Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=79120&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=79140&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=79100&ordering=-airdate", "results": [ { "id": 3563053, "uri": "https://api.kexp.org/v2/plays/3563053/?format=api", "airdate": "2025-10-09T12:47:11-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3563052, "uri": "https://api.kexp.org/v2/plays/3563052/?format=api", "airdate": "2025-10-09T12:44:06-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://ia600805.us.archive.org/8/items/mbid-ee50be9b-85c9-3f3c-a851-e198731ae2ff/mbid-ee50be9b-85c9-3f3c-a851-e198731ae2ff-2568714507_thumb500.jpg", "thumbnail_uri": "https://ia600805.us.archive.org/8/items/mbid-ee50be9b-85c9-3f3c-a851-e198731ae2ff/mbid-ee50be9b-85c9-3f3c-a851-e198731ae2ff-2568714507_thumb250.jpg", "song": "Isolation", "track_id": "44654b33-b2bb-3fff-9a37-0852ff4a008b", "recording_id": "00728804-620b-452d-989c-d3d5a8b0b9c7", "artist": "Joy Division", "artist_ids": [ "9a58fda3-f4ed-4080-a3a5-f457aac9fcdd" ], "album": "Closer", "release_id": "ee50be9b-85c9-3f3c-a851-e198731ae2ff", "release_group_id": "852f9715-24b3-37d5-b8a5-456f5e19b41e", "labels": [ "Qwest Records" ], "label_ids": [ "279669fd-fcd3-4d68-afa2-786b96e55de4" ], "release_date": "1989-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "#182 on YOUR countdown of the greatest albums of all time!\n\nThe album cover’s tomb was pure chance, not a plan. The marble tomb that defines Closer’s artwork came from a 1978 photo of a sculpture in an Italian cemetery. Designers Peter Saville and Martyn Atkins had picked the image long before Ian Curtis died. After his death, Saville panicked, thinking people would assume it was a tasteless marketing stunt. But Factory Records moved forward, embracing the eerie coincidence. The result is one of the most haunting album covers in music history, made even more powerful by how accidental it all was.\n\nhttps://www.thatericalper.com/2025/05/24/5-surprising-facts-about-joy-divisions-closer", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563051, "uri": "https://api.kexp.org/v2/plays/3563051/?format=api", "airdate": "2025-10-09T12:40:57-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://ia903208.us.archive.org/35/items/mbid-d4bfdd53-f9ac-35d8-b30d-f750b4420af4/mbid-d4bfdd53-f9ac-35d8-b30d-f750b4420af4-9552855097_thumb500.jpg", "thumbnail_uri": "https://ia803208.us.archive.org/35/items/mbid-d4bfdd53-f9ac-35d8-b30d-f750b4420af4/mbid-d4bfdd53-f9ac-35d8-b30d-f750b4420af4-9552855097_thumb250.jpg", "song": "Uncontrollable Urge", "track_id": "2568491f-1fac-38f3-9725-8f3817af2cc6", "recording_id": "b3ed4110-5514-4862-bc24-cdfad3e1f462", "artist": "DEVO", "artist_ids": [ "d2db1078-c170-4e22-b261-14f3ad60a690" ], "album": "Q: Are We Not Men? A: We Are Devo!", "release_id": "d4bfdd53-f9ac-35d8-b30d-f750b4420af4", "release_group_id": "60a754f9-50e1-346a-97db-925a1e2ad7e0", "labels": [ "Warner Bros. Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71" ], "release_date": "1990-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "#183 on YOUR countdown of the greatest albums of all time!