Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=68840&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=68860&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=68820&ordering=-airdate", "results": [ { "id": 3581996, "uri": "https://api.kexp.org/v2/plays/3581996/?format=api", "airdate": "2025-11-23T16:14:43-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://ia801700.us.archive.org/5/items/mbid-c95f0416-753e-4044-99e2-d22d97e06f97/mbid-c95f0416-753e-4044-99e2-d22d97e06f97-43562332337_thumb500.jpg", "thumbnail_uri": "https://ia601700.us.archive.org/5/items/mbid-c95f0416-753e-4044-99e2-d22d97e06f97/mbid-c95f0416-753e-4044-99e2-d22d97e06f97-43562332337_thumb250.jpg", "song": "Forever", "track_id": "b32f64cf-b7de-43ee-855a-8d09692ea863", "recording_id": "3c25c5b6-7e5e-4c36-afd0-81decd17ee0d", "artist": "Girls of the Internet & The Gospel of Thomas feat. The Voices of Epoch", "artist_ids": [ "11c3823e-91d0-4c68-8051-9cd55728ad8b", "feabbf00-d3d4-4d72-9fa8-2364cede2da2", "342bf12c-80c0-4755-bcac-49c92084bde4" ], "album": "Secular Music Vol. 1", "release_id": "c95f0416-753e-4044-99e2-d22d97e06f97", "release_group_id": "7e8b6ab6-8a7d-49a3-a20f-502cc0253fa0", "labels": [ "House of the Internet" ], "label_ids": [ "45dcfe71-2263-42d1-acb1-5e852ab39c2f" ], "release_date": "2025-11-14", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Girls Of The Internet is actually built around one person, Tom Kerridge, who brings in a raft of collaborators when he performs with his full band.\n\nOf this track, Kerridge confides, \"In late January this year, my step-father, Michael was diagnosed with leukaemia without much warning. He was admitted to the hospital, and we found out he had the most aggressive form of the disease. He died just over two weeks after the diagnosis. It was especially triggering for us as a family - we lost my father to cancer in 1999.\n\n\"I had this beat on my hard drive for a while - I’d considered just putting it out as an instrumental, but I could hear a vague melody in my head. As soon as Michael was admitted into hospital, words started coming to me to fill those melodies, and the song was written within days. I sent it to the choir to get properly recorded. In a ubiquitous twist of fate, they sent the finished track back to me when I was in hospital, by Michael's side, just a few hours before they switched off life support and we watched him take his final breaths.\n\n\"I don't really like to speak publicly about the meaning of my music, I like everybody to take their own meaning from the songs I’m involved with - but 'Forever' is about the feelings and emotions you go through as a family when you find out a loved one is battling a serious condition. Watching my mother’s unquestioned support. The hope we can make it through. The feeling of wanting to help, wanting to be there, but knowing that nothing you can do will make a difference. All you can do is be there, be present.\n\n\"I hope my experiences can help others go through hard times in their lives.\" https://tinyurl.com/3tkbbffa", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581994, "uri": "https://api.kexp.org/v2/plays/3581994/?format=api", "airdate": "2025-11-23T16:11:14-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://dn721704.ca.archive.org/0/items/mbid-ba08eedb-ac44-4a4d-9c24-14a85e95684e/mbid-ba08eedb-ac44-4a4d-9c24-14a85e95684e-42353197332_thumb500.jpg", "thumbnail_uri": "https://dn721704.ca.archive.org/0/items/mbid-ba08eedb-ac44-4a4d-9c24-14a85e95684e/mbid-ba08eedb-ac44-4a4d-9c24-14a85e95684e-42353197332_thumb250.jpg", "song": "Always Calling", "track_id": "b9cf85b2-4560-4423-b23c-27114543ff91", "recording_id": "975fa155-711f-4080-a854-931a870caa59", "artist": "Packaging", "artist_ids": [ "310ac711-027b-4eea-833b-0b04d72f82ea" ], "album": "Packaging", "release_id": "ba08eedb-ac44-4a4d-9c24-14a85e95684e", "release_group_id": "3945d4aa-a342-42c4-bacb-9385b51e1c98", "labels": [ "Share It Music" ], "label_ids": [ "019f6f42-4804-4cd4-bdc5-9388c416c7c4" ], "release_date": "2025-10-10", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Packaging is the duo of Seattle's Daniel Lyon (Spirit Award) and Denver's Daniel \"Connor\" Birch (Flaural).