Play Public Instance

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{
    "id": 3621402,
    "uri": "https://api.kexp.org/v2/plays/3621402/?format=api",
    "airdate": "2026-02-23T20:00:58-08:00",
    "show": 66014,
    "show_uri": "https://api.kexp.org/v2/shows/66014/?format=api",
    "image_uri": "https://coverartarchive.org/release/4269cab6-2952-43cf-8813-3eb7059ec6c3/6693131507-500.jpg",
    "thumbnail_uri": "https://coverartarchive.org/release/4269cab6-2952-43cf-8813-3eb7059ec6c3/6693131507-250.jpg",
    "song": "Margie",
    "track_id": null,
    "recording_id": null,
    "artist": "Ray Barretto",
    "artist_ids": [
        "169153fd-ba80-401a-8ccd-2825efaf9155"
    ],
    "album": "Acid",
    "release_id": null,
    "release_group_id": "82210a1f-badf-3477-a6b1-bc8efcddd610",
    "labels": [
        "Fania"
    ],
    "label_ids": [
        "a00f1d54-2e47-492b-b24b-3b994b2ba0c4"
    ],
    "release_date": "1968-01-01",
    "rotation_status": null,
    "is_local": false,
    "is_request": false,
    "is_live": false,
    "comment": "“Margie,” from Ray Barretto’s 1968 album Acid, reflects the Latin boogaloo and early salsa crossover moment in New York. Barretto, one of Fania’s most influential bandleaders, bridged jazz, soul, and Afro-Cuban rhythms, helping define the label’s late-60s sound.\n***\n“Margie”, del álbum Acid (1968), representa el cruce entre boogaloo y la salsa emergente en Nueva York. Ray Barretto fue uno de los directores más influyentes de Fania, integrando jazz, soul y ritmos afrocubanos en el sonido del sello a fines de los años 60.",
    "location": 1,
    "location_name": "Default",
    "play_type": "trackplay"
}