\n\nProduced by Brian Eno, 'Q: Are We Not Men? A: We Are Devo!' was a seminal touchstone in the development of American new wave. It was one of the first pop albums to use synthesizers as an important textural element, and although they mostly play a supporting role in this guitar-driven set, the innovation began to lay the groundwork for the synth-pop explosion that would follow very shortly. The album revived the absurdist social satire of the Mothers of Invention, claiming punk rock's outsider alienation as a home for freaks and geeks. \n\nhttps://shorturl.at/B7YAX", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563050, "uri": "https://api.kexp.org/v2/plays/3563050/?format=api", "airdate": "2025-10-09T12:37:41-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://ia803105.us.archive.org/7/items/mbid-3d393154-0fc9-3182-b081-79c4f30d37e4/mbid-3d393154-0fc9-3182-b081-79c4f30d37e4-15223438954_thumb500.jpg", "thumbnail_uri": "https://ia803105.us.archive.org/7/items/mbid-3d393154-0fc9-3182-b081-79c4f30d37e4/mbid-3d393154-0fc9-3182-b081-79c4f30d37e4-15223438954_thumb250.jpg", "song": "Fight for Your Right", "track_id": "237b60f9-df7d-35a0-95f9-f3540fb59bb5", "recording_id": "e6141805-b907-421a-8fb0-93537efb3ce4", "artist": "Beastie Boys", "artist_ids": [ "9beb62b2-88db-4cea-801e-162cd344ee53" ], "album": "Licensed to Ill", "release_id": "2b1ddfeb-e20f-3cab-a47c-802c5d77be96", "release_group_id": "57f5e7c8-2a6e-34a0-b4cd-0e77695bc36f", "labels": [ "Def Jam Recordings" ], "label_ids": [ "a92d1684-4edb-48aa-b913-30e9da213004" ], "release_date": "2000-04-03", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "#184 on YOUR countdown of the greatest albums of all time!\n\nThe full ‘License To Ill’ album cover, front to back, features an American Airlines Boeing 727 with a Beastie Boys logo on its tail, which has crashed head-on into the side of a mountain, the former taking the shape of an extinguished joint. The tail of the plane also features the Def Jam logo and the registration number '3MTA3' which spells 'EATME' when viewed in a mirror. The idea for the album's cover came from the album's producer, Rick Rubin, after reading the Led Zeppelin biography Hammer of the Gods. The artwork was created by Stephen Byram and World B. Omes.\n\nhttps://diffuser.fm/cover-stories-beastie-boys-licensed-to-ill/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563049, "uri": "https://api.kexp.org/v2/plays/3563049/?format=api", "airdate": "2025-10-09T12:30:14-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3563048, "uri": "https://api.kexp.org/v2/plays/3563048/?format=api", "airdate": "2025-10-09T12:25:32-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://ia802807.us.archive.org/21/items/mbid-61a93f13-72ff-4aea-97e6-9b0954cb36b0/mbid-61a93f13-72ff-4aea-97e6-9b0954cb36b0-38216215200_thumb500.jpg", "thumbnail_uri": "https://dn721204.ca.archive.org/0/items/mbid-61a93f13-72ff-4aea-97e6-9b0954cb36b0/mbid-61a93f13-72ff-4aea-97e6-9b0954cb36b0-38216215200_thumb250.jpg", "song": "1979", "track_id": "a3bd7f64-6c16-3a2c-b1da-b2ae084b726f", "recording_id": "b4486e7a-2688-4b1d-a1fb-32244a6ab902", "artist": "The Smashing Pumpkins", "artist_ids": [ "ba0d6274-db14-4ef5-b28d-657ebde1a396" ], "album": "Mellon Collie and the Infinite Sadness", "release_id": "9f4038f8-0a09-47d1-a724-7bb214259f40", "release_group_id": "1af599c9-0b44-3a5a-a06b-39e8db6b2b4e", "labels": [ "Virgin" ], "label_ids": [ "49b58bdb-3d74-40c6-956a-4c4b46115c9c" ], "release_date": "1996-04-29", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "#185 on YOUR countdown of the greatest albums of all time!\n\n'Mellon Collie and the Infinite Sadness' is the third studio album by The Smashing Pumpkins. This 28-track album spawned six singles and remains the band's only album to top the Billboard 200. It went on to be certified diamond release with over 10 million copies sold in the U.S. alone.