\n\nThe eponymous album fuses psychedelic textures, krautrock chug, electronic grandeur, tuneful accessibility, and just a little bit of bristling self-awareness. \n\nPackaging will be at Easy Street Records in West Seattle on December 14th at 5:00PM. \n\nhttps://tinyurl.com/3mt8eryh | https://packagingmusic.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581992, "uri": "https://api.kexp.org/v2/plays/3581992/?format=api", "airdate": "2025-11-23T16:07:24-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://dn710702.ca.archive.org/0/items/mbid-49b08f1d-7b17-3e62-acd1-dacea60b906c/mbid-49b08f1d-7b17-3e62-acd1-dacea60b906c-9713414711_thumb500.jpg", "thumbnail_uri": "https://dn710702.ca.archive.org/0/items/mbid-49b08f1d-7b17-3e62-acd1-dacea60b906c/mbid-49b08f1d-7b17-3e62-acd1-dacea60b906c-9713414711_thumb250.jpg", "song": "Glad Girls", "track_id": "977c5723-58fd-3ae0-a42c-6e342c38548b", "recording_id": "15148021-91f7-4242-a611-6ab302b0ccaf", "artist": "Guided by Voices", "artist_ids": [ "6c85f4c3-026c-4c16-9a7c-f546f42ed0fb" ], "album": "Isolation Drills", "release_id": "49b08f1d-7b17-3e62-acd1-dacea60b906c", "release_group_id": "34522edb-d889-3456-92cf-890ec38fd8de", "labels": [ "TVT Records" ], "label_ids": [ "c9117237-b78b-4e47-b452-c9d94fb34916" ], "release_date": "2001-04-10", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "This is GBV's 12th studio album, and their second and final LP released under TVT Records and their second to feature a major rock producer in Rob Schnapf.\n\nThe album was also their first to chart on the Billboard 200, peaking at number 168.\n\nThe album notably features instrumental contributions from Elliott Smith and David Sulzer. Previous longtime band member Tobin Sprout also returned as a guest and contributed with playing piano.\n\nWhile Jim MacPherson plays drums on the album, his replacement Jon McCann is featured in the cover photos, as MacPherson had left the band immediately after the recording to focus on his home life. https://tinyurl.com/2b6zdwe3", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581988, "uri": "https://api.kexp.org/v2/plays/3581988/?format=api", "airdate": "2025-11-23T16:04:18-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://dn721504.ca.archive.org/0/items/mbid-46ffcb74-7c0d-4f78-91fb-b787d17aaac4/mbid-46ffcb74-7c0d-4f78-91fb-b787d17aaac4-42877122627_thumb500.jpg", "thumbnail_uri": "https://dn721504.ca.archive.org/0/items/mbid-46ffcb74-7c0d-4f78-91fb-b787d17aaac4/mbid-46ffcb74-7c0d-4f78-91fb-b787d17aaac4-42877122627_thumb250.jpg", "song": "I Could Find Out", "track_id": "efa819ec-31e6-4c8d-87e2-e95d8a757b5c", "recording_id": "44058cbc-1629-4a5d-9cc3-cb90dfcf8fc0", "artist": "Sharp Pins", "artist_ids": [ "950f36f9-7e94-4b5a-9161-ddeeef94bf85" ], "album": "Balloon Balloon Balloon", "release_id": "46ffcb74-7c0d-4f78-91fb-b787d17aaac4", "release_group_id": "6563da7f-dfe9-44a2-a843-d5ee6c500ae2", "labels": [ "perennialdeath" ], "label_ids": [ "d3cf07ef-103a-4a34-b804-6cce099cd820" ], "release_date": "2025-11-21", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "Kai Slater is a twenty-year-old musician from Chicago, Illinois who currently releases music solo as Sharp Pins and is guitarist and sometimes vocalist of the band Lifeguard.\n\nLifeguard’s music is loud, dancy post-hardcore that’s guaranteed to make you want to kick something the moment you hear it. Sharp Pins’ music is jangly, life-affirming power pop, with sickeningly sweet melodies and harmonies galore.\n\nSlater is also a member of a new DIY rock scene in Chicago, which also includes bands like Horsegirl and TV Buddha. This is all documented in his zine, Hallogallo. https://tinyurl.com/5xjd8ecf", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581984, "uri": "https://api.kexp.org/v2/plays/3581984/?format=api", "airdate": "2025-11-23T16:00:04-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://dn721901.ca.archive.org/0/items/mbid-f2a91010-7566-46d7-a7c6-a67f5338d571/mbid-f2a91010-7566-46d7-a7c6-a67f5338d571-42938848858_thumb500.jpg", "thumbnail_uri": "https://dn721901.ca.archive.org/0/items/mbid-f2a91010-7566-46d7-a7c6-a67f5338d571/mbid-f2a91010-7566-46d7-a7c6-a67f5338d571-42938848858_thumb250.jpg", "song": "Church & State", "track_id": "5fe8e9f1-8075-4da2-9d6c-02c3a6e8127c", "recording_id": "878db43b-d43a-4054-aa8d-f2dce43d7ea2", "artist": "Brandi Carlile", "artist_ids": [ "baf05baf-69fb-47dd-93c2-033536b8c385" ], "album": "Returning To Myself", "release_id": "f2a91010-7566-46d7-a7c6-a67f5338d571", "release_group_id": "57acb85c-ec18-4e4c-8c6a-9052a7115ece", "labels": [ "Interscope Records", "Lost Highway Records" ], "label_ids": [ "2182a316-c4bd-4605-936a-5e2fac52bdd2", "5b34c929-fd09-4b57-a8bf-1e8eb0f21c12" ], "release_date": "2025-10-24", "rotation_status": "Light", "is_local": true, "is_request": false, "is_live": false, "comment": "Carlile shares, \"One of my top five favorite albums of all time growing up was The Joshua Tree… I even entered a contest one time as Bono when I was 15 to win a singing competition, singing 'Running to Stand Still.' I wore sunglasses and shit and I fell on my knees at the end of it. I already had the lesbian haircut that he has, so it wasn’t much of a stretch… So Daniel Lanois [who co-produced Joshua Tree, as well as Wrecking Ball] was on my mind a lot.\"\n\nOn the creation of this track, Carlile reveals, \"I was reading a conversation on the First Amendment instead of a guitar solo. I love Andrew Watt so much. Every time we talk on the phone, he’s like, 'I fucking love 'Church & State,' because I love when you read the Declaration of Independence.\n\n\"When the lyrics were coming together for that song, I just couldn’t stop thinking of the wisdom of Thomas Jefferson’s address to the Danbury Baptists. There’s so much wisdom in the Constitution, and even the notations on the Constitution are full of wisdom — the footnotes, if you will. What he said to the Baptist was intended to reassure them that they would be allowed to practice their faith, spirituality, religion, however you wanna refer to it, freely under the Constitution. But he also makes a really important distinction that we aren’t an autocracy. We’re not a theocracy. We can’t rule over people with our interpretation of an extremely opaque scripture and religion as it pertains particularly to the Christian religion.\"\n\n“And in my faith, even Jesus was clear about not ruling a people based on an interpretation of religion. Even Jesus said, 'Give unto Caesar what's Caesar's.' So I can’t get behind rules and laws that I know are secretly based on an interpretation of a religion that I can’t get behind. Even if I agree with the religion.\" https://tinyurl.com/5yjm5mmk", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581982, "uri": "https://api.kexp.org/v2/plays/3581982/?format=api", "airdate": "2025-11-23T15:55:32-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://ia800605.us.archive.org/32/items/mbid-debd74af-34b1-40ac-b2a0-d914b559e459/mbid-debd74af-34b1-40ac-b2a0-d914b559e459-6756571629_thumb500.jpg", "thumbnail_uri": "https://ia800605.us.archive.org/32/items/mbid-debd74af-34b1-40ac-b2a0-d914b559e459/mbid-debd74af-34b1-40ac-b2a0-d914b559e459-6756571629_thumb250.jpg", "song": "My Sweet Lord", "track_id": "468d65ee-8663-3943-aa28-6273ca4e4cda", "recording_id": "dde365d2-31d4-4605-ae61-ebb6b4bf39e3", "artist": "George Harrison", "artist_ids": [ "42a8f507-8412-4611-854f-926571049fa0" ], "album": "All Things Must Pass", "release_id": "debd74af-34b1-40ac-b2a0-d914b559e459", "release_group_id": "d4b0f3e2-e3eb-3531-b305-ed8105cb5be4", "labels": [ "gn records", "Capitol Records" ], "label_ids": [ "394fbbe3-7dd1-42e2-8327-541c38a38d28", "abea2d3e-eabf-4480-ab24-9382dd642c73" ], "release_date": "2001-01-23", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Released on this day in 1970, this track, along with \"Isn’t It A Pity,\" was George Harrison's first single as a solo artist. The song went to # 1 in the US and UK. \n\nHarrison was sued for plagiarizing a similar tune to The Chiffons' \"He’s So Fine.\" He was eventually found guilty of \"subconscious plagiarism.\"\n\nThe verdict caused a tidal wave in the music world with many artists rushing to add credits to their songs in which they borrowed similar tunes or were heavily inspired by.