stolen the chord progression from somewhere, and this led him to a state of paranoia where he called everyone he could think of and played the song for them, asking if they had heard it before.\n\n\"It’s a really good chord progression,\" he said, \"and I couldn’t believe no-one else had used it. I asked so many people at the time – I was getting drug paranoia anyway – thinking 'I must have stolen this from somewhere, I can't possibly have come up with this.' \n\n\"I asked everyone I knew, everyone. I’d phone people up and sing it and go, 'Have you heard this before? What's it called?' They would insist they had never heard it.\"  https://tinyurl.com/fssr8x95",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3584229,
            "uri": "https://api.kexp.org/v2/plays/3584229/?format=api",
            "airdate": "2025-11-28T18:46:18-08:00",
            "show": 65233,
            "show_uri": "https://api.kexp.org/v2/shows/65233/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "song": "No Puedo Dormir",
            "track_id": "9424d452-03af-46ae-b148-964a594e3e32",
            "recording_id": "1d6f8cc9-9968-4c21-aa70-1d211117eb02",
            "artist": "Emi Pop",
            "artist_ids": [
                "88308ff1-6cd2-4d83-b349-a7be01c3d2f4"
            ],
            "album": "No Te Voy a Extrañar",
            "release_id": "de74365d-76d6-470c-88b1-9859ba1f3e33",
            "release_group_id": "3a9c43a5-4dc2-445a-b882-fe09d92b29dd",
            "labels": [
                "Fink City"
            ],
            "label_ids": [
                "aa846f84-92c8-4576-89e3-96c07e0db264"
            ],
            "release_date": "2025-11-05",
            "rotation_status": "Heavy",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "\"The debut full-length album from Puerto Rican-born, Seattle-based Emi Pop is a lively and catchy-as-hell blend of punk, indie-rock, and power-pop.\n\n\"With scrappy guitars, explosive drums, bright synths, and anthemic choruses, No Te Voy a Extrañar (which translates to 'I’m Not Going to Miss You') showcases her distinctive sound that feels equal parts fresh and familiar.\n\n\"After emerging in the local scene in the summer of 2023, these ten tracks perfectly capture her irresistible vision and vibe, setting the stage for more Puerto Rican rocanrol goodness to come.\"\n\nEnjoy more fantastic reviews from Chris Sanley, KEXP's Music Director, right here: https://tinyurl.com/3wryvsv6",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3584227,
            "uri": "https://api.kexp.org/v2/plays/3584227/?format=api",
            "airdate": "2025-11-28T18:43:35-08:00",
            "show": 65233,
            "show_uri": "https://api.kexp.org/v2/shows/65233/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "song": "H.O.O.D (Radio Mix)",
            "track_id": null,
            "recording_id": "eddfb170-cb7f-4d33-8323-3cbe381f791a",
            "artist": "KNEECAP",
            "artist_ids": [
                "6ac275dd-eb37-42cf-9a60-6b147320c7be"
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            "album": null,
            "release_id": null,
            "release_group_id": null,
            "labels": [],
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            "release_date": null,
            "rotation_status": null,
            "is_local": false,
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            "comment": "Kneecap are an Irish hip hop trio from Belfast, Northern Ireland, composed of Mo Chara, Móglaí Bap and DJ Próvaí, the stage names of Liam Óg Ó hAnnaidh, Naoise Ó Cairealláin and J. J. Ó Dochartaigh, respectively.\n\nThey rap in a mixture of English and Irish, and come from a place where communicating in your native language could, at one time, result in your death. The trio's first single \"C.E.A.R.T.A.\" (cearta is Irish for \"rights\") was released in 2017, followed by their debut studio album 3CAG, in 2018. Their second studio album, Fine Art, was released in 2024, and a biographical film about the group was released later the same year.\n\nThe group has been at the centre of public debates about free speech and the expression of political opinions within Ireland and the UK. Their themes focus on working class Belfast youth culture, Irish republicanism and Irish language rights. In concert, they have made statements supporting Palestinian nationalism. Their name is derived from the extralegal punishment attacks meted out by Northern Ireland paramilitary groups.\n\nThe name \"Kneecap\" is word play, referring to both the practice of kneecapping, a punishment of gunshots to the knees which Republican paramilitaries would inflict on what they described as \"political\" and \"normal\" criminals, including drug dealers and others, as a form of vigilante justice, and the Irish phrase \"ní cheapaim\" (which sounds like \"kneecap him\"), meaning \"I don't think so.\" Móglaí said it is intentionally ironic that a group with the name Kneecap sings \"about things that would get us kneecapped.\" https://tinyurl.com/ycka7zpm",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3584226,