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563047, "uri": "https://api.kexp.org/v2/plays/3563047/?format=api", "airdate": "2025-10-09T12:21:44-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://ia801306.us.archive.org/14/items/mbid-bd6ea0c6-f5cd-4abf-828a-38df69ad1969/mbid-bd6ea0c6-f5cd-4abf-828a-38df69ad1969-1485559375_thumb500.jpg", "thumbnail_uri": "https://ia601306.us.archive.org/14/items/mbid-bd6ea0c6-f5cd-4abf-828a-38df69ad1969/mbid-bd6ea0c6-f5cd-4abf-828a-38df69ad1969-1485559375_thumb250.jpg", "song": "Midnight City", "track_id": "314e7ede-7903-3756-a818-0f8431cacf52", "recording_id": "e83bc6ba-eff9-412c-8c11-5153672f25e7", "artist": "M83", "artist_ids": [ "6d7b7cd4-254b-4c25-83f6-dd20f98ceacd" ], "album": "Hurry Up, We’re Dreaming", "release_id": "bd6ea0c6-f5cd-4abf-828a-38df69ad1969", "release_group_id": "5f898a60-acc5-48fc-a11b-2926084c0924", "labels": [ "Mute" ], "label_ids": [ "e0b106a5-4add-4839-9e40-c192457e1bf8" ], "release_date": "2011-10-18", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "#186 on YOUR countdown of the greatest albums of all time!\n\nHere's M83 performing Live on KEXP in 2023!\nhttps://www.youtube.com/watch?v=UHNVQ2PHTr4\n--\n‘Hurry Up, We're Dreaming’ is the sixth studio album by French electronic music band M83 and was released 2011. This was a double album which was a first for the band. Frontman Anthony Gonzalez created the album to remember his childhood. He also cited the ambitiousness of albums such as ‘Mellon Collie and the Infinite Sadness’ by the Smashing Pumpkins as the reason he made a double album. He described the two discs as brother and sister, with each track having a sibling on the other disc.\n\nhttps://www.theguardian.com/music/2011/sep/11/m83-anthony-gonzalez-dance-interview", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563046, "uri": "https://api.kexp.org/v2/plays/3563046/?format=api", "airdate": "2025-10-09T12:14:52-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3563045, "uri": "https://api.kexp.org/v2/plays/3563045/?format=api", "airdate": "2025-10-09T12:11:34-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://dn710207.ca.archive.org/0/items/mbid-7ff04291-9f33-455a-92d7-3b2326c9cfc4/mbid-7ff04291-9f33-455a-92d7-3b2326c9cfc4-26651531312_thumb500.jpg", "thumbnail_uri": "https://dn710207.ca.archive.org/0/items/mbid-7ff04291-9f33-455a-92d7-3b2326c9cfc4/mbid-7ff04291-9f33-455a-92d7-3b2326c9cfc4-26651531312_thumb250.jpg", "song": "Basket Case", "track_id": "e76a672e-0d74-4b8c-b7cb-a21ae9d709c0", "recording_id": "663f4d8c-2e69-4967-aa6f-bdb9da38dea4", "artist": "Green Day", "artist_ids": [ "084308bd-1654-436f-ba03-df6697104e19" ], "album": "Dookie", "release_id": "7ff04291-9f33-455a-92d7-3b2326c9cfc4", "release_group_id": "75ed7bfd-4608-4108-b035-02674e3b76ee", "labels": [ "Reprise Records" ], "label_ids": [ "af6d6f49-2b4d-40fe-86d4-241906772b59" ], "release_date": "1994-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "#187 on YOUR countdown of the greatest albums of all time!\n\n‘Dookie’ was the 1994 breakthrough album that set Green Day on the road to superstardom.\n\nIn this documentary about the recording of 'Dookie\", Larry Livermore, the man who discovered Green Day and nurtured the band to the verge of its commercial breakthrough, speaks about life inside the world of Green Day, and his early experiences with the band when they were known as Sweet Children.