\n\nThe song also recently appeared in the movie Guardians of the Galaxy 2 and was part of the soundtrack. https://tinyurl.com/5dnz6edv", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581981, "uri": "https://api.kexp.org/v2/plays/3581981/?format=api", "airdate": "2025-11-23T15:51:36-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3581976, "uri": "https://api.kexp.org/v2/plays/3581976/?format=api", "airdate": "2025-11-23T15:47:52-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://ia601906.us.archive.org/17/items/mbid-7c1cca2a-4954-4569-ab58-74f198f29714/mbid-7c1cca2a-4954-4569-ab58-74f198f29714-5808354203_thumb500.jpg", "thumbnail_uri": "https://ia801906.us.archive.org/17/items/mbid-7c1cca2a-4954-4569-ab58-74f198f29714/mbid-7c1cca2a-4954-4569-ab58-74f198f29714-5808354203_thumb250.jpg", "song": "Let’s Go to Bed", "track_id": "b4060359-369a-3382-9ca0-431aa1c3779d", "recording_id": "b213dcda-b97b-4191-85d0-eead5f89feec", "artist": "The Cure", "artist_ids": [ "69ee3720-a7cb-4402-b48d-a02c366f2bcf" ], "album": "Greatest Hits", "release_id": "7c1cca2a-4954-4569-ab58-74f198f29714", "release_group_id": "c79b731e-f6ec-3f65-9a75-ef4ac5b17a26", "labels": [ "Elektra" ], "label_ids": [ "873f9f75-af68-4872-98e2-431058e4c9a9" ], "release_date": "2001-11-13", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Released on this day in 1982!\n\nRobert Smith reveals, \"When I wrote 'Let’s Go To Bed,' I thought it was stupid. It’s rubbish, it’s a joke. All pop songs are basically saying 'please go to bed with me.' So I’m going to make it as blatant as possible, set it to this cheesy synth riff – everything I hated about music at that time. It was junk.\n\n\"Lol (Tolhurst) and I recorded it, Fiction (Records) put it out, and suddenly we’re getting 15 plays a day on American radio. Sod’s law, isn’t it?\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581975, "uri": "https://api.kexp.org/v2/plays/3581975/?format=api", "airdate": "2025-11-23T15:44:22-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://dn710106.ca.archive.org/0/items/mbid-08f7a0b1-80a0-4c3b-9560-8467c3c8cabd/mbid-08f7a0b1-80a0-4c3b-9560-8467c3c8cabd-43623524366_thumb500.jpg", "thumbnail_uri": "https://dn710106.ca.archive.org/0/items/mbid-08f7a0b1-80a0-4c3b-9560-8467c3c8cabd/mbid-08f7a0b1-80a0-4c3b-9560-8467c3c8cabd-43623524366_thumb250.jpg", "song": "Whiplash", "track_id": "ac2d986c-906c-4c1e-a6fd-a646acb1d7cd", "recording_id": "287459d8-853e-4a39-b942-3be842b9c801", "artist": "Boy Deluxe", "artist_ids": [ "3ee3e2cc-8c5b-482c-ac5a-107711384183" ], "album": "Hysteria", "release_id": "08f7a0b1-80a0-4c3b-9560-8467c3c8cabd", "release_group_id": "9b05990f-6cfc-4f5d-9203-9e2558fdf90b", "labels": [ "Industry Houseplant" ], "label_ids": [ "13d55b59-10cb-4a80-9a0f-ad241ea4074b" ], "release_date": "2025-11-21", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Boy Deluxe is an artistic collaboration between True Murra & Hope S. Original in their own right, their sound could best be described as electro-punk meets dark, noise pop. A Seattle pastor’s daughter, raised in the shadow of dogma and divorce, and a Philadelphia-born, former-heroin addict.\n\nHope reveals, \"I unintentionally started writing music with True 30 thousand years ago. Nobody was trying to start a band, but here we are. It was a pretty wild time in my life, to be honest. Everything felt so familiar when we started writing songs together, but all of it was so new. It was super intense.\n\n\"Sometimes I think people don’t understand that this isn’t exactly a choice for us. This is just how we came out. I would love more than anyone else to not be neurotic and slightly mentally ill, but that’s how the cookie crumbled and if I don’t create I turn into a way less fun version of myself.