Play Public Instance

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{
    "id": 3619515,
    "uri": "https://api.kexp.org/v2/plays/3619515/?format=api",
    "airdate": "2026-02-19T13:08:20-08:00",
    "show": 65975,
    "show_uri": "https://api.kexp.org/v2/shows/65975/?format=api",
    "image_uri": "",
    "thumbnail_uri": "",
    "comment": "When preparing to put together \"Dwight Spitz,\" his third full-length album, Count purchased an AKAI S-300 and an MPC-2000 sampler. The Ohio-native/then Tennessee-resident worked extensively with MF DOOM, who he’d known since the early ’90s, to hone his production skills. Eventually, the self-described “Fender Rhodes Scholar” gained some level of mastery over the equipment and created music that had a creative mix of sample-based material and live instrumentation.",
    "location": 1,
    "location_name": "Default",
    "play_type": "airbreak"
}