\n\nhttps://www.youtube.com/watch?v=Bi6etEDd1RE", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563044, "uri": "https://api.kexp.org/v2/plays/3563044/?format=api", "airdate": "2025-10-09T12:07:52-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://ia801509.us.archive.org/17/items/mbid-a6d21839-661c-4e80-93be-667e31a5df3a/mbid-a6d21839-661c-4e80-93be-667e31a5df3a-21277386149_thumb500.jpg", "thumbnail_uri": "https://ia601509.us.archive.org/17/items/mbid-a6d21839-661c-4e80-93be-667e31a5df3a/mbid-a6d21839-661c-4e80-93be-667e31a5df3a-21277386149_thumb250.jpg", "song": "The Modern Leper", "track_id": "957bd4be-5b07-3380-8e7f-04cd426a5cbe", "recording_id": "d41a0f92-9abb-4ff5-8785-c822fc3064a9", "artist": "Frightened Rabbit", "artist_ids": [ "dc21d171-7204-4759-9fd0-77d031aeb40c" ], "album": "The Midnight Organ Fight", "release_id": "8bc361f4-0b80-35c9-8372-bb7c664d8d85", "release_group_id": "4bf978f8-0408-37f0-961f-a492bad0159c", "labels": [ "FatCat Records" ], "label_ids": [ "21d42a26-b50d-4d1b-8494-ec07922919ce" ], "release_date": "2008-04-15", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "#188 on YOUR countdown of the greatest albums of all time!\n\nKEXP (and our listeners) love some Frightened Rabbit!\n\n‘Midnight Organ Fight’, the second studio outing from Scottish indie rockers Frightened Rabbit, is actually the group's first proper album, as 2006's engaging yet slight ‘Sing the Greys’ consisted largely of demos. Retaining its predecessor's raw, nervy center while introducing elements of proper, arena-fueled grandiosity, due in large part to the band's fiery performances but also to some deft knob-twiddling from producer Peter Katis (Interpol, The National), the 14-track collection is essentially a breakup album, but one that, despite its brutal and frankly disseminated subject matter, is so musically uplifting and emotionally charged that it manages to inspire, even at its most venomous.\n\nhttps://frightenedrabbit.bandcamp.com/album/the-midnight-organ-fight", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563043, "uri": "https://api.kexp.org/v2/plays/3563043/?format=api", "airdate": "2025-10-09T12:03:26-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://ia800301.us.archive.org/20/items/mbid-25322466-a29b-417b-b560-399687b91ddd/mbid-25322466-a29b-417b-b560-399687b91ddd-21025617038_thumb500.jpg", "thumbnail_uri": "https://ia600301.us.archive.org/20/items/mbid-25322466-a29b-417b-b560-399687b91ddd/mbid-25322466-a29b-417b-b560-399687b91ddd-21025617038_thumb250.jpg", "song": "Bloodbuzz Ohio", "track_id": "32f4b53b-062c-31f7-8bdf-750be3eddff3", "recording_id": "6a17a1a8-a70e-4cd7-93c6-d9a54820c354", "artist": "The National", "artist_ids": [ "664c3e0e-42d8-48c1-b209-1efca19c0325" ], "album": "High Violet", "release_id": "25322466-a29b-417b-b560-399687b91ddd", "release_group_id": "1ce57f6a-62c8-4017-ad38-3339f542faae", "labels": [ "4AD" ], "label_ids": [ "a539bb1e-f2e1-4b45-9db8-8053841e7503" ], "release_date": "2010-05-11", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "#189 on YOUR countdown of the greatest albums of all time!\n\n“With an ever rising profile and plenty of indie-famous friends-- Sufjan Stevens and Bon Iver's Justin Vernon guest here-- The National were afforded the opportunity to obsess over ‘High Violet’. They could've holed up and recorded an idiosyncratic, expectation-defying mess. Instead they produced an ornate, fussed-over record that sounds like no one other than themselves. Given the amount of flack they take for being a no-frills bore, simply refining their sound was arguably the braver option…mostly, they construct gorgeous, structurally sound vignettes.”\n\nhttps://pitchfork.com/reviews/albums/14203-high-violet/\n--\nHere's The National Live on KEXP in 2017. It's donations like YOURS that make these events possible and are always open to our listeners!