            "uri": "https://api.kexp.org/v2/plays/3584226/?format=api",
            "airdate": "2025-11-28T18:39:47-08:00",
            "show": 65233,
            "show_uri": "https://api.kexp.org/v2/shows/65233/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "song": "Starburster",
            "track_id": "91ad38e8-584a-45a1-a1df-dec8043110b7",
            "recording_id": "097fe880-c4ac-460d-8df2-251971e0c24a",
            "artist": "Fontaines D.C.",
            "artist_ids": [
                "fd87acc7-e0a0-4a45-bc2a-d2ab5c10be68"
            ],
            "album": "Romance",
            "release_id": "6e0aa1d9-17ce-4423-87bc-4fec3d0b5f34",
            "release_group_id": "92b095c1-3bbf-456f-9425-2078ad4e9504",
            "labels": [
                "XL Recordings"
            ],
            "label_ids": [
                "14221f01-8939-4ea0-b8f1-b5a21beae80a"
            ],
            "release_date": "2024-08-23",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "The song was written about a panic attack that frontman Grian Chatten suffered at London's St Pancras station.\n\nGrian admitted that he wrote the song \"as a joke,\" and when showing the track to the rest of the band, \"they laughed. But I was serious.\"\n\n\"Starburster\" is featured as part of the official soundtrack for EA Sports FC 25, and was used in the premiere trailer and end credits for Borderlands 4 as well as the Netflix series Outer Banks, Black Rabbit, and House of Guinness.\n\nThe track is also the main theme for the Paramount+ TV series MobLand. https://tinyurl.com/mr3akwfk",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3584224,
            "uri": "https://api.kexp.org/v2/plays/3584224/?format=api",
            "airdate": "2025-11-28T18:36:37-08:00",
            "show": 65233,
            "show_uri": "https://api.kexp.org/v2/shows/65233/?format=api",
            "image_uri": "",
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            "song": "Taxes",
            "track_id": "efe4e90d-2863-4c8c-ac7c-9933f0585369",
            "recording_id": "38d1fb45-1421-4da8-8f7d-32a50fa254f4",
            "artist": "Geese",
            "artist_ids": [
                "e0c97a4d-c392-41a9-a374-57af3e3eeab3"
            ],
            "album": "Getting Killed",
            "release_id": "0bf006ce-45a5-4963-89cb-cd285fd768bb",
            "release_group_id": "3c18308c-9072-4810-b26e-0c573e46fb07",
            "labels": [
                "Partisan Records"
            ],
            "label_ids": [
                "d4ec5bb3-1d64-40fe-9629-ee1e452e251e"
            ],
            "release_date": "2025-09-26",
            "rotation_status": "Heavy",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "From Geese’s new album, Getting Killed, which is available digitally and on CD: https://tinyurl.com/2w5z538z\n\nActor, musician, DJ, and BBC host Cillian Murphy was asked what band recommendation he might offer.\n\nMurphy mulled over the question for a moment before responding, \"I'll say this band because my son went to see them last night. A band called Geese.\n\n\"He’s obsessed with them and has gotten me obsessed. Their frontman, Cameron Winter, also put out an amazing record this year. So that’s my top tip.\" https://tinyurl.com/mru7u4nx\n\nCatch Geese’s live performance on KEXP, recorded at THING Festival at Fort Warden in Port Townsend, Washington in 2023: https://tinyurl.com/64cny33f",
            "location": 1,
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        },
        {
            "id": 3584223,
            "uri": "https://api.kexp.org/v2/plays/3584223/?format=api",
            "airdate": "2025-11-28T18:33:49-08:00",
            "show": 65233,
            "show_uri": "https://api.kexp.org/v2/shows/65233/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3584222,
            "uri": "https://api.kexp.org/v2/plays/3584222/?format=api",
            "airdate": "2025-11-28T18:30:29-08:00",
            "show": 65233,
            "show_uri": "https://api.kexp.org/v2/shows/65233/?format=api",
            "image_uri": "https://ia803209.us.archive.org/24/items/mbid-5ebc18f6-cfc9-4ea6-a27e-4875d8d71b00/mbid-5ebc18f6-cfc9-4ea6-a27e-4875d8d71b00-14059647894_thumb500.jpg",
            "thumbnail_uri": "https://ia903209.us.archive.org/24/items/mbid-5ebc18f6-cfc9-4ea6-a27e-4875d8d71b00/mbid-5ebc18f6-cfc9-4ea6-a27e-4875d8d71b00-14059647894_thumb250.jpg",
            "song": "I Love It",
            "track_id": "fa8fd928-0d0c-4c4d-b96b-dd98752b8c1b",
            "recording_id": "053b9afd-cb8c-41a9-a887-6cf63b70e981",
            "artist": "Icona Pop feat. Charli XCX",
            "artist_ids": [
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                "260b6184-8828-48eb-945c-bc4cb6fc34ca"
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            "album": "This Is... Icona Pop",
            "release_id": "5ebc18f6-cfc9-4ea6-a27e-4875d8d71b00",
            "release_group_id": "af635412-fa88-4624-b33c-bbea72afedd0",
            "labels": [