\" https://tinyurl.com/ycy4tt3f\n\nCheck out their Bandcamp here: https://tinyurl.com/msn5dvcm", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581972, "uri": "https://api.kexp.org/v2/plays/3581972/?format=api", "airdate": "2025-11-23T15:40:14-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://dn721609.ca.archive.org/0/items/mbid-4b8a1043-8aa0-449b-998d-f48bca9ec945/mbid-4b8a1043-8aa0-449b-998d-f48bca9ec945-42990411324_thumb500.jpg", "thumbnail_uri": "https://ia801300.us.archive.org/30/items/mbid-4b8a1043-8aa0-449b-998d-f48bca9ec945/mbid-4b8a1043-8aa0-449b-998d-f48bca9ec945-42990411324_thumb250.jpg", "song": "Between the Waves", "track_id": "fe85c7e6-a063-4792-9d2d-15fe0e5b0aa2", "recording_id": "7c4c51f1-c556-4020-9c5d-022cfd1d72af", "artist": "Home Front", "artist_ids": [ "61fe64d2-983d-487c-bcb8-1e2fe07a1c98" ], "album": "Watch It Die", "release_id": "4b8a1043-8aa0-449b-998d-f48bca9ec945", "release_group_id": "fc026482-25bb-4f43-91cf-0b4cc6fb49f9", "labels": [ "La Vida Es Mus Discos" ], "label_ids": [ "d8586451-af5e-47da-8ff1-e210ad8ea448" ], "release_date": "2025-11-14", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "From Edmonton, Home Front is Graeme MacKinnon and Clint Frazier, who share, \"'Watch It Die' comes at a very transformative time: geopolitically, musically, and in our personal lives. With friends and close family dying, and massive uncertainty everywhere, the album captures what it’s like to step into a 'new world' where the old reassurance of 'everything is gonna work out fine' feels like a joke.\n\n\"We watch rich people get richer while the rest of us fight to get by; we watch colonizers kill without consequence; we watch people choose ignorance even with information at their fingertips. Watch It Die speaks to our own humanity, a rebirth into a world that can never go back to what it was.\n\n\"We suffer for their dreams, but it’s also a call to recognize the power in our communities and energize them toward a better way of life. We have always been an anti-war, anti-genocide, pro-peace band. We stand against crimes against human rights; we stand with Palestine; we stand with Canadian Indigenous communities fighting for treaty rights, clean drinking water, and healing from generational trauma. If there’s one takeaway, it’s that our music should be a safe space where our community gathers, airs out its grief, and imagines a new future together.\"https://tinyurl.com/jfxthzub", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581970, "uri": "https://api.kexp.org/v2/plays/3581970/?format=api", "airdate": "2025-11-23T15:36:29-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://dn710003.ca.archive.org/0/items/mbid-0bf006ce-45a5-4963-89cb-cd285fd768bb/mbid-0bf006ce-45a5-4963-89cb-cd285fd768bb-42446231661_thumb500.jpg", "thumbnail_uri": "https://dn710003.ca.archive.org/0/items/mbid-0bf006ce-45a5-4963-89cb-cd285fd768bb/mbid-0bf006ce-45a5-4963-89cb-cd285fd768bb-42446231661_thumb250.jpg", "song": "100 Horses", "track_id": "7c9667be-9c5b-496d-bfa8-6d4ffeb0050e", "recording_id": "211c18d7-1836-4814-9230-b746cee7bba5", "artist": "Geese", "artist_ids": [ "e0c97a4d-c392-41a9-a374-57af3e3eeab3" ], "album": "Getting Killed", "release_id": "0bf006ce-45a5-4963-89cb-cd285fd768bb", "release_group_id": "3c18308c-9072-4810-b26e-0c573e46fb07", "labels": [ "Partisan Records" ], "label_ids": [ "d4ec5bb3-1d64-40fe-9629-ee1e452e251e" ], "release_date": "2025-09-26", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "\"100 Horses\" comes from the new Geese album, Getting Killed. On this record, \"garage riffs are layered upon Ukrainian choir samples; hissing drum machines pulse softly behind screeching guitars; strange, lullaby-esque songs are interspersed with furious, repetitive experiments.\" https://tinyurl.com/y2apjhs7 \n\nProduced by the band itself and Kenny Beats, this is the band's first studio album without founding guitarist Foster Hudson, who departed from the band in 2023 to pursue academia.\n\nRecorded in January 2025, one month after the release of frontman Cameron Winter's debut solo album, Heavy Metal (2024), the album was released to widespread critical acclaim. https://tinyurl.com/c4vj49n6\n\nEnjoy Geese playing Live on KEXP from THING Festival in 2023: https://tinyurl.com/572cabdj |\nhttps://geesebandnyc.