\n\nhttps://www.youtube.com/watch?v=UKOq5rAFoJw", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563042, "uri": "https://api.kexp.org/v2/plays/3563042/?format=api", "airdate": "2025-10-09T11:53:06-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3563041, "uri": "https://api.kexp.org/v2/plays/3563041/?format=api", "airdate": "2025-10-09T11:50:06-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://ia903201.us.archive.org/15/items/mbid-5ba4d831-136e-4964-8cd6-bd3ea66b7062/mbid-5ba4d831-136e-4964-8cd6-bd3ea66b7062-33438839997_thumb500.jpg", "thumbnail_uri": "https://ia803201.us.archive.org/15/items/mbid-5ba4d831-136e-4964-8cd6-bd3ea66b7062/mbid-5ba4d831-136e-4964-8cd6-bd3ea66b7062-33438839997_thumb250.jpg", "song": "Sun in My Mouth", "track_id": "4ed5d833-17e3-326c-bd44-884b2ef19a0e", "recording_id": "3eae854c-1488-409c-a13e-275ea309753d", "artist": "Björk", "artist_ids": [ "87c5dedd-371d-4a53-9f7f-80522fb7f3cb" ], "album": "Vespertine", "release_id": "5ba4d831-136e-4964-8cd6-bd3ea66b7062", "release_group_id": "271faeb3-fdd1-3ebb-80aa-97b3116e9341", "labels": [ "Elektra Entertainment" ], "label_ids": [ "745f3292-03fe-44b5-babe-bc7eaa46a15d" ], "release_date": "2001-08-28", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "#190 on YOUR countdown of the greatest albums of all time!\n\n‘Vespertine’ is the fourth studio album by Icelandic recording artist Björk and was released in August 2001.\n\nProduction on the album began during the filming of the movie ‘Dancer in the Dark’, which was characterized by conflict between her and director Lars von Trier. Vespertine's sound reflected Björk's newly found interest in the music of artists such as Opiate and Console, who were also enlisted as producers.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563040, "uri": "https://api.kexp.org/v2/plays/3563040/?format=api", "airdate": "2025-10-09T11:47:09-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://ia601201.us.archive.org/20/items/mbid-b292c647-e3f6-4991-a919-7bd4df4d99ff/mbid-b292c647-e3f6-4991-a919-7bd4df4d99ff-17513520760_thumb500.jpg", "thumbnail_uri": "https://ia801201.us.archive.org/20/items/mbid-b292c647-e3f6-4991-a919-7bd4df4d99ff/mbid-b292c647-e3f6-4991-a919-7bd4df4d99ff-17513520760_thumb250.jpg", "song": "HUMBLE.", "track_id": "8e7b33d6-1a3f-4e41-98a1-a08aa2a32e37", "recording_id": "f696d44a-fbf1-4c0a-94a4-7a8382822dcf", "artist": "Kendrick Lamar", "artist_ids": [ "381086ea-f511-4aba-bdf9-71c753dc5077" ], "album": "DAMN.", "release_id": "b292c647-e3f6-4991-a919-7bd4df4d99ff", "release_group_id": "b88655ba-7469-48b8-a296-b9011ab73ef3", "labels": [ "Top Dog Records" ], "label_ids": [ "3bdf4987-3de7-4ed4-8d50-493ba5863c06" ], "release_date": "2017-04-17", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "#191 on YOUR countdown of the greatest albums of all time!\n\n‘DAMN’ received widespread acclaim from critics, with many naming the album one of the best albums of 2017 and the decade. The album topped the US Billboard 200 with 603,000 album-equivalent units earned in its first week and topped the chart of Canada while reaching number two in Australia, Belgium, Denmark, Ireland, the Netherlands, Norway, Sweden, and the United Kingdom. It has since been certified triple platinum by the Recording Industry Association of America (RIAA) in May 2018 and was the Billboard Year-End number one album of 2017. The album earned Lamar the 2018 Pulitzer Prize for Music, the first time an artist outside of the classical and jazz genres received the