                "Atlantic",
                "Big Beat"
            ],
            "label_ids": [
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                "04a12848-9667-4173-93c6-011cb1c3eabd"
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            "release_date": "2013-09-24",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "This track by Swedish synth-pop duo Icona Pop features vocals from British singer Charli XCX, and was released as a single in May 2012 as a digital download in Sweden, where it peaked at number two on the singles chart.\n\nThe song was originally written by Charli XCX, whom Icona Pop met several times in London. Swedish producer Patrik Berger sent Charli two tracks, and she quickly wrote songs for each of them, one of which became \"I Love It\" and the other of which became her following single \"You're the One.\"\n\nHowever, she later stated that she knew she would not end up releasing it herself because she could not reconcile it with her sound.\n\nWhile recording \"Good for You\" with Icona Pop, Berger presented them with Charli's work on \"I Love It.\" Band member Aino Jawo said she felt a connection to the song because it mirrored her own experiences, and the line \"You're from the '70s but I'm a '90s bitch\" reminded her of an older man she had known. https://tinyurl.com/yku5d8pd",
            "location": 1,
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        },
        {
            "id": 3584221,
            "uri": "https://api.kexp.org/v2/plays/3584221/?format=api",
            "airdate": "2025-11-28T18:25:56-08:00",
            "show": 65233,
            "show_uri": "https://api.kexp.org/v2/shows/65233/?format=api",
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            "song": "Megapunk",
            "track_id": null,
            "recording_id": null,
            "artist": "Ela Minus",
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            "comment": "TSHA Remix\n\n\"We can’t seem to find a reason to stay quiet,\" urges Ela Minus on \"megapunk.\"\n\nThe Brooklyn-based Colombian singer’s staccato speech-singing over a trance beat manifests her passionate movement for a change within us. Post-punk and new wave influences drive the hallucinogenic beat while her message on the current political climate sits in the heart of punk rebellion, drawing undoubtedly from her time as the drummer of Colombian hardcore band Ratón Pérez when she was just 12 years old. \n\n\"When I wrote this song [back in 2019], I was worried it would lose context if not released immediately,\" she said on the track. \"I could not have been more wrong. This is the perfect time to put this out. We have to keep going. Ánimo y fuerza.\" https://tinyurl.com/4vwptc6c",
            "location": 1,
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        },
        {
            "id": 3584219,
            "uri": "https://api.kexp.org/v2/plays/3584219/?format=api",
            "airdate": "2025-11-28T18:22:19-08:00",
            "show": 65233,
            "show_uri": "https://api.kexp.org/v2/shows/65233/?format=api",
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            "song": "Whiplash",
            "track_id": "ac2d986c-906c-4c1e-a6fd-a646acb1d7cd",
            "recording_id": "287459d8-853e-4a39-b942-3be842b9c801",
            "artist": "Boy Deluxe",
            "artist_ids": [
                "3ee3e2cc-8c5b-482c-ac5a-107711384183"
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            "album": "Hysteria",
            "release_id": "08f7a0b1-80a0-4c3b-9560-8467c3c8cabd",
            "release_group_id": "9b05990f-6cfc-4f5d-9203-9e2558fdf90b",
            "labels": [
                "Industry Houseplant"
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            "release_date": "2025-11-21",
            "rotation_status": "Medium",
            "is_local": false,
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            "comment": "Purveyers of electro-punk and dark, noise pop, Boy Deluxe is an artistic collaboration between Hope S and True Murra.\n\nNow based in in L.A., the band features a Seattle pastor’s daughter, raised in the shadow of dogma and divorce, and a Philadelphia-born, former-heroin addict. \n\nHope reveals, \"I unintentionally started writing music with True 30 thousand years ago. Nobody was trying to start a band, but here we are. It was a pretty wild time in my life, to be honest. Everything felt so familiar when we started writing songs together, but all of it was so new. It was super intense.\n\n\"Sometimes I think people don’t understand that this isn’t exactly a choice for us. This is just how we came out. I would love more than anyone else to not be neurotic and slightly mentally ill, but that’s how the cookie crumbled and if I don’t create I turn into a way less fun version of myself.\" https://tinyurl.com/ycy4tt3f https://boydeluxe.bandcamp.com",
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        },
        {
            "id": 3584216,