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581969, "uri": "https://api.kexp.org/v2/plays/3581969/?format=api", "airdate": "2025-11-23T15:33:44-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3581966, "uri": "https://api.kexp.org/v2/plays/3581966/?format=api", "airdate": "2025-11-23T15:27:58-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://ia600105.us.archive.org/7/items/mbid-a2536e20-e802-385d-acb7-964ed326af78/mbid-a2536e20-e802-385d-acb7-964ed326af78-19011590959_thumb500.jpg", "thumbnail_uri": "https://ia600105.us.archive.org/7/items/mbid-a2536e20-e802-385d-acb7-964ed326af78/mbid-a2536e20-e802-385d-acb7-964ed326af78-19011590959_thumb250.jpg", "song": "Common People", "track_id": "e1a3ec74-0c88-496b-88c9-30e0994a01b6", "recording_id": "4e1c3d15-b20e-44ab-8758-272330c3ab9d", "artist": "Pulp", "artist_ids": [ "76b2e842-5e85-4c97-ab62-d5bc315595b5" ], "album": "Different Class", "release_id": "a2536e20-e802-385d-acb7-964ed326af78", "release_group_id": "88f69eab-8f07-343b-847c-b944ad33dfcf", "labels": [ "Island" ], "label_ids": [ "dfd92cd3-4888-46d2-b968-328b1feb2642" ], "release_date": "2006-09-11", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Another one for Adam!\n\nIn this track, Jarvis Cocker's heroine implores,\n\"I wanna do whatever common people do\nWanna sleep with common people\nI wanna sleep with common people like you.\"\nWell, what else could I do?\nI said, \"I'll... I'll see what I can do.\"\n\nI took her to a supermarket\nI don't know why but I had to start it somewhere\nSo it started there\nI said, \"Pretend you got no money.\"\nAnd she just laughed and said, \"Oh, you're so funny.\"\nI said, \"Yeah\nWell, I can't see anyone else smiling in here.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581964, "uri": "https://api.kexp.org/v2/plays/3581964/?format=api", "airdate": "2025-11-23T15:23:37-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://dn710709.ca.archive.org/0/items/mbid-b85cc9f7-a904-305c-ac25-cb9dace9b896/mbid-b85cc9f7-a904-305c-ac25-cb9dace9b896-21570862443_thumb500.jpg", "thumbnail_uri": "https://dn710709.ca.archive.org/0/items/mbid-b85cc9f7-a904-305c-ac25-cb9dace9b896/mbid-b85cc9f7-a904-305c-ac25-cb9dace9b896-21570862443_thumb250.jpg", "song": "Lost in the Supermarket", "track_id": "6a11e44b-b7b9-3339-8983-89cbd846c3e2", "recording_id": "cc520cbe-3ecb-4bdd-80c1-1ee5d51ff90e", "artist": "The Afghan Whigs", "artist_ids": [ "2feb192c-2363-46d6-b476-1c88a25cb294" ], "album": "Burning London: The Clash Tribute", "release_id": "e63cb563-3a71-46f7-8ba4-5307fe1e846d", "release_group_id": "b7ead732-37ea-37e8-8dfe-9c51fb3e5780", "labels": [ "Epic Records" ], "label_ids": [ "74d4bedc-649c-4855-89ec-c3ec02e68861" ], "release_date": "1999-04-21", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "This one's for Adam, who's currently enjoying the aisles of Costco.\n\nHere is the Afghan Whigs covering The Clash for the 1999 tribute album, benefitting the High Risk Youth Program of the Children's Hospital in Los Angeles. The angelic backup vocals were provided by Seattle's own Christine Wells.\n\nOriginally sung by Mick Jones, the supermarket in question was the International, located at 471–473 Kings Road, beneath the World's End Estate. 31 Whistler Walk was where Joe Strummer lived at the time with his girlfriend Gaby Salter, her two younger brothers, and her mother.\n\nThe song's lyrics describe someone struggling to deal with an increasingly commercialised world and rampant consumerism. https://tinyurl.com/4ute2yay", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581962, "uri": "https://api.kexp.org/v2/plays/3581962/?format=api", "airdate": "2025-11-23T15:20:07-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://dn720703.ca.archive.org/0/items/mbid-e80e1183-1aaf-4aec-8887-1483d5516b60/mbid-e80e1183-1aaf-4aec-8887-1483d5516b60-43406579149_thumb500.jpg", "thumbnail_uri": "https://dn720703.ca.archive.org/0/items/mbid-e80e1183-1aaf-4aec-8887-1483d5516b60/mbid-e80e1183-1aaf-4aec-8887-1483d5516b60-43406579149_thumb250.jpg", "song": "Forever Lover (永远的爱人)", "track_id": "078f868a-955a-4ad2-9e56-58ec27e29722", "recording_id": "df5d2ed8-61f4-4f40-8fed-52e60ceedb1b", "artist": "Chinese American Bear", "artist_ids": [ "75bbdfdb-2fc5-4811-8ef7-25ec23f246e1" ], "album": "Forever Lover (永远的爱人)", "release_id": "e80e1183-1aaf-4aec-8887-1483d5516b60", "release_group_id": "e76da322-7f76-4470-a8dd-6c4eb7a7f2e7", "labels": [ "Moshi Moshi Records" ], "label_ids": [ "a7311de2-1ab5-4a9a-b4ec-fabe8f01674f" ], "release_date": "2025-10-27", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Forever Lover (永远的爱人)\" is an epic love song that glows with both intimacy and grandeur.