honor. ", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563039, "uri": "https://api.kexp.org/v2/plays/3563039/?format=api", "airdate": "2025-10-09T11:43:31-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://ia801401.us.archive.org/33/items/mbid-01882f08-0c82-4ecb-8a3f-471e2f61ef52/mbid-01882f08-0c82-4ecb-8a3f-471e2f61ef52-1815601406_thumb500.jpg", "thumbnail_uri": "https://ia801401.us.archive.org/33/items/mbid-01882f08-0c82-4ecb-8a3f-471e2f61ef52/mbid-01882f08-0c82-4ecb-8a3f-471e2f61ef52-1815601406_thumb250.jpg", "song": "Ready or Not", "track_id": "981e6e68-946a-3a93-9c83-8b309ece1d11", "recording_id": "b6115d1d-6aca-4b3e-aa34-b6ac53858b02", "artist": "Fugees", "artist_ids": [ "ea321799-9b1d-4e74-a074-a5facf597d82" ], "album": "The Score", "release_id": "01882f08-0c82-4ecb-8a3f-471e2f61ef52", "release_group_id": "dd2203dd-a149-316b-ad7f-a303dc4fc459", "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "1996-04-02", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "#192 on YOUR countdown of the greatest albums of all time!\n\nThe album’s vibe was built around the song “Fu‑Gee‑La.” Producer Salaam Remi has said that the song was recorded before the Fugees even got a proper budget for their second album. They didn’t yet have full resources, but Remi had created a beat and during that session, Wyclef ended up writing his verse on the spot after hearing it. That moment clarified what ‘The Score’ could be.\n\nHere’s a deep dive into the recording and all of the influences that went into recording ‘The Score’:\nhttps://ambrosiaforheads.com/2016/02/the-fugees-fu-gee-la-set-the-score-for-the-group-salaam-remi-explains/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563038, "uri": "https://api.kexp.org/v2/plays/3563038/?format=api", "airdate": "2025-10-09T11:33:26-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3563037, "uri": "https://api.kexp.org/v2/plays/3563037/?format=api", "airdate": "2025-10-09T11:31:22-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://coverartarchive.org/release/d7eb4cf2-ad75-4b3f-b311-a0f6144b7ece/38560883654-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/d7eb4cf2-ad75-4b3f-b311-a0f6144b7ece/38560883654-250.jpg", "song": "Crosstown Traffic", "track_id": null, "recording_id": "15656528-bebb-4866-b9cc-597cec91f6ee", "artist": "The Jimi Hendrix Experience", "artist_ids": [ "33b3c323-77c2-417c-a5b4-af7e6a111cc9" ], "album": "Electric Ladyland", "release_id": null, "release_group_id": "47ba2d59-5544-34a4-b108-dc08c0956298", "labels": [ "Geffen Records" ], "label_ids": [ "0fadc2ce-f7de-4e27-bbe6-612b317e716b" ], "release_date": "1968-10-25", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "#193 on YOUR countdown of the greatest albums of all time!\n\nThe recording sessions for 'Electric Ladyland' were notoriously chaotic — to the point that Hendrix often lost control of them entirely. Hendrix would frequently invite large numbers of friends, groupies, and hangers-on into the studio, turning recording sessions into all-night parties. This frustrated producer Chas Chandler (who had discovered Hendrix), and it ultimately led to Chandler quitting the project. \n\n“After he left, the gate was open and Jimi could experiment,” says producer Eddie Kramer. “The whole album was an experimental thing. Whether it turned out to be a blues jam like ‘Voodoo Chile’, which was magnificent, or an experimental thing like ‘1983…’ it didn’t really matter, because it all fitted together.