Play Public Instance

HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "id": 3571865,
    "uri": "https://api.kexp.org/v2/plays/3571865/?format=api",
    "airdate": "2025-10-30T15:13:42-07:00",
    "show": 64976,
    "show_uri": "https://api.kexp.org/v2/shows/64976/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "song": "Shack Up",
    "track_id": null,
    "recording_id": "f106cb62-1bba-4bdc-807e-a61f940af942",
    "artist": "Banbarra",
    "artist_ids": [
        "043f7a48-a53e-4394-af4e-e2de2b21356d"
    ],
    "album": "Blue Break Beats, Volume 4",
    "release_id": null,
    "release_group_id": "928186ce-df8c-3eea-9a8c-d20937731689",
    "labels": [
        "Blue Note"
    ],
    "label_ids": [
        "713c4a95-6616-442b-9cf6-14e1ddfd5946"
    ],
    "release_date": "1999-02-09",
    "rotation_status": null,
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "Based in Washington D.C., Banbarra was essentially two men – co-writers Moe Daniels and Joe “Bunny” Carter – and some uncredited session musicians.\n--\nCo-writers Moe Daniels and Joe “Bunny” Carter, the only credited artists on the 7-inch label, built “Shack Up” from Carter’s lyrics and a Daniels instrumental then titled “Boogie on the Other Side of Town.” And the pieces that made the song a DJ favorite – John Cannon’s extended, slippery-on-the-one drum break and Steve Moody’s grease-gun bassline – were largely assembled and put to tape in one day.",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}