\n\nOf the track, Anne shares, \"This song is one of the more romantic love songs we've written. It's inspired by our own love story. Bryce and I first met in high school, we dated for ten years before getting married in 2018. We've now officially been together for over half of our lives.\n\n\"The style of the song is an ode to my lifelong obsession with pop music. I kept asking Bryce to write a song that's more directly pop, and he finally did! It was really fun to work on, and a challenge for him to produce/mix something in this vein.\"\n\nHere’s the duo’s full performance live in the KEXP studio last year: https://tinyurl.com/rpr8sv8w", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581961, "uri": "https://api.kexp.org/v2/plays/3581961/?format=api", "airdate": "2025-11-23T15:14:39-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3581960, "uri": "https://api.kexp.org/v2/plays/3581960/?format=api", "airdate": "2025-11-23T15:09:06-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "https://coverartarchive.org/release/da6a7b6c-7b16-4dad-9ef0-d662cd633ebb/33454653663-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/da6a7b6c-7b16-4dad-9ef0-d662cd633ebb/33454653663-250.jpg", "song": "Running Up That Hill", "track_id": null, "recording_id": "bef43d9c-18e4-495d-9910-6ef9ecfa8fe0", "artist": "Kate Bush", "artist_ids": [ "4b585938-f271-45e2-b19a-91c634b5e396" ], "album": "Hounds of Love", "release_id": null, "release_group_id": "017f2a37-a78f-3578-9611-fa40408e5d90", "labels": [ "Rhino" ], "label_ids": [ "c4f2cf49-b57c-4cc1-8061-f54400704ac4" ], "release_date": "1985-07-30", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Bush wrote this with the title \"Deal With God.\" Her label made her change it because they didn't think radio stations in any religious countries (Italy, Ireland...) would play a song with \"God\" in the title. She thought that was ridiculous, but agreed to the change because after spending two years making the album, she didn't want her song to get blacklisted because of the title.\n\nIt was a rare creative compromise for Bush, and one she came to regret, as she feels \"Deal With God\" is the proper title and part of the song's entity.\n\nOf this track, Bush reveals, \"It's about a relationship between a man and a woman. They love each other very much, and the power of the relationship is something that gets in the way. It creates insecurities. It's saying if the man could be the woman and the woman the man, if they could make a deal with God, to change places, that they'd understand what it's like to be the other person and perhaps it would clear up misunderstandings. You know, all the little problems; there would be no problem.\"\n\nBush not only wrote her own songs, but starting with her 1982 album The Dreaming, was also her own producer, a rare feat at the time especially for a female artist. Until she came along, the only woman on this level who did her own writing and production was Joni Mitchell, another singer of immense influence and acclaim. She wrote this track using a Fairlight CMI digital synthesizer. She was one of the first to use the device, including it on her 1980 album Never For Ever. https://tinyurl.com/yc4c44mv", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581957, "uri": "https://api.kexp.org/v2/plays/3581957/?format=api", "airdate": "2025-11-23T15:05:41-08:00", "show": 65190, "show_uri": "https://api.kexp.org/v2/shows/65190/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Talk to God", "track_id": null, "recording_id": null, "artist": "Now, Now", "artist_ids": [ "e3c24e1c-1e43-403b-8407-90c8c4107098" ], "album": "01", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Now, Now, the Minneapolis indie-rock duo of KC Dalager and Brad Hale, have returned with their first new music in six years. Today, they’ve surprise-released 01, a new four-song EP that indulges their pop inclinations. \n\n\"I think these songs are really a great example of the culmination of everything we’ve learned over the 23 years of making music together,\" said Hale. \"I’ve gotten a lot of fun gear over the years that we’ve been using, lately some vintage digital reverbs that have been great to incorporate.