\n\nhttps://www.uncut.co.uk/news/jimi-hendrix-producer-eddie-kramer-recalls-electric-ladyland-sessions-58180/?utm_source=chatgpt.com", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563036, "uri": "https://api.kexp.org/v2/plays/3563036/?format=api", "airdate": "2025-10-09T11:27:52-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://ia601902.us.archive.org/20/items/mbid-cb7ae4d4-9e86-32a6-8afb-c9b98de6f1f9/mbid-cb7ae4d4-9e86-32a6-8afb-c9b98de6f1f9-3882539681_thumb500.jpg", "thumbnail_uri": "https://ia801902.us.archive.org/20/items/mbid-cb7ae4d4-9e86-32a6-8afb-c9b98de6f1f9/mbid-cb7ae4d4-9e86-32a6-8afb-c9b98de6f1f9-3882539681_thumb250.jpg", "song": "Cut Your Hair", "track_id": "77b8a3dd-4c08-3471-bc2d-84408b36c1d3", "recording_id": "5a6d98a8-fe47-4fca-b041-d163faf482e8", "artist": "Pavement", "artist_ids": [ "36bfa85f-737b-41db-a8fc-b8825850ffc3" ], "album": "Crooked Rain, Crooked Rain", "release_id": "cb7ae4d4-9e86-32a6-8afb-c9b98de6f1f9", "release_group_id": "4f348977-6f44-39f9-b243-071927ecc6a4", "labels": [ "Matador" ], "label_ids": [ "229bd4be-8cd7-442c-85b0-5007ea353abc" ], "release_date": "1994-02-15", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "#194 on YOUR countdown of the greatest albums of all time!\n\n'Crooked Rain, Crooked Rain' was released on February 14, 1994.\n\nStephen Thomas Erlewine of AllMusic wrote, \"Crooked Rain strips away the hiss and fog of [Slanted], removing some of Pavement's mystery yet retaining their fractured sound and spirit. It's filled with loose ends and ragged transitions, but compared to the fuzzy, dense Slanted, Crooked Rain is direct and immediately engaging.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563035, "uri": "https://api.kexp.org/v2/plays/3563035/?format=api", "airdate": "2025-10-09T11:25:53-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "https://ia801602.us.archive.org/22/items/mbid-608de3ea-c08f-36f5-9ac6-53d401940de7/mbid-608de3ea-c08f-36f5-9ac6-53d401940de7-11745044868_thumb500.jpg", "thumbnail_uri": "https://ia601602.us.archive.org/22/items/mbid-608de3ea-c08f-36f5-9ac6-53d401940de7/mbid-608de3ea-c08f-36f5-9ac6-53d401940de7-11745044868_thumb250.jpg", "song": "Pink Moon", "track_id": "a133271d-b10b-331f-80b0-8c4b08b44622", "recording_id": "d840d505-c0e0-44fe-9c03-3a272cfff88e", "artist": "Nick Drake", "artist_ids": [ "99ea432a-e3d8-42cb-9d5e-db316a6a8458" ], "album": "Pink Moon", "release_id": "608de3ea-c08f-36f5-9ac6-53d401940de7", "release_group_id": "740ec10a-e887-38a6-a04d-fe2069c9e2a7", "labels": [ "Hannibal" ], "label_ids": [ "7fd6a368-1932-4621-88e1-9a71929ee9b9" ], "release_date": "1992-05-08", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "#195 on YOUR countdown of the greatest albums of all time!\n\nThe Guardian spoke with John Wood, the sound engineer and producer of ‘Pink Moon’:\n\n“It was a much more intimate recording than his first two albums,” says Wood. Gone were the mournful strings and the jaunty brass and in their place was simplicity: just Drake and his guitar. “I think he wanted to make a very direct and personal record. I thought, after the first couple of songs, that we would probably augment it a bit. Not a lot, but I was expecting him to get (double bass player) Danny Thompson in maybe. After the second number, I said something and he just replied, ‘No, that’s it. That’s all we’re doing.’ And that was it.”\n\nhttps://www.theguardian.com/music/2022/jul/05/nick-drake-pink-moon-50-years-producer-misunderstood-classic-john-wood", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3563034, "uri": "https://api.kexp.org/v2/plays/3563034/?format=api", "airdate": "2025-10-09T11:15:27-07:00", "show": 64787, "show_uri": "https://api.kexp.org/v2/shows/64787/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" } ] }