            "uri": "https://api.kexp.org/v2/plays/3584216/?format=api",
            "airdate": "2025-11-28T18:18:34-08:00",
            "show": 65233,
            "show_uri": "https://api.kexp.org/v2/shows/65233/?format=api",
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            "song": "MY TYPE",
            "track_id": "64af7a3e-be6c-4e86-a3cf-22719b199ecf",
            "recording_id": "62eb3d9b-0cf8-4413-89dd-fc160ccd4ca7",
            "artist": "Sudan Archives",
            "artist_ids": [
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            "album": "THE BPM",
            "release_id": "86c0eceb-c48e-42d0-8d6a-38383fe7bcb0",
            "release_group_id": "f9e98ca4-0311-4f33-961f-f41154271ef0",
            "labels": [
                "Stones Throw Records"
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            "release_date": "2025-10-17",
            "rotation_status": "Heavy",
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            "comment": "Sudan Archives will play Seattle's Neptune Theatre on Saturday, February 14th (Valentine's Day!), as well as SF's Regency Ballroom on Wednesday, February 18th! \n\nThis track from THE BPM layers soulful house elements with sharp production to tell a story of someone materially successful (\"just hit a scam over 90 bands\"), yet still searching for love.\n\nSudan shares how the song was born: \"I remember the beat sounded like A Bug’s Life — I used to play the A Bug’s Life video game — and I laughed at it.\"\n\nShe also explains the geographical journey of its creation: it was first birthed in Los Angeles, expanded in Detroit, and finished in Chicago with a quartet. sudanarchives.com",
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        {
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            "airdate": "2025-11-28T18:16:18-08:00",
            "show": 65233,
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            "song": "Mantissa",
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            "artist": "Marina Satti",
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            "album": "41èmes Rencontres Trans Musicales de Rennes",
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            "release_date": "2019-11-01",
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            "comment": "Marina Satti, also known as SATTI, is a Greek-Sudanese singer, songwriter and music producer. Her music combines elements of Greek traditional music with contemporary sounds and fonés rhythms and production.\n\nFor Satti, the message of her music is simple: There is hope in darkness, and that if you want to see change you have to make it. \"It can be really discouraging,\" she told Global Citizen of living in Greece, where an estimated two in five young people are unemployed, \"but I refuse to put myself into this position, psychologically, of the victim. I see a nation that is full of hope.\"\n\nSatti represented Greece at Eurovision with the song \"Zari,\" which combined traditional and modern Greek music styles. She achieved Greece's best televote ranking in recent years, placing 8th in the audience vote.\n\nWatch Satti's 2019 performance at KEXP: https://youtu.be/UEs0YJrdjYg",
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        {
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            "airdate": "2025-11-28T18:13:25-08:00",
            "show": 65233,
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            "song": "Kano Traka",
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            "artist": "Melina",
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            "comment": "Melina is one of 15 artists nominated for the 2026 Music Moves Europe Awards, a prize that celebrates emerging European artists.\n\nInspired by her Greek origins, Melina Vlachos writes and composes melodies, which she sings while playing the oud and dancing, accompanied by double bass and oriental percussion. Melina grew up in Paris in a Franco-Greek family, studied with well-known artists in the Greek-Turkish scene, and mastered oriental repertoire and the art of improvisation. In her own musical project, traditional Balkan and Oriental music blend with pop influences, and her debut EP (June 2025) is the first expression of her poetic, urban, and magical universe. https://tinyurl.com/yczy4e6e\n\nYou can check out all the nominees here, as well as vote for your favourite for the Public's Choice Award:  https://mmeawards.eu/en/\n\nThe Music Moves Europe Award, also known as the MME Award, is an annual prize recognizing the success of ten emerging artists or groups who reached audiences outside their own countries with their first internationally released album in the past year. The prize was known as the European Border Breakers Award (EBBA) until 2019, and the Music Moves Europe Talent Award (MMETA) until 2022.\n\nThe EBBA Awards were launched by the European Commission and are a European Union award. Since 2009, the awards are organised by Eurosonic Noorderslag and the award is presented at the Eurosonic Noorderslag festival in the Dutch city of Groningen. The award ceremony takes place every year in January and is presented by BBC host and musician Jools Holland. Winners from previous years are invited to perform as special guests. https://tinyurl.com/54v5yvks",