\" https://tinyurl.com/25emwsc5", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581955, "uri": "https://api.kexp.org/v2/plays/3581955/?format=api", "airdate": "2025-11-23T15:00:32-08:00", "show": 65189, "show_uri": "https://api.kexp.org/v2/shows/65189/?format=api", "image_uri": "https://dn710708.ca.archive.org/0/items/mbid-0a556e03-5715-3e98-874d-fb09029e2752/mbid-0a556e03-5715-3e98-874d-fb09029e2752-21275083212_thumb500.jpg", "thumbnail_uri": "https://dn710708.ca.archive.org/0/items/mbid-0a556e03-5715-3e98-874d-fb09029e2752/mbid-0a556e03-5715-3e98-874d-fb09029e2752-21275083212_thumb250.jpg", "song": "I Wanna Be Adored", "track_id": "caf21e99-47e1-3c58-bd4a-78c6b2da2c63", "recording_id": "1e2f2c52-d064-4e43-8a1e-3bbfd8ecb977", "artist": "The Stone Roses", "artist_ids": [ "b5fa29f1-6c22-4321-a488-b5f363b06b06" ], "album": "The Stone Roses", "release_id": "0a556e03-5715-3e98-874d-fb09029e2752", "release_group_id": "88b86fe0-26f5-3949-817a-8082145e704d", "labels": [ "Silvertone Records" ], "label_ids": [ "82307007-21d1-48c0-a31f-b89d9b1811de" ], "release_date": "1989-07-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "RIP to Gary \"Mani\" Mounfield. He has sadly passed away at the age of 63. No case of death has been shared. Mani played bass in The Stone Roses as well as Primal Scream.\n\nCheck out this NME article which chronicles some of Mani's last performances: https://tinyurl.com/k7nybt59\n\nTributes have been flooding in for Mani, including these:\n\nOasis singer Liam Gallagher led the tributes, posting: \"In total shock and absolutely devastated on hearing the news about Mani. My hero, RIP R Kid.\"\n\nThe Stone Roses posted on social media: \"RIP our wonderful brother Mani. The greatest bass player and friend we could ever have wished for. X\"\n\nThe band's singer Ian Brown also paid his own tribute on X, writing: \"REST IN PEACE MANi X,\" while Paul Weller called him \"a true one-off.\"\n\nMounfield's bass playing was an integral part of the Stone Roses' \"baggy\" sound, and later reunited with his bandmates for their comeback tour in 2012.\n\nHe joined another seminal group, Primal Scream, in 1996 and played with them for 15 years.\n\nIn his tribute, Richard Ashcroft of The Verve called the bassist \"one of the loveliest positive musicians to spend time with\", noting that he was \"a key element to the band that inspired me to believe I could do this music thing\".\n\nHe added that Mani \"had the style the swagger and the sound but most importantly a warm heart\".\n\nWeller also saluted the late star, saying: \"We're all still shocked about our dear brother Mani's passing. I still can't believe it. For a little fella, he had a big personality, like his bass sound. A true one-off.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3581954, "uri": "https://api.kexp.org/v2/plays/3581954/?format=api", "airdate": "2025-11-23T14:57:26-08:00", "show": 65189, "show_uri": "https://api.kexp.org/v2/shows/65189/?format=api", "image_uri": "https://ia801604.us.archive.org/33/items/mbid-8e48625f-31c3-4e60-b451-9f48bb0828bf/mbid-8e48625f-31c3-4e60-b451-9f48bb0828bf-8838149001_thumb500.jpg", "thumbnail_uri": "https://ia801604.us.archive.org/33/items/mbid-8e48625f-31c3-4e60-b451-9f48bb0828bf/mbid-8e48625f-31c3-4e60-b451-9f48bb0828bf-8838149001_thumb250.jpg", "song": "The Bird", "track_id": "7c8f5ca4-6469-4ffb-a04e-9d8c8c794659", "recording_id": "75c5ac67-43dc-4798-8f82-3ad0cbb7812d", "artist": "The Time", "artist_ids": [ "3bfa8f23-2dbb-43e2-b1da-3cfaa6c5ff9d" ], "album": "Ice Cream Castle", "release_id": "d8014811-055d-4131-bc19-878d6034368f", "release_group_id": "7bcad944-a741-32ad-b387-8489c8b4b9ac", "labels": [ "Warner Bros. Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71" ], "release_date": "1984-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "We lost Jellybean Johnson on Friday, the drummer for Morris Day and The Time, Janet Jackson, and New Edition. He was 69.\n\nhttps://www.rollingstone.com/music/music-news/jellybean-johnson-the-time-prince-dead-obituary-1235471010/\n\n\"The Bird\" was initially recorded in the studio in 1983 with all instruments by Prince, except guitar, which was performed by Jesse Johnson.", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