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            "airdate": "2025-11-28T18:09:56-08:00",
            "show": 65233,
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            "id": 3584212,
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            "airdate": "2025-11-28T18:06:50-08:00",
            "show": 65233,
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            "song": "Can’t Hold Us",
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            "artist": "Sampa the Great feat. Mwanjé",
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            "labels": [
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            "release_date": "2025-11-14",
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            "comment": "Sampa the Great new single marks the beginning of a new direction for the musician and rapper.\n\nSampa asserts, \"Zamrock is my sound. It’s my voice. Being Zambian, being loud, being defiant — that’s what Zamrock is.\n\n\"This is the declaration track. I’m saying: I’ve stepped into my power, into my sound, into my purpose. I’ve claimed this thing — Nu Zamrock — as something of my own, something I’m shaping in real time. And in this new form, with this much clarity and drive? You can’t hold us. You can’t stop us. Not anymore.\" \n\nThe track will also be included in EAFC 26, and will be dropped into in-game playlists. \nhttps://tinyurl.com/mv66jusk | https://sampathegreat.bandcamp.com",
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            "airdate": "2025-11-28T18:02:02-08:00",
            "show": 65233,
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            "song": "Frontier Psychiatrist",
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            "artist": "The Avalanches",
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            "album": "Since I Left You",
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            "release_date": "2001-11-06",
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            "comment": "Released on this day yesterday in 2000!\n\nProduced by Avalanches members Robbie Chater and Darren Seltmann, under their production alias Bobbydazzler, the track is built around many sampled elements, much like other tracks from its parent album. \n\nThe prominent orchestral sample heard throughout the track is sourced from a recording by the Enoch Light Singers of the 1968 composition \"My Way of Life,\" originally composed by Bert Kaempfert, Herbert Rehbein, and Carl Sigman.\n\nThe track also contains several vocal samples of Canadian comedy duo Wayne and Shuster, the most prominent of these samples taken from the duo's comedy routine \"Frontier Psychiatrist,\" as well as the John Waters movie, Polyester.\n\nThe duo primarily worked with a Yamaha Promix 01 and Akai S2000 samplers.\n\nDexter Fabay, turntablist and keyboardist for the band, brainstormed the idea for \"Frontier Psychiatrist\", and his scratching is heard prominently on the track. https://tinyurl.com/muzak6ps",
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        {
            "id": 3584208,
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            "airdate": "2025-11-28T17:58:09-08:00",
            "show": 65233,
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            "song": "Love Who You Love",
            "track_id": "0db2a2d0-f0c5-469c-9b99-ae21e7cf15de",
            "recording_id": "d55b71d0-13cd-4972-99aa-a7e0d9767e2f",
            "artist": "Romy",
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            "album": "Love Who You Love",
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            "release_date": "2025-11-05",
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            "comment": "Romy (co-vocalist of The xx) reveals, \"My new song 'Love Who You Love' is a proudly queer love song. It was also really important to me to acknowledge that the world is STILL such a challenging place for so many of us to show our love openly in the LGBTQ+ community.\n\n\"In reaction to that I wanted to write a song that not only celebrates and uplifts love as well as calls for change.\n\n\"The history of resilience and togetherness in the face of unbelievable challenges within the community is so powerful. Personally, finding friends, family and people I look up to and learn from — through queer clubbing has made me feel so much less alone and braver in so many aspects of life.\n\n\"These experiences and the people I’ve met, continue to be so inspiring to the music I’m making and this song intends to be a love letter of visibility and pride. No one can take the love you feel away from you — it’s yours.\" https://tinyurl.com/